Countryman E6s Omnidirectional Earset Microphone For Azden Transmitters (high Gain, Black)
- Product Code: ga248739
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The Countryman E6s Omnidirectional Microphone is a miniature earset microphone for virtually invisible operation. The compact size and placement just in front of the ear make this microphone particularly well-suited for intimate theater and broadcast applications, or any use where low mic visibility is a key factor.
The omnidirectional pickup pattern provides a generous and forgiving pickup area around the perimeter of the capsule, while the stainless steel construction stands up to daily use, makeup, and sweat. The mic also comes with 3 different interchangeable caps that let you choose between a flat, bright, or very bright frequency response.
This version of the E6s is black and comes with a 1mm diameter cable. It terminates to a 1/8" (3.5mm) Mini connector for use with Azden wireless transmitters.
Omnidirectional Pickup Pattern Discreet Design Stainless Steel Construction 1mm Diameter Cable 1/8" (3.5mm) Mini Connector Interchangeable Frequency Response Caps Optimized for General Speaking
Key Specs | |
---|---|
Compatible Transmitters | Azden: WM-PRO, WLT-PRO, 32BT, WM22, 31LT |
Polar Pattern | Omnidirectional |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 120 dB |
Sensitivity | W5/5/High Gain for General Speaking (H6, E6, EM6, EM2) |
Analog Output | 1x Hirose 4-Pin |
Environmental Resistance | Water-Resistant with Included Housing (Unrated) |
Microphone | |
Compatible Transmitters | Azden: WM-PRO, WLT-PRO, 32BT, WM22, 31LT |
Polar Pattern | Omnidirectional |
Included Tone/Pattern Caps | +0 dB Flat, +4 dB Bright, +8 dB Very Bright |
Performance | |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 120 dB |
Sensitivity | 7.0 mV/Pa |
Sensitivity | W5/5/High Gain for General Speaking (H6, E6, EM6, EM2) |
Equivalent Noise Level | 24 dB (A-Weighted) |
Connectivity | |
Analog Output | 1x Hirose 4-Pin |
Cable Length | 5' / 1.52 m |
Cable Diameter | 0.04" / 1 mm |
Power | |
Power Sources | Plug-In Power |
Operating Voltage | 1 to 2 V |
Physical | |
Color | Black |
Environmental Resistance | Water-Resistant with Included Housing (Unrated) |
Weight | 0.07 oz / 2 g |
Packaging Info | |
Package Weight | 0.5 lb |
Box Dimensions (LxWxH) | 10 x 10 x 2" |
The miniature design is ideal for use in applications where visibility is a key factor, such as intimate theater settings and broadcasting
The stainless steel construction allows the mic to stand up to daily use, makeup, and sweat. When used with the included caps, the mic is virtually waterproof
The included 1mm diameter cable detaches easily from the headset, making it completely replaceable in the event of a short or break. The replaceable cable design makes upgrading wireless microphone systems easy, as they are available with a wide selection of connectors to accommodate various wireless transmitters
The omnidirectional polar pattern is effective in minimizing handling noise from fabric and wind
The mic comes with 3 interchangeable caps that provide you with a flat, bright, or very bright frequency response
The mic has a high sensitivity that is ideal for general speaking applications
Related Questions and Answers
Q: 1. What's the average file size of the lossless compressed raw format unique to this camera?
A: Due to this camera not being officially released yet, the only information available would be from reviewers with pre-production copies of the A7IV. However, we can make some guesses based on other current-generation Sony cameras. Based on current information we know from the Sony A1, the current file size reduction at 100 ISO is 37% and its uncompressed RAW file sizes at 50MP are approximately 56MB - 75MB. The A7IV will likely use the same algorithms, and we can guess-timate its uncompressed RAWs to roughly 37-49MB. Lossless compressed would then give you roughly a 24.5-31MB .ARW file.
Q: 2. Can it shoot XAVC HS 4K at 30p? I don't see it as an option.
A: Unfortunately it cannot shoot 4K 30P in the XAVC HS format. You'll have to do XAVC-S or XAVC-S-I for 4K 30P.
Q: 3. Is the camera menu similar to the a7iii or has the menu been updated to a simpler version?
A: The menu on the Sony Alpha a7 IV is very close to the menu on the Sony Alpha a7 III.
Q: 4. Is it Fair enough to say Sony a7iv's 4k 60 fps's video quality better than Sony a7s iii's 4k 60 fps's video quality because a7 iv's 4k 60 fps video down sampling from 4.6K n a7s iii is not?
A: Not necessarily. The A7IV shoots 4K60 cropped (1.5x crop, aka Super35) whereas the A7SIII shoots 4K60 internally with full sensor width.
Q: 5. I Understand that 4k 60 has the Super 35mm crop. But does the A7iv shoot 1080 60fps in full frame?
A: Yes the A7IV is able to film in 1080 60p in full Full Frame
Q: 6. Does this camera support 4k60 16bit raw output over HDMi like the Sony A7siii?
A: Yes.
Q: 7. What is the max bitrate for 120fps? Is it still just 12 and 16 like the a7riv?
A: When recording in FullHD 120fps the max bitrate is 100 Mbps
Q: 8. Does this camera have a tripod thread on the bottom?
A: Yes, the Sony Cyber-shot DSC-RX1R II Digital Camera has a standard 1/4 -20 tripod thread socket on the bottom of the camera.
Q: 9. What are the actual viewing dimensions of the EVF itself?
A: Unfortunately there is no method of giving you actual dimensions of view inside. However the viewfinder is 2,359,296 Dots and has the same resolution/dimensions as an A7RII.
Q: 10. Is the camera wether proof?
A: This would be weather sealed, but not weather proof.
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