Audio-technica Bp4073 Shotgun Microphone
- Product Code: ga241613
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Use the Audio-Technica BP4073 shotgun microphone to capture broadcast-quality sound with directivity rivaling significantly longer shotgun mics. Ideal for indie films, TV shoots, and documentary projects, the BP4073 boasts professional-level features such as low-noise circuitry, a direct-coupled output, and extremely high SPL handling, all of which contribute to its clean signal across a broad range of output levels.
The BP4073's high sensitivity allows it to produce a strong output without requiring extreme gain at your mic preamp. With a selectable low-cut filter and a -10 dB pad, the BP4073 is capable of delivering clear, distortion-free sound due even on intensely loud sound sources. Plus, its full-spectrum frequency response utilizes a gentle increase in high frequencies to enhance intelligibility.
The rugged aluminum alloy housing ensures rugged dependability while maintaining an ultralight weight that won't burden your boompole or camera, and the included accessories accommodate mounting the BP4073 to a mic stand, boompole, or camera-mount microphone holder.
For Indie Films, TV & Documentaries Directivity Competitive with Long Mics Phantom Powered Selectable Low-Cut Filter & -10 dB Pad Direct-Coupled Output for Clean Audio Low-Noise Circuitry, High Maximum SPL High Sensitivity Requires Less Gain Gentle Presence Boost Windscreen Reduces Wind Noise Ultralightweight Housing
Key Specs | |
---|---|
Element Type | Condenser |
Polar Pattern | Lobar / Supercardioid |
Controls | Pad, Low Cut/HPF |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 141 dB 151 dB (with Pad) |
Analog Output | 1x XLR 3-Pin |
Power Sources | Phantom Power |
Microphone | |
Sound Field | Mono |
Element Type | Condenser |
Polar Pattern | Lobar / Supercardioid |
Orientation | End Address |
Circuitry | Solid-State |
Pad | -10 dB |
High-Pass Filter | 80 Hz, 18 dB/Octave |
Filter & EQ | Low-Cut Filter: 80 Hz, 18 dB/Octave |
Controls | Pad, Low Cut/HPF |
Performance | |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 141 dB 151 dB (with Pad) |
Off-Axis Rejection | >5 dB at 60° >15 dB at 120° >15 dB at 180° |
Sensitivity | -29 dBV/Pa (Open Circuit Voltage) |
Dynamic Range | 128 dB (1 kHz, at Max SPL) |
Equivalent Noise Level | 13 dB (A-Weighted) |
Connectivity | |
Analog Output | 1x XLR 3-Pin |
Power | |
Power Sources | Phantom Power |
Operating Voltage | 48 V |
Physical | |
Color | Black |
Mounting Thread Size | 5/8"-27 Female (3/8"-16 Female with Included Adapter) |
Dimensions | ø: 0.83 x L: 9.17" / ø: 21 x L: 233 mm |
Weight | 3.49 oz / 99 g (Microphone) |
Packaging Info | |
Package Weight | 1.65 lb |
Box Dimensions (LxWxH) | 19.5 x 4.6 x 2.4" |
Though only approximately 9.2" long, the BP4073 offers the directivity of microphones up to 50% longer than it. This is accomplished through the use of a special Audio-Technica design that grants the BP4073's interference tube a narrow acceptance angle.
The BP4073 was built to produce broadcast-quality sound. Its direct-coupled balanced output provides clean signal even in high-output conditions; the balanced topology also allows longer cable runs than typical unbalanced camera-mount mics afford.
The supercardioid polar pattern yields focused on-axis directionality with maximum rear-entry sound rejection. Its low self-noise of 13 dBA and highly sensitive condenser element communicate detailed audio unburdened by the hiss that plagues many low-cost microphones.
Activate the 80 Hz low-cut filter to reduce low-frequency noise from common sources such as air conditioners and traffic. Switch on the -10 dB pad to attenuate the input level when loud sound sources threaten to distort your recording.
Thanks to its 3-pin XLR output and 48 VDC phantom powering, the BP4073 is compatible with a variety of handheld audio recorders, field recorders, and mixer adapters, as well as built-in preamps on many camcorders and cinema cameras.
The BP4073 includes a mic clip for easy placement on a mic stand or boompole. Alternatively, mount the BP4073 in the Audio-Technica AT8415 shockmount (available separately) to impede the transfer of vibrations between your boompole and the mic. The BP4073 also includes two rubber O-rings that expand the microphone's diameter to fit the larger mic holders found on many high-end cameras.
The BP4073 has a foam windscreen to reduce unwanted wind noise from breezes, fans, heaters, and air conditioners. Enhanced attenuation of wind noise is possible with the addition of an optional furry windshield such as the Saramonic TM-WS1.
For maximum reduction of handling noise and wind noise in indoor or outdoor environments, consider the separately available Rycote Windshield Kit 4, a complete windjammer, windshield, and shockmount suspension system.
Related Questions and Answers
Q: 1. will this work the the sony a57?
A: It should work fine. Any camera with a microphone 1/8 jack port would work with this mic. Make sure that you camera has that before purchasing it. Specifically about the SONY A57, as per what I can see in the specs it does have a microphone 1/8 port. So, yes I believe you should be fine.
Q: 2. is ithis compatible with nikon D750?
A: Yes
Q: 3. So if I want my audio converted to digital IN-MIC, I need a Sony A7R IV? And using it on my Sony A7iii only gets me analog into camera? Please confirm.
A: Hi Roger, This microphone will work with the Sony A7III for Analog Audio through the Multi-Interface Shoe on the camera. For digital audio, you will need Sony A7RIV or A9II for the feature to work.
Q: 4. Will this mic work with Panasonic LUMIX DMC-GX8K?
A: The Rode VideoMicro features a 3.5mm output jack and requires plug-in power to operate. Unfortunately not able to be provided by the Lumix DMC-GX8 which features a 2.5mm input jack shared by remote and mic.
Q: 5. What mic would you recommend for a D850 mounted on a gimbal?
A: It depends on what you will be using the mic to record. The RODE VideoMicro Ultracompact Camera-Mount Shotgun Microphone is a good option for a mini shotgun mic that is compatible for use with the Nikon D850 DSLR Camera. Please feel free to contact us by phone or through live chat on the website if you would like assistance to find the best options for your specific application.
Q: 6. Can this work with Roland R26's side input?
A: The Roland R26 3.5mm mic input jack does support mics that require plug in power such as the Rode VideoMicro. These items are compatible.
Q: 7. can I use it with TASCAM DR-05X?
A: Yes, the RODE VideoMicro Ultracompact Camera-Mount Shotgun Microphone is compatible for use with the TASCAM DR-05X Portable Audio Recorder.
Q: 8. Hello. I read that this microphone is unable to be used with the Zoom H1. Would it work with the Tascam DR-05?
A: Both the Roland R-05 and the Zoom H1 provide the necessary plug-in power required by this microphone. Roland R-05 Portable 24-bit Digital Audio Recorder B&H # ROR05------------------- Zoom H1 Ultra-Portable Digital Audio Recorder (Black) B&H # ZOH1
Q: 9. The specs for this say operating voltage is 3 to 12 V, but the recommended mics for my Pentax K1 Mark ii specifies "Plug-in Power Method 2 v or lower." Does this mean this mic won't work with my Pentax?
A: The specs for the VideoMicro may have changed over time and we will update the information on our website. I checked with Rode and power requirements for the VideoMicro are 2 to 5 VDC so there will not be any compatibility issues using this microphone with your Pentax K1 Mark II camera. Here is a link to Rode's product info page for verification: https://www.rode.com/microphones/videomicro
Q: 10. will it work on a d500 ?
A: The Rode VideoMicro is compatible with the Nikon D500.
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