The Bogen WV100 Wall Mount Power Vector Modular Input Amplifier 100W with 8 module bays for a wide array of inputs and outputs. Modules are available for signal processing and inputs such as: balanced and unbalanced inputs; stereo or mono; telephone systems/PBXs; transformer-isolated; microphones; tone generator; and bridging. The Power Vector automatically senses each module and inserts it into the signal path. A 5-position barrier strip allows for 4/8ohm or 25/70V output loads. Wall mounting is simplified with flush and surface options (sold separately) while a thermally controlled 3-speed fan will keep your amp operating at full power. When you need an amplifier with flexibility and reliability, the Wall Mount Power Vector WV100 is the obvious choice.

2 Wall Mounting Options    8 Module Bays    4 Priority Levels    Motorized Volume Control    11-Segment LED Output Level Meter

8 module bays for inputs and outputs
Each input has a independant volume control

4 levels of priority between modules

125Hz Lo-cut filter for module 6

11-segment LED output level meter monitors the output level of the power amplifier with peak and average meter switch

Grounded, un-switched AC convenience receptacle with a 500W maximum capacity provided for external equipment

Remote volume control panel can operate motorized volume control (RVCP sold separately)

Related Questions and Answers

Q: 1. For quiet ambient recordings are the low noise floor capabilities the same on all F3, F6, F8? Or is the F8 better in this regard to the F6?

A: Yes, the EIN (Equivalent Input Noise) specifications for the preamps of the Zoom F6 6-Input / 14-Track Multitrack Field Recorder as well as those on the Zoom F3 and F8n models all show ≤-127 dBu (A-Weighted), meaning they all produce the same low amount of self noise.

Q: 2. Can I plug this recorder into my camera's 3.5 mic input to record audio so I can bypass camera's preamps?

A: You can use a line-to-mic attenuator cable to connect the 3.5mm line out from the Zoom F6 Multitrack Field Recorder to a 3.5mm mic input on a camera. This would not necessarily bypass the camera's preamps, but it would allow you to use XLR microphones with the preamps on the F6. The F6 will still record higher quality audio than the camera. As options for an attenuating cable, you can use the Kopul ACH4-25MON Line-to-Mic Attenuator Cable (B&H # KOACH425MON) which has a built-in headphone tap, the Sescom LN2MIC-ZOOMH4N Line to Microphone Attenuation Cable for HDSLR Cameras (B&H # SEL2MZH4N), or if you need a long cable, the Sescom LN2MIC-ZMH4N-6 Line to Microphone Attenuation Cable for HDSLR Cameras (B&H # SEL2MZH4N6) is 6-feet long.

Q: 3. What is this generally used for?

A: The Tascam DR-60DmkII 4-Input / 4-Track Multitrack Field Recorder BH #TADR60DMKII is highly recommended for Filmmaking, TV, and Web Broadcast. It could also be used for HOW applications , meetings and most general recording applications.

Q: 4. I would like to know whether I can use Rode Stereo Videomic which has 3.5 output with this recorded? If yes what kind of adapters would I need in order to get Stereo signal into a recorded? Thanks!

A: As Zachary mentioned, you can use the ALZO 3.5mm Female to Dual XLR Male Stereo Microphone Adapter Cord for Pro Camcorders (B&H # AL130) to connect the Rode Stereo VideoMic to the Zoom F6 and maintain stereo signal.

Q: 5. Can the USB-C be used for Audio-In by connecting to "Voyage Audio Spatial Mic Kit Ambisonics Microphone" (BH #VOSPVASAM1US) ?

A: The Zoom F6 6-Input / 14-Track Multitrack Field Recorder's USB-C port cannot be used for audio input from a USB-C microphone.

Q: 6. Does the F6 have to be continually plugged into camera for Timecode sync?

A: No, you can jamsync the F6.

Q: 7. what is the signal to noise ratio?

A: The manufacturer has not provided any specifications for the signal to noise ratio, but they have provided a the equivalent input noise rating which is ≤-127 dBu (A-Weighted).

Q: 8. Hi, what is the differrence between this devices and others like beachtek dxa-micro pro, I know that this device records audio, I mean in respect to provide profesional audio to dslr. Thanks

A: The difference between this recorder and a unit like the Beachtek or similar would be the ability to record. The Beacktek units only offer the preamps. The recording will still occur on the DSLR and will ultimately still pass through the DSLR electronics and not sufficient for most professional applications.

Q: 9. Is F6 (in 32 Bit ) compatible with Reaper DAW?

A: Reaper has support 32 bit float audio files, so files recorded by the F6 will work with this software.

Q: 10. What cable do I need to feed timecode from a Kinefinity Mavo LF (compatible with Arri Alexa TC In/Out port) 5 pin Lemo into the Zomm F6?

A: thank you for your question. you can use the BH #RECATCIPL cable to pass timecode from the Mavo to the F6