This Pro Co Sound Excellines Series 1/4" Phone Angled Male to 1/4" Phone Male Cable is a cable which is great for use with guitars or instruments. The Excellines Series has been Pro Co Sound's standard guitar cable since 1982. Using ShowSavers standard 1/4" connectors and 23rd generation Pro Co 120S1 wire, it features the blue "widget" strain relief under each connector, which is the cable's trademark.

Basic sturdy guitar cables with all components 100% made and assembled in America

Lies down flat on stage and follows you everywhere effortlessly

Spiral shielding with 55% coverage

Related Questions and Answers

Q: 1. Where can I get a replacement lens cap for this lens?

A: I'm sorry, we no longer carry that cap, as it has been discontinued by Tamron.

Q: 2. Are there any recommended ND filters for this lens? I'm using it on my Panasonic Gh5s with the metabones speedbooster.

A: Since the Tamron has a rear gel filter holder, perhaps the new Haida Rear Lens ND Filter Kit for Tamron SP 15-30mm f/2.8 Di VC USD Lens (https://bhpho.to/2XxAC8O)

Q: 3. Does this unit respond to HDMI record triggers and HDMI timecode from Sony Z90 and NX80?

A: Yes, the recorder features a 1 x HDMI Type-D SMPTE Timecode Input.

Q: 4. How can I sync timecode from tentacle sync into mix pre ii ?

A: The MixPre II can either be a "master" and send/jam timecode to the Tentacle Sync ("slave"), or the Tentacle Sync can act as "master" and jam the MixPre II ("slave"). If you are using the MixPre II as a master, simply set the MixPre II TC Mode to Free Run. If you are using the Tentacle Sync as the master, please set the MixPre II TC Mode to AUX IN 1 or AUX IN 2. Please refer to the Tentacle Sync manual to determine how to set this device to send and/or receive timecode, depending on your preference of using it as a "master" or "slave."

Q: 5. Is the hood fixed or can it be removed?

A: The lens hood is fixed.

Q: 6. Will a rear mount filter system like the one on this lens work with gradient gel filters (if those even come in a gel equivalent)?

A: In all our years of cinematography we have not heard of a rear gel grad filter ever being available. It is our opinion that it would not be practical. In order to fully utilizes grad filters, the user needs to position them precisely. That position may be higher or lower than the center of the frame. Also, it could be at an angle as well. This would be very difficult to manage in a rear gel. The clear solution is using 100mm filters in a holder such as NiSi S5 150mm Filter Holder Kit with Circular Polarizer for Select Tamron 15-30mm Lenses BH NIFH150T1530.

Q: 7. Is this compatible with the Nikon Z6 (using FTZ) if you use the Tamron Tap-in console?

A: Yes, the Tamron SP 15-30mm f/2.8 Di VC USD G2 Lens for Nikon F is compatible with the Nikon Z 6 camera when using the Nikon FTZ Mount Adapter. Use the Tamron TAP-in Console for Nikon F lenses to make sure the lens firmware is up to date.

Q: 8. Can I jam sync timecode using my Fujifilm X-T3?

A: Thank you for your question. Neither the Fujifilm or the Mix pre 3 generate time code. You would need to get an external time code syncing device and input the devices into the mic input on camera and the TRS AUX in on the mix pre. I suggest using the Tentacle Sync Sync E Timecode Generator with Bluetooth (Dual Set) BH #TETE2

Q: 9. Do any of the field cases fit the MixPre-3 with L-battery sled?

A: Yes, the Strut STR-MP3 Custom-Fit Field Case for Sound Devices MixPre-3 (B&H # STRMP3) and ORCA OR-270 Sound Bag for Sound Devices MixPre-3M / 6M (B&H # OROR270), and Porta Brace AR-MIXPRE3 - Field Audio Bag for MixPre-3 Recorder (B&H # POARMIXPRE3) are a few options for cases that can hold the MixPre-3 together with L-Series sled options and batteries.

Q: 10. Does this lens have an internal zoom or does it extend externally?

A: This lens has internal zoom.