The light beige Countryman E6X Directional Earset Mic, Low Gain with Detachable 1mm Cable and 3.5mm locking Connector for Olympus, Roland, Sony, Tascam, Yamaha, or Zoom Portable Recorders is a versatile blend of the E6 and the E6i earset that features a springy, thin earpiece and a flexible boom and is suitable for use when a few people will be using the same mic.

The E6X earset can be used on either ear for capturing audio and rejecting unwanted sound, feedback, or surrounding noise from stage monitors or nearby speakers in houses of worship, theater, and outdoor vocal and speech applications.

The low-profile, directional E6X earset virtually disappears against the skin, so performers will forget they're wearing a mic. This version offers the lowest gain for the most powerful vocals that require the highest overload. Additionally, the earset comes with two pattern-changeable protective caps for maximum isolation and gain before feedback. This directional E6X earset's cable terminates to a 3.5mm locking connector for direct connection to Olympus, Roland, Sony, Tascam, Yamaha, or Zoom DM-420, DM-520, DM-620, DS-2400, DS-40, DS-51, DS-61, DS-71, LS-10, LS-14, R05, R09HR, PCM-D50, PCM-M10, DR-05, DR-07mkII, DR-08, PR-10, Pocketrak C24, Pocketrak W24, H1, H2, and H2n portable recorders.

For Stage, Theater, and Broadcast TV    Fits Select 3.5mm Recorders    Headroom for Strong Vocals    Detachable 1mm Diameter Cable    Versatile, Flexible Boom    Includes Windscreen    2 x Protective Caps    Black and White Single Tie Cable Clips    Carrying Case

The Countryman earsets are very small, lightweight, and the least visible headworn microphones.

The E6 Flex or E6X offers a versatile blend of the E6 and the E6i. With a springy, thin earpiece and a flexible boom, the E6 Flex is secure on the ear and fast to fit without compromising true invisibility and sound.

The E6X's stainless steel boom is tough and can be bent and re-bent to fit different performers. It is highly resistant to makeup, sweat, and moisture when used with the supplied protective caps. The earset should always have a protective cap in place to keep sweat, makeup, and other foreign material out of the microphone.

The E6X earset's flexible boom is easily shaped right on the performer's face. Changeable protective caps let you shape the frequency response for different situations or to match other microphones. The directional earset protective caps adjust the pattern from cardioid to hypercardioid.

Easy adjustment keeps the mic in a comfortable position for rejecting unwanted sounds. The directional E6X earset provides more isolation and is suitable for situations where there are loud monitors, extreme feedback, or environmental noise.

The included removable, quick-swap cable detaches from the actual earset, making it completely replaceable in the event of a short or break. The replaceable cable design makes upgrading wireless microphone systems easy as they are available in a wide selection of connections to accommodate most wireless transmitters.

Related Questions and Answers

Q: 1. How's the optical quality compared to Sigma version?

A: The Rokinon 24-70mm f/2.8 AF Zoom Lens for Sony E is very good optically. It is a little behind the Sigma 24-70mm f/2.8 DG DN Art Lens for Sony E in terms of sharpness, but it is still very good.

Q: 2. Wil this lens autofocus be controlled by Sony FS5 and FS7?

A: The autofocus works on current Sony models in video, such as the Sony A7S III, FX3 and FX6. Unfortunately, we were not able to test this lens on the FS5 or FS7 as they are discontinued models.

Q: 3. Will this lens work with Megadap ETZ21 Pro Adapter?

A: The Samyang 24-70mm f/2.8 AF Zoom Lens would be able to be physically mounted onto a Nikon Z series camera via the Megadap ETZ21 Pro Sony E-Mount Lens to Nikon Z-Mount Autofocus Adapter. With both of these items being third-party to the camera, we would not be able to guarantee compatibility.

Q: 4. What else do I need to stream from this gear?

A: To stream from the HDMI output on this switcher you could look in to HDMI Capture Device which will allow you to capture the signal for streaming in to your computer. The BMD UltraStudio Mini Recorder is a good option for people with a Mac that has a Thunderbolt connection. Magewell makes a very nice solution for PC/Mac users who have a USB 3.0 connection. The Magewell device is even backwards compatible with USB 2.0. Another solution is streaming devices that will allow you to send the signal directly to the web. The Teradek VidiU will allow you to send the signal to a variety of streaming services.

Q: 5. Does this come with diffusers , if not, where can you buy them ????

A: It comes with two diffusers. Unfortunately you're going to need more diffusion. They're like the ubiquitous Sto-Fen diffusers, if you find that adequate fine, but for softer lighting you'll need some kind of DIY solution to put between the flash heads and the subject.

Q: 6. Compatibility with Panasonic AG UX-180?

A: Yes

Q: 7. Is it compatible with sony a7 iii ?

A: No it is not. The A7 III does not have a LANC port..

Q: 8. What Lenses does this remote work with on Sony FS7?

A: The Sony PZ (power zoom) lenses will work.

Q: 9. Any reason this would not be compatible with a BMPCC HD?

A: this should be compatible with the original Pocket Cinema camera however its functions may be limited. For example the zoom in/out toggle will only work with lenses that have motorized zoom control (there are only 2 for the MFT mount). The record button will work but the zoom function may or may not work depending on the lens that you choose.

Q: 10. Compatibility with Sony PXW-Z280 and maximum distance/range via LANC cable?

A: Yes, this controller will work with the camera and we would keep maximum distance at the 35 foot range.