The tan Countryman E6X Omnidirectional Earset Mic, Low Gain with Detachable 2mm Cable and 3.5mm locking Connector for Olympus, Roland, Sony, Tascam, Yamaha, or Zoom Portable Recorders is a versatile blend of the E6 and the E6i earset that features a springy, thin earpiece and a flexible boom and is suitable for use when a few people will be using the same mic.

The E6X earset can be used on either ear for capturing audio and rejecting unwanted sound, feedback, or surrounding noise from stage monitors or nearby speakers in houses of worship, theater, and outdoor vocal and speech applications.

The low-profile, omnidirectional E6X earset virtually disappears against the skin, so performers will forget they're wearing a mic. This version offers the lowest gain for the most powerful vocals that require the highest overload. In addition, the earset comes with three protective caps with different high-frequency response characteristics that control the amount of crispness or sibilance (response at 15 kHz). This omnidirectional E6X earset's cable terminates to a 3.5mm locking connector for direct connection to Olympus, Roland, Sony, Tascam, Yamaha, or Zoom DM-420, DM-520, DM-620, DS-2400, DS-40, DS-51, DS-61, DS-71, LS-10, LS-14, R05, R09HR, PCM-D50, PCM-M10, DR-05, DR-07mkII, DR-08, PR-10, Pocketrak C24, Pocketrak W24, H1, H2, and H2n portable recorders.

For Stage, Theater, and Broadcast TV    Fits Select 3.5mm Recorders    Headroom for Strong Vocals    Detachable 2mm Diameter Cable    Versatile, Flexible Boom    Includes Windscreen    3 x Protective Caps    Black and White Single Tie Cable Clips    Carrying Case

The Countryman earsets are very small, lightweight, and the least visible headworn microphones.

The E6 Flex or E6X offers a versatile blend of the E6 and the E6i. With a springy, thin earpiece and a flexible boom, the E6 Flex is secure on the ear and fast to fit without compromising true invisibility and sound.

The E6X's stainless steel boom is tough and can be bent and re-bent to fit different performers. It is highly resistant to makeup, sweat, and moisture when used with the supplied protective caps. The earset should always have a protective cap in place to keep sweat, makeup, and other foreign material out of the microphone.

The E6X earset's flexible boom is easily shaped right on the performer's face. Changeable protective caps let you shape the frequency response for different situations or to match other microphones. This omnidirectional version includes three protective caps—+4 dB (bright), +8 dB (very bright) and +0 dB (flat)—that controls the amount of crispness or sibilance (response at 15 kHz.)

Easy adjustment keeps the mic in a comfortable position for rejecting unwanted sounds. The omnidirectional E6X earset provides more isolation and is suitable for situations where there are loud monitors, extreme feedback, or environmental noise.

The included removable, quick-swap cable detaches from the actual earset, making it completely replaceable in the event of a short or break. The replaceable cable design makes upgrading wireless microphone systems easy as they are available in a wide selection of connections to accommodate most wireless transmitters.

Related Questions and Answers

Q: 1. What's the difference between recording to the XLR input and the 3.5mm input? In terms of gain or noise. What devices are recorded like that?

A: The device itself records all 4 channels the same quality regardless of the input. However, anytime a balanced low-impedance input (i.e. 3 conductor XLR) can be used the chances of hum is reduced and the overall quality is much better than that of a high-impedance 3.5mm connection. Also anytime you use a phantom powered microphone (even a cheap one) you will get better fidelity. When filming an event, I'll use an XLR connected, phantom powered stage mic and then a 3.5mm cheap shotgun mic to pick up ambient audience sound. Then mix the channels in post for the desired levels.

Q: 2. What is this generally used for?

A: The Tascam DR-60DmkII 4-Input / 4-Track Multitrack Field Recorder BH #TADR60DMKII is highly recommended for Filmmaking, TV, and Web Broadcast. It could also be used for HOW applications , meetings and most general recording applications.

Q: 3. What are the dimensions of the top surface, not including the lip?

A: The dimensions of the Acratech Arca-Type Quick Release Plate for Select Pentax, Nikon, Leica, Olympus, Fuji, and Sony Cameras are 35mmX59mm.

Q: 4. Is it possible for me to purchase the top mounting bracket that mounts this unit to the bottom of the camera?

A: Replacement parts for the TASCAM DR-60DmkII 4-Input / 4-Track Multitrack Field Recorder are not available from B&H.

Q: 5. How is it a 4 channel recorder when 3/4 is combined, SO are they lying and it is really only a three channel recorder insted of 4?

A: Channel 3/4 is a stereo channel. This combined with the other 2 inputs would make the unit a 4 channel recorder.

Q: 6. How is it able to record 4 channels of audio? There's 2 XLR inputs and one 3.5 jack, what am I missing?

A: The 3.5 is stereo

Q: 7. Will this work with the Sony HXR-NX100 Full HD NXCAM Camcorder?

A: Yes.

Q: 8. What size of screw mount is on the bottom of this?

A: Tim M,1/4 .Full details on the unit's features and functions:a href= http://www.tascam.com/product/dr-60dmkii/downloads/ target= _blank http://www.tascam.com/product/dr-60dmkii/downloads//aThank you for your interest in TASCAM products.

Q: 9. Will this work with the Canon XA35/XA30?

A: Works perfectly with our XA35. Easy use and set up.

Q: 10. When I record I connect 1 lav mic to input 1, a second lav mic to input 2 and one more lave mic to input 3/4... but I only get 2 wav files.. how can i get 3 wav files for each of my lav microphones?

A: thank you for your question. Under recording settings in the menu, make sure you have 4CH mode selected. Please refer to page 16 in the manual link below. https://static.bhphotovideo.com/lit_files/104035.pdf