Countryman E6 Omni Earset Mic, Highest Overload, With Detachable 2mm Cable And Hirose 4-pin Connector For Sony Wireless Transmitters (black)
- Product Code: ga254924
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The black E6 Omnidirectional Earset Mic, Highest Overload, with Detachable 2mm Cable and Hirose 4-Pin Connector for Sony Wireless Transmitters from Countryman is a vocal microphone with an adjustable boom that weighs less than one-tenth ounce. It is a water- and wind-resistant microphone that can be used on either ear for capturing audio in houses of worship, theater, or outdoor vocal and speech applications.
The low-profile, omnidirectional E6 Earset virtually disappears against the skin, so performers forget they're wearing a mic. Three sensitivity options cover general speaking to extremely powerful vocals and four color options allow you to match the E6 to your skin tone for minimum visibility.
In addition, the E6 Earset features three omni caps (very bright +8 dB, bright +4 dB, and flat +0 dB) that deliver response characteristics for most other applications such as recording flute and violin. The E6 Earset is available as a directional microphone too with cardioid and hypercardioid caps. This omnidirectional E6 Earset's cable terminates to a Hirose 4-pin (twist lock) connector for direct connection to a Sony WRT-8B, WRT-420, or WRT-822B wireless bodypack transmitter.
For Vocals and General Speaking Detachable 2mm Cable Hirose 4-Pin (SY), See Description 20 Hz to 20 kHz Frequency Response Headroom for Strong Vocals Includes +8, +4, and +0 dB EQ Caps Windscreen Cable Clips Carrying Case
Key Specs | |
---|---|
Compatible Transmitters | Sony: WRT-420, WRT-822B |
Polar Pattern | Omnidirectional |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 140 dB |
Sensitivity | W7/7/Low Gain for Very Powerful Vocals (H6, E6, EM6, EM2) |
Analog Output | 1x Hirose 4-Pin |
Environmental Resistance | Water-Resistant with Included Housing (Unrated) |
Microphone | |
Compatible Transmitters | Sony: WRT-420, WRT-822B |
Polar Pattern | Omnidirectional |
Included Tone/Pattern Caps | +4 dB Bright, +0 dB Flat, +8 dB Very Bright |
Performance | |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 140 dB |
Sensitivity | 0.7 mV/Pa |
Sensitivity | W7/7/Low Gain for Very Powerful Vocals (H6, E6, EM6, EM2) |
Equivalent Noise Level | 39 dB (A-Weighted) |
Connectivity | |
Analog Output | 1x Hirose 4-Pin |
Cable Length | 5' / 1.52 m |
Cable Diameter | 0.08" / 2 mm |
Power | |
Power Sources | Plug-In Power |
Operating Voltage | 1 to 2 V |
Physical | |
Color | Black |
Environmental Resistance | Water-Resistant with Included Housing (Unrated) |
Weight | 0.07 oz / 2 g |
Packaging Info | |
Package Weight | 0.5 lb |
Box Dimensions (LxWxH) | 10 x 10 x 2" |
The Countryman E6 head-worn Earset is small and lightweight, and is hardly visible from a distance.
The E6 Earset's stainless steel boom is built tough and can be bent and re-bent many times to fit different performers. The E6 is highly resistant to makeup, sweat, and moisture when used with the supplied protective caps.
The flexible boom is easily shaped right on the performer's face and is available in multiple skin tones. Their protective caps let you shape the frequency response for different situations or to match other microphones; caps for the directional earset adjust the pattern from cardioid to hypercardioid. Choose a sensitivity for speaking or singing with up to 140 dB SPL capability.
The E6 provides high-quality audio with low distortion and an SPL of up to 140 dB. It delivers rich, full band audio quality.
Easy adjustment keeps the mic in a position for rejecting unwanted sounds. Countryman's omnidirectional Earset offers a reduction of 12 dB compared to a lavalier mic, while the directional E6 Earset provides even more isolation. Excellent for houses of worship, theater, and outdoor events.
An E6 replacement cable installs in seconds. The snap-on cables are rugged and available for almost any wireless transmitter or for XLR inputs with phantom power.
For strong vocals.
Related Questions and Answers
Q: 1. Can you turn off EFCS (Electronic Front Curtain Shutter) on this camera? I want to use HSS with a Godox AD200 and don't want banding, bokeh clipping or any other negatives that come with EFCS at higher shutter speeds.
A: Unfortunately, it doesn't seem like it. I just dug through all the menus and it doesn't have the EFCS setting options like the other Sonys have.
Q: 2. Which sd cards will work with all video capability for this camera?
A: Hi Sean, the highest specs for memory card that will allow the camera to record all video formats is SDHC/SDXC card (U3 speed).
Q: 3. Will the a7c record gyroscope movements like a7siii and FX9 to then be able to stabilise the video with catalyst browser?
A: The gyro-sensor data is recorded.
Q: 4. Is it possible to reassign the red video button to another function to partially offset the lack of C buttons?
A: Unfortunately, no, the red video RECORD button cannot be reassigned or repurposed in lieu of a Custom Function button.
Q: 5. Does the A7C have a built in intervalometer?
A: Hi, the camera does have built in Interval Shooting Function. Please follow the link for more info : https://helpguide.sony.net/ilc/2020/v1/en/contents/TP0002053238.html?search=time%20lapse
Q: 6. Hi, is the Sony a7C Mirrorless Camera with 28-60mm Lens (Silver) new sealed in the box? Does it say kit on the box?
A: The A7C 28-60mm kit comes new in the box packaged together; they are not shipped/boxed separately, and there is no tape sealing either the box or the contents inside. The box prominently displays the name of the camera and the lens included inside on multiple sides, as well as box contents on one side, and serial number/UPC barcode on the other.
Q: 7. Does it crop video when shooting 4k 30p?
A: UHD 4K 30p: (1.2x Crop)
Q: 8. Does the A7C have "end trigger" option?
A: No, the Sony a7C Mirrorless Camera (Black) does not have start or end trigger for recording. End trigger is a professional cinema camera feature.
Q: 9. How is the AF in the A7C the same or different from the AF in the A9/A9II?
A: The Sony Alpha a7C's Hybrid AF system is similar to the system found in the Sony A7 III, although the AF algorithm is from the recent Sony Alpha a7S III Mirrorless Digital Camera.
Q: 10. When used with the Tamron 28-200mm F2.8-5.6, how well does the A7C balance on a tripod when the lens is fully extended?
A: The balance is fine on a tripod. The Tamron 28-200mm lens is pretty lightweight and even fully extended it doesn't stress the mount or cause an imbalance where a tripod lens collar would be needed.
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