Arri Case For As12+, As18 And M18 Lampheads
- Product Code: ga244320
-
The ARRI Case for AS12+, AS18 and M18 Lampheads is designed specifically for storage and transport of any of these 3 ARRI lampheads.
For AS12+, AS18, and M18 Lampheads
Key Specs | |
---|---|
Color | Gray |
Carry/Transport Options | Handle |
Type of Closure | Latch |
Dimensions | Exterior 31 x 20 x 18" / 78.7 x 50.8 x 45.7 cm |
Weight | 39 lb / 17.7 kg |
Parameters | |
Carry/Transport Options | Handle |
Type of Closure | Latch |
General | |
Padded Interior | Yes |
Materials | Exterior: Laminate (Wood) |
Dimensions | Exterior 31 x 20 x 18" / 78.7 x 50.8 x 45.7 cm |
Weight | 39 lb / 17.7 kg |
Packaging Info | |
Package Weight | 34 lb |
Box Dimensions (LxWxH) | 32 x 24 x 20" |
Related Questions and Answers
Q: 1. Will this work with Red Pro lenses ?
A: Yes, the otodioX Pro Lens Mount Adapter with Generation v10 Focus Confirmation Chip for ARRI PL-Mount Lens to Canon EF or EF-S Mount Camera is compatible with Red Pro lenses with a PL mount.
Q: 2. Is this a good device for recording Live karaoke with it's built in Mics. Is it too Much of a device or too little? I am new to these devices and want to truly hear how I sound while singing. Not while I am singing. and hearing my self in my head
A: This recorder is a great choice for capturing either the live performance in the room with the built-in mics, or for connecting the inputs on the bottom to a mixer or speaker output for a direct recording.
Q: 3. Can you record line level signal with the 2 XLR's?
A: Yes as long as you switch them to line level You will have line level, mic level and instrument level.
Q: 4. Will the PL to RF speed booster .71x work with Zeiss Supreme Primes also? Or one CP.2/3's? I would by this for the Supreme Primes to go on the RF but need a speed booster to capture the entire sensor. Thank you so much!
A: Please see the following link which shows all the compatible lenses that have been tested and work with the Metabones ARRI PL Lens to Canon RF-Mount T Cine Speed Booster ULTRA 0.71x (EOS-R). If the exact lens model is not on the list it is not compatible. https://bit.ly/3zCh5IA
Q: 5. Will this work with Zeiss 21-100mm T2.9-3.9 LWZ.3?
A: The ZEISS 21-100mm T2.9-3.9 Lightweight Zoom LWZ.3 Lens (PL Mount, Feet) is incompatible with the Metabones ARRI PL Lens to Canon RF-Mount T Cine Speed Booster ULTRA 0.71x (EOS-R). Speed Booster adapters are only compatible with full-frame lenses.
Q: 6. I heard that this needs to be adjusted to hit infinity focus, is that the case? Use with Red Komodo Original.
A: The Metabones ARRI PL Lens to Canon RF-Mount T CINE Speed Booster ULTRA 0.71x II is compatible with the origional RED DIGITAL CINEMA KOMODO 6K Digital Cinema Camera (Canon RF), BH #REKOMB. The Metabones ARRI PL Lens to Canon RF-Mount T CINE Speed Booster ULTRA 0.71x II should be configured correctly out of the box, so you should not have to adjust the lens element in any way.
Q: 7. Is there a version with lens data support / XD and /I?
A: There is no lens adapter for mounting an ARRI PL mount lens to a Canon RF camera that has lens data support.
Q: 8. Heard this speedbooster only works with Zeiss CP lenses due to lens length is this true or can I use with DZO Vespid Primes?
A: The Metabones ARRI PL Lens to Canon RF-Mount T CINE Speed Booster ULTRA 0.71x II works with a large number of PL lenses, however, the DZO Vespid Primes are not compatible. To see the full compatibility list, click on the "Compatibility" button found on this product page.
Q: 9. So I am looking into buying my audio equipment and I am confused on what I should buy. Should I get the Zoom H5, Rode VideoMic Pro or should I buy an audio kit with boom pole? Or should I buy all three?
A: Dear Bryce. The zoom H5 is a recording device, or capture device. It's like a tape recorder, a nagra from the old days, except its digital. It has two little microphones on it which can come off. It has xlr inputs and 1/4 inch inputs for mics. On other words, you can attach anything to this device, like wireless receivers that take a signal from a Mic which you place on an actor, or, you could take a wireless signal from a Mic on the end of a boom pole. You can also run cable to the Mic and plug in directly to this device. So, for movie making this allows the sound person to be independent from the camera. All you need to do to make it easy to sync up later is use sticks at the beginning of a take, or the end. Do you follow me?.?.? Good.
Q: 10. Is the zoom powered? And if so how does it get power to the servo?
A: Yes, the zoom on the Fujinon Duvo HZK 24-300mm Portable Zoom Lens (PL Mount) can be powered either from a lens connector to the attached camera or via a 12-pin port.
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