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Pinnacle Microphones Vin-jet Long-ribbon Microphone With Stock Transformer (standard)

Pinnacle Microphones Vin-jet Long-ribbon Microphone With Stock Transformer (standard)
  • Product Code: ga246378
  • Availability: In Stock

$1,035.00 $1,428.30

The Vin-Jet with Stock Transformer from Cascade Microphones is a long-ribbon microphone with a figure-8 polar pattern best suited for recording vocals, electric & acoustic guitars, horns, and drum overheads in studio situations.

The sensitive aluminum ribbon is suspended between two powerful neodymium magnets and delivers a warm & natural sound with fast transient response, extended sweet spots, and distortion-free high-SPL handling (up to 135 dB).

The phantom-power-safe Vin-Jet is equipped with an open grill (without screening added) for an open and detailed sound. It comes with a leatherette storage pouch, a mic clip, and a molded flight case.

Stock Transformer    Figure-8 Symmetrical-Design Pattern    Maximum 135 dB SPL for Guitars & Drums    2.43" Long Aluminum Ribbon    Neodymium Magnets    Leatherette Pouch    Polypropylene Case

Key Specs
Polar PatternFigure-8
Element TypeRibbon
ControlsNo
Frequency Response25 Hz to 16 kHz
Maximum SPL135 dB
Analog Output1x XLR 3-Pin
Microphone
Polar PatternFigure-8
Element TypeRibbon
Sound FieldMono
Diaphragm2.5" / 63.5 mm
OrientationSide Address
ControlsNo
CircuitrySolid-State
Performance
Frequency Response25 Hz to 16 kHz
Maximum SPL135 dB
Sensitivity54.8 dB
Connectivity
Analog Output1x XLR 3-Pin
Physical
ColorBlack
Dimensionsø: 2.12 x L: 8.38" / ø: 53.97 x L: 212.72 mm
Packaging Info
Package Weight2.65 lb
Box Dimensions (LxWxH)11.8 x 10.2 x 6.2"

Stock transformer

Figure-8 symmetrical design polar pattern

Ribbon is 99% pure aluminum, 2.5µ thick, and 2.43 x 0.18"

Ribbon is suspended between a pair of powerful neodymium rare-earth permanent magnets

Can handle up to 135 dB SPL for miking guitar cabinets and drum overheads

Fast transient response, extended low and high ends, and wide sweet spots

Open grille design with no interior grille screening, for an open and detailed sound

Related Questions and Answers

Q: 1. How can the audio timecode be synced in Final Cut Pro?

A: Each Deity Microphones TC-1 Wireless Timecode Generator Box would be connected to to dedicated timecode inputs on your camera (or 3.5mm audio input if your camera does not have a dedicated timecode inputs) and recorder, then use the link below for help with syncing via timecode in Apple Final Cut Pro. If you are using the 3.5mm audio input Timecode needs to be converted through an app like DaVinci Resolve (Free) into useable Timecode, those files then are synced in that NLE, and then exported as an XML file for FCP. Apple Time code overview with Final Cut Pro https://apple.co/3HxTHzr

Q: 2. Will the plugin power functionality still work if I use a cord extension?

A: Yes! I use an extension over 12 ft long and it still works pretty good with my Canon 60D.

Q: 3. No longer have the original packaging for the VideoMicro, how do you find the serial number for warranty registration?

A: Rode microphones have their serial number written on a card included with the packaging. It is not written on the microphone itself.

Q: 4. Will this mic work with my cannon T5?

A: I used it with 5D Mark iii. Works great

Q: 5. Will it work with the Canon R5 Camera?

A: Yes it will.

Q: 6. Will it work for a Nikon D3400?

A: No. Unfortunately, the Nikon D3400 DSLR Camera does not have an input to connect an external microphone. In order to use an external microphone like the Rode VideoMicro Ultracompact Camera-Mount Shotgun Microphone with the D3400, you will need to use an external digital audio recorder to record the audio separately and then combine the video and audio tracks in post production.

Q: 7. Will this work for a Sony a7s?

A: Yes - as long as you have a mic or sound in jack on your camera.

Q: 8. dose it work with PXW-Z190?

A: Yes, the ECM-GZ1M microphone does work with the PXW-Z190 camera since both use Sony's multi-interface shoe

Q: 9. will the audio better better or equal to the videomic go if I used this on a canon t6i?

A: Better Up close. But the videomic go has more reach. Turn your t6i pre-amp down to 25% or less. Or use a zoom h1

Q: 10. Does the rode videomicro work with the fuji x100f?

A: I don't have that camera, but I'm sure it will ... I works with my canons well.

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