Da-lite 35355 67 X 91" Replacement Screen Surface For Fast-fold
- Product Code: ga244146
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This is the 35355 67 x 91" Replacement Screen Surface for Fast-Fold.
The tab-tensioning feature assures a flat, undistorted image. The back of the screen is designed with additional bracing to promote an even flatness to the screen surface. When this is achieved, the projected image appears more professional leaving less room for your audience to be distracted by a potentially skewed image.
Note: This is a replacement screen surface only. The frame and legs are available separately. This surface is for a Fast-Fold screen with a 67 x 91" viewing area (113" diagonal).
113" Diagonal / 4:3 Aspect Ratio Ultra Wide Angle Surface 0.65 Gain / 156° Viewing Angle Square (Audio-Visual) Format 1:1 Aspect Ratio Rear Projection Tensioned Screen Surface Only
Parameters | |
---|---|
Type | None |
Front/Rear Projection | Rear |
Aspect Ratio | 4:3 |
Style | Replacement screen surface |
Dimensions | |
Viewing Area | 67 x 91" / 170.2 x 231.1 cm |
Diagonal | 113" / 287 cm |
Overall HxW | 6 x 8' / 1.8 x 2.4 m |
Surface | |
Gain | 0.65 |
Viewing Angle | 156° |
Screen Surface | Ultra Wide Angle |
Packaging Info | |
Package Weight | 10.5 lb |
Box Dimensions (LxWxH) | 43 x 18 x 5" |
Ultra Wide Angle is a flexible vinyl rear projection surface designed for wide viewing angles with controlled ambient light. It is ideal for installations using multiple projection edge blending or wide format screens with short focal length projection lenses. The Ultra Wide Angle surface also reduces the potential of hot spotting. Cone: 156° Gain: 0.65
Related Questions and Answers
Q: 1. I'm hoping Sony or a pro user can answer this question.When shooting in the PP9 / S-Log3 profile, attempting to access white balance menus is impossible. Only by going into the pp9 profile settings and changing the Color Mode to Standard are you then allowed to do things like set manual white balance values for grey cards, input manual Kelvin values, or use indoor / outdoor presets. Does doing this mean that I'm technically not shooting S-Log3 anymore? I really need to know if I'm ruining the dynamic range S-Log usually provides by changing these settings.
A: S-Log 3 is a gamma profile.
Q: 2. Is that work with SDXC UHS-I Memory Card (Read speeds of up to 95MB/s; write speeds of up to 90MB/s) for record 4K (100Mb/s4:2:0 8-bit) in this camera ?
A: Yes, SDXC memory cards will work.
Q: 3. Is there a *Sony* wide angle adaptor for the PXW-Z90v?
A: We are not aware of a specific lens created by Sony for this camera yet. However you could use B&H # ZUWCX80 which has a 62mm thread adapter.https://bhpho.to/2gv3CfE
Q: 4. Sony PXW-Z90V is manufactured in Japan !?
A: The Country of Origin for the PXW-Z90V is China.
Q: 5. Would the Z90 be available for purchase without the handle? I laready have the Sony XLR Km2 Microphone system which would mount on the Sony hot shoe on the camera. The microphone on the Z90 looks identical to the XLR KM2 unit.
A: Hi Bill S, Unfortunately there will not be a model without the top handle available for purchase. Ralph
Q: 6. I'm interested in know so about of the function nightshot of Sony PXW-Z90. In this function, does equipment record in 4k or what would be the quality with which you record? These is presence of noise in the fps that is, do we have depth of field in this function?I will be aware of your response.Thank so muchBest regardsAnthony Anicama
A: On the PXW-Z90 is no nightshot function such as infrared or green surveillance video on this camera. If that is what you need, there are cameras for that. This is much more sophisticated camcorder for events/social/weddings/broadcast and it will deliver an excellent image. It does have a 1 sensor so it is much better than camcorders of its type just a few years ago to record in low light. Do know that effective low light shooting is also dependant on the videographer applying all the technique they can to make the video effective. This can include boosting the available light, using an on-board light not at full intensity but just enough to give detail to a face 3' away, etc etc. Noise should be acceptable unless you are in near total darkness and shooting high FPS. As far as depth of field is concerned I suggest more research as to what it is, what it does and how you can use it. Generally, when shooting high FPS you need light so the aperture is going to be wide open then on medium to telephoto shots the DOF will be limited.
Q: 7. Does the Z90 have S Log-2 besides HLG . I understand HLG isn't really for grading but rather delivery?
A: Hello. The PXW-Z90V does feature S-Log2 and S-Log3.
Q: 8. I'm looking for a 4K video camera with both HDMI & SDI video outputs, as well as XLR audio inputs... which led me to this product. My question is how much background blur this aperture/sensor ratio can produce, and whether a different camera, also meeting the above criteria, might produce better background blur? For example, I read the aperture is f2.8 when the zoom is set to all the way wide -- but to what focal length would that equate in full frame mirrorless terms? Thanks in advance!
A: The amount of depth of field depends on the focal length, aperture, the distance of your subject in focus to the camera's sensor, and the distance of your subject to the background. Decreasing the aperture and distance between the camera and subject in focus will increase your depth of field. Increasing the focal length and distance between the subject in focus to the background will also produce more background blur. B&H lists a 35mm equivalent focal length, on the specifications tab on each camera (any camera that is not full-frame). For the Sony PXW-Z90V, the 35mm equivalent focal length is 29mm and zooms 48 times (29-1392mm).
Q: 9. Why does it not have a warranty?
A: This would come with a 1 year manufacturers USA warranty.
Q: 10. Can this camara record in NTSC and PAL? Or do I need to command one or the other?
A: Hi Juan O, You can only record at 1 frame rate at a time. Here is a list of your options and CODECS:Recording Frame Rate:XAVC QFHD (3840 x 2160): 29.97p, 25p, 23.98p 100/60 Mb/sXAVC HD (1920 x 1080): 59.94p, 50p, 29.97p, 25p, 23.98p, 50/35 Mb/sXAVC HD (1920 x 1080): 59.94i, 50i, 50/35/25 Mb/sXAVC HD (1280 x 720): 59.94p, 50p, 50 Mb/sXAVC Proxy (1280 x 720): 59.94p, 50p, 29.97p, 25p, 23.98p, 9 Mb/sXAVC Proxy (640 x 360): 59.94p, 50p, 29.97p, 25p, 23.98p, 3 Mb/sMPEG HD422 (1920 x 1080): (CBKZ-SLMP required) 59.94i, 50i, 29.97p, 25p, 23.98p, 5 Mb/sMPEG HD422 (1280 x 720): (CBKZ-SLMP required) 59.94p, 50p, 50 Mb/sMPEG HD420 (1920 x 1080): 59.94i, 50i, 29.97p, 25p, 23.98p, HQ mode (35 Mb/s)MPEG HD420 (1440 x 1080):(CBKZ-SLMP required) 59.94i, 50i, HQ mode (35 Mb/s)MPEG HD420 (1280 x 720): (CBKZ-SLMP required) 59.94p, 50p, HQ mode (35 Mb/s)MPEG HD Proxy (1280 x 720): (CBKZ-SLMP required) 59.94p, 50p, 29.97p, 25p, 23.98p, 9 Mb/sMPEG HD Proxy (640 x 360): (CBKZ-SLMP required) 59.94p, 50p, 29.97p, 25p, 23.98p 3 Mb/sAVCHD (1920 x 1080): 59.94p, 50p, PS mode (28 Mb/s)AVCHD (1920 x 1080): 59.94i/50i FX mode (24 Mb/s) FH mode (17 Mb/s)AVCHD (1920 x 1080): 29.97p/25p/23.98p, FX mode (24 Mb/s)AVCHD (1440 x 1080): 59.94i, 50i LP mode (5 Mb/s)AVCHD (1280 x 720): 59.94p, 50p, HQ mode (9 Mb/s)Regards,Ralph
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