The light beige Countryman E6X Omnidirectional Earset Mic, Low Gain with Detachable 1mm Cable and TA3F Connector for Audix Wireless Transmitters is a versatile blend of the E6 and the E6i earset that features a springy, thin earpiece and a flexible boom and is suitable for use when a few people will be using the same mic.

The E6X earset can be used on either ear for capturing audio and rejecting unwanted sound, feedback, or surrounding noise from stage monitors or nearby speakers in houses of worship, theater, and outdoor vocal and speech applications.

The low-profile, omnidirectional E6X earset virtually disappears against the skin, so performers will forget they're wearing a mic. This version offers the lowest gain for the most powerful vocals that require the highest overload. In addition, the earset comes with three protective caps with different high-frequency response characteristics that control the amount of crispness or sibilance (response at 15 kHz). This omnidirectional E6X earset's cable terminates to a TA3F connector for direct connection to Audix B60 wireless bodypack transmitters.

For Stage, Theater, and Broadcast TV    Audix Transmitters    Headroom for Strong Vocals    Detachable 1mm Diameter Cable    Versatile, Flexible Boom    Includes Windscreen    3 x Protective Caps    Black and White Single Tie Cable Clips    Carrying Case

The Countryman earsets are very small, lightweight, and the least visible headworn microphones.

The E6 Flex or E6X offers a versatile blend of the E6 and the E6i. With a springy, thin earpiece and a flexible boom, the E6 Flex is secure on the ear and fast to fit without compromising true invisibility and sound.

The E6X's stainless steel boom is tough and can be bent and re-bent to fit different performers. It is highly resistant to makeup, sweat, and moisture when used with the supplied protective caps. The earset should always have a protective cap in place to keep sweat, makeup, and other foreign material out of the microphone.

The E6X earset's flexible boom is easily shaped right on the performer's face. Changeable protective caps let you shape the frequency response for different situations or to match other microphones. This omnidirectional version includes three protective caps—+4 dB (bright), +8 dB (very bright) and +0 dB (flat)—that controls the amount of crispness or sibilance (response at 15 kHz.)

Easy adjustment keeps the mic in a comfortable position for rejecting unwanted sounds. The omnidirectional E6X earset provides more isolation and is suitable for situations where there are loud monitors, extreme feedback, or environmental noise.

The included removable, quick-swap cable detaches from the actual earset, making it completely replaceable in the event of a short or break. The replaceable cable design makes upgrading wireless microphone systems easy as they are available in a wide selection of connections to accommodate most wireless transmitters.

Related Questions and Answers

Q: 1. I have one of these lights already but am looking to purchase another. Is there any way to link the 2 lights to a single remote?

A: Yes you can. The COMER Radiance 360 Variable Color LED On-Camera Light (2500 to 9900K) comes with a remote that has 3 channels on it. If you hold the Mode Button on this light it allows you to switch between channels 1, 2 and 3.

Q: 2. Any recommendations for a softbox that may fit this Comer light?

A: There is no softbox made that fits the COMER Radiance 360 Variable Color LED On-Camera Light (2500 to 9900K). One can use diffusion gels to soften the the light. This is some gel options, https://bhpho.to/3MvZF6u.

Q: 3. Does anybody know where to get spare parts for the sekonic L-858D-U. I lost the plastic ring on my diopter view on the first day i shot still works just need that part.

A: I would contact Sekonic directly. Though not the same, I needed a replacement screen cover and they had them available. In my case it was mailed to me at no personal cost. I contacted them by email and, while it did take them a bit longer than most companies to respond, everything worked out just fine.

Q: 4. What are the main differences between this and the discontinued TorchLED made by Core SWX? I know a lot a wedding videographers may be interested in this product.

A: The Comer and core are very similar in many ways but major difference are as followed The Comoer offers a wide range of color temperature control and output is bit stronger but not by much

Q: 5. L-858D-U issue: Whenever I take a flash reading and the meter displays it, the readout suddenly changes to UNDER shortly thereafter. I, therefore, have to quickly make a mental note of what it was. Shouldn't the meter retain the last reading on the display until it's replaced by another reading? Is there a workaround for this?

A: If you are trying to read the flash exposure in hi speed synch mode, good luck. This meter would not perform that function with my Profoto B1s in hi speed synch no matter what I did. If you are using it to read normal flash output, you should be able to do that without any issues, via cord, cordless or Pocket Wizard trigger if you have the module installed. Try resetting the meter to factory defaults and see if it helps. I returned mine and kept my L758DR instead.

Q: 6. How much does the diffuser cut down the brightness and how much does it widen the beam angle?

A: The manufacturer does not specify the level of diffusion included with the COMER Radiance 360 Variable Color LED On-Camera Light (2500 to 9900K) BH #COCMTC300.

Q: 7. How many centimeters or inches are the inner and outer dimensions?

A: The interior measurements for the CB-33 are 52 x 36 x18 cm while the exterior dimensions are 55 x 39 x 24 cm.

Q: 8. Suitable for light painting cars? Also, what is the CRI?

A: Actually Hugo, I apologize for my previous answer, it is actually a CRI of 88, not 90

Q: 9. What is the light output roughly in watts?

A: The ikan iLED312-v2 is equivalent to a 300 watt light.

Q: 10. Can this work off-camera as a continuous studio light? Can it be mounted on a tripod? Cam it produce continuous light?

A: It can work as a continuous studio light either off AC mains or DC batteries - it takes two so either can be hot-swapped at any time, while the other is still supplying power to the light. It can be mounted to a tripod, i have mounted mine to a Manfrotto 501 head, the screw in the mounting plate screwed directly into the bottom of the light