The light beige Countryman E6 Omnidirectional Earset Mic, Standard Gain with Detachable 2mm Cable and 3.5mm Locking Connector for Azden Wireless Transmitters is a vocal microphone with an adjustable boom that weighs less than one tenth of an ounce and is designed to be used by only one person. Once adjusted, it will continually hold this shape.

The E6 earset can be used on either ear for capturing audio and rejecting unwanted sound, feedback, or surrounding noise from stage monitors or nearby speakers in houses of worship, theater, and outdoor vocal and speech applications.

The low-profile, omnidirectional E6 earset virtually disappears against the skin, so performers will forget they're wearing a mic. This version offers the highest gain for general speaking such as presentations or sermons. In addition, the earset comes with three protective caps with different high-frequency response characteristics that control the amount of crispness or sibilance (response at 15 kHz). This omnidirectional E6 earset's cable terminates to a 3.5mm locking connector for direct connection to Azden 15BT and 35BT wireless bodypack transmitters.

For Stage, Theater, and Broadcast TV    Fits Azden Transmitters    Headroom for General Speaking    Detachable 2mm Diameter Cable    Stiff, Steel Boom    Includes Windscreen    3 x Protective Caps    Black and White Single Tie Cable Clips    Carrying Case

The Countryman earsets are very small, lightweight, and the least visible headworn microphones.

The classic E6 is a good choice when one person will wear the microphone. Because the boom is stiffer, it can be adjusted to fit, then stored away and quickly reworn.

The E6's stainless steel boom is tough and can be bent and re-bent to fit different performers. It is highly resistant to makeup, sweat, and moisture when used with the supplied protective caps. The earset should always have a protective cap in place to keep sweat, makeup, and other foreign material out of the microphone.

The E6 earset's flexible boom is easily shaped right on the performer's face. Changeable protective caps let you shape the frequency response for different situations or to match other microphones. This omnidirectional version includes three protective caps—+4 dB (bright), +8 dB (very bright) and +0 dB (flat)—that controls the amount of crispness or sibilance (response at 15 kHz.)

Easy adjustment keeps the mic in a comfortable position for rejecting unwanted sounds. The omnidirectional E6 earset provides more isolation and is suitable for situations where there are loud monitors, extreme feedback, or environmental noise.

The included removable, quick-swap cable detaches from the actual earset, making it completely replaceable in the event of a short or break. The replaceable cable design makes upgrading wireless microphone systems easy as they are available in a wide selection of connections to accommodate most wireless transmitters.

Related Questions and Answers

Q: 1. What is the replacement power cable for the Godox SK400II-V? I understand it's quite long.

A: Any C13 AC cable can be used to power the Godox SK400II-V Studio Flash Monolight. Some options for this cable can be found here: https://bhpho.to/3zX2t8W.

Q: 2. does this use the same extra battery that was listed for the B1 originally? I note that Profoto claims there is an improvement in battery performance. Is that simply because of the new light's design or a new battery?

A: No. This uses the B1X battery. The B1X battery has a larger capacity. The B1X battery is compatible with the B1.

Q: 3. I have x2t s ttl wireless flash trigger can this kit work with it ??

A: The Godox X2t will fire the flash but does not do TTL or HSS.

Q: 4. As long as I understand, there are two Profoto speedring mount. This light what speedring uses?

A: Profoto only has one type of mount for their studio strobe lights; the side that mounts to the light fixture is identical. However, they have different speedrings depending on the light modifier you are using and on the light fixture you own. The difference is the rod connection used for the speedrings, and the type of softbox you will use on the light fixture. The Profoto B1X 500 AirTTL OCF Monolight is considered both a studio monolight and a part of Profoto's OCF (Off-Camera Flash) system. As such, you may use their Profoto RFi Speed Ring for Profoto Flash Heads, B&H # PRSRP, when using Profoto light modifiers with "RFi" in the name, or you may use the Profoto Speed Ring for OCF Flash Heads, B&H # PROCFSR, with Profoto's OCF flash modifiers with "OCF" in the name. If you are using a third-party universal softbox, I would recommend the Impact Speed Ring for Profoto, B&H # IMSRPRO, for your usage needs.

Q: 5. Is this strobe compatible with the Fuji X-T5 camera using a Godox XPro (F) TTL wireless flash trigger?

A: Yes, the following trigger is needed in order to do so, end-users be mindful that this a all manual d riven unit only. Godox XProF TTL Wireless Flash Trigger for Fujifilm Cameras BH #GOXPROF • MFR #XPROF https://www.bhphotovideo.com/c/product/1381216-REG/godox_xprof_ttl_wireless_flash.html

Q: 6. how many lense and how many camara body it fit in there ?

A: The Manfrotto Pro Light Multiloader 26L Camera Backpack is large enough to carry two camera bodies, six lenses, and accessories.

Q: 7. How do you get to working it on HSS? I go to the mode button but doesn't come up HSS

A: HSS is under sync on your Air Remote. You do not enable HSS from the B1X. On a canon remote you just click the button to go to HSS. Nikon and Sony should just switch when you increase your shutter speed. Make sure you have Auto FP enabled on your Nikon camera.

Q: 8. Is there an adapter that would allow this to be attached to a standard tripod? I can't quite tell how it's possible to attach something for mounting....

A: This has a 1/4 20 receiver that can be used with a tripod.

Q: 9. Previous version (B1) cannot charge battery while using it, how about this new version? Can I charge the battery while working?

A: You can't. The B1 and B1X are designed to be wireless flashes. charge your batteries before the shoot.

Q: 10. I noticed there is a huge temperature shift when switching from ttl to manual. Can anyone explain why this is the case? Its really slowing me down. I start with ttl and do the fine tweaking on manual but the the temperature shifts too cool and i have to spend time setting the wb when i switch from ttl to manual.

A: TTL to manual should have no barring on the color temp. Try setting your camera to flash for the WB and see if this persists. Also check to make sure that the B1 isn't in freeze mode.