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Archival Methods Archival White Paper (24 X 30", 100 Sheets)

Archival Methods Archival White Paper (24 X 30", 100 Sheets)
  • Product Code: ga255948
  • Availability: In Stock

$403.50 $613.32

Store your photographic materials safely by using Archival White Paper from Archival Methods as a form of interleaving paper or protective cover for your media. The paper is made from alpha cellulose with 25% cotton fiber content and is calcium carbonate buffered as well as both acid and lignin free for preventing degradation of your photographs. It has a basis weight of 120 gsm and passes the Photographic Activity Test (PAT) as indicated in ISO IT 18916. Additionally, it was made in the USA.

Alpha Cellulose and Cotton Fiber Base    Safely Store Photographic Materials    Passes Photographic Activity Test    Basis Weight: 120 gsm    Calcium Carbonate Buffered    Acid and Lignin Free    Made in the USA

Parameters
MaterialAlpha cellulose
Cotton fiber
Paper Weight120 gsm
Size24 x 30" / 61.0 x 76.2 cm
Quantity100 sheets
Packaging Info
Package Weight18.3 lb
Box Dimensions (LxWxH)32 x 25 x 3"

Made from alpha cellulose wood pulp with 25% cotton fiber content to create a durable, white paper with a basis weight of 120 gsm.

Uses calcium carbonate as a buffer with 2-3% alkaline reserve, measured to a pH of 9 ±0.5 and being acid free.

This media passes the PAT (Photographic Activity Test) as indicated by ISO IT 18916, which is formerly ISO 14523 ANSI IT9.16.

Sulfur content is measured to less than 0.0008% reducible sulfur.

Lignin content is measured to TAPPI 236 cm-85 standards and has a Kappa number of less than five.

Related Questions and Answers

Q: 1. What is white box?

A: The product comes supplied in a plain white box, instead of the manufacturer's packaging. It includes all the manufacturer's accessories.

Q: 2. What condition are these refurbished lenses in?

A: Refurbished lenses are considered like new in condition.

Q: 3. I am looking at upgrading to a versatile full frame lens. I bought my d750 last year and I do a mix of portrait, still life, & travel photography. Eventually my goal is to expand my lenses and have a few primaries because I prefer those in my cropped lenses, but for now due to what I can afford I really just want a one and done lens that I can pretty much use for everything. I’m having trouble though deciding between the 24-85mm or 24-120. Does anyone know which would be more beneficial or know about either more in-depth to help me decide? The price difference in the used department is only about $100 which isn’t that big of a deal to me but I want to make sure I am getting the best one for what I need right now.

A: I would recommend the 24-120mm lens, it is more versatile and image quality is better with faster focusing.

Q: 4. this lens is compatible with nikon D610?

A: The Nikon AF-S 24-120mm f/4 lens is fully compatible with the D610, yes. This lens can be used on any Nikon DSLR, and any Nikon SLR that can control aperture through its body.

Q: 5. will this work on a Canon EOS M6 Mark II Mirrorless Camera?

A: No, the Canon RF 100-400mm is a RF design and will only work on Canon RF units only.

Q: 6. As this lens is zoomed toward 120mm., do the front elements extend forward, thus making the lens longer?

A: Yes, the front elements will extend forward and add to the length of the 24-120mm f/4 ED VR Zoom lens.

Q: 7. Is this good for sports such as HS soccer with an R7?

A: The Canon RF 100-400mm f/5.6-8 IS USM Lens attached to the Canon EOS R7 Mirrorless Camera is suitable for sports.

Q: 8. Is this lense fully compatible with a Nikon F5?Thank you for your answer.

A: Yes it is fully compatible with the F5.

Q: 9. I am into portrait,event & wedding photography.( an amateur turned to freelancer & now want to be professional). I own presently- *Nikon D 7100 with the Kit Lens 18-105 mmVR + 50mm f/1.8 + Nikon 70-300 VR. I generally shoot Indian Weddings with Elinchrome Strobes & Nissin Di 866 Mark II Flash. I am planning to get a FX ( D750 most likely) in near future. Now, I want to upgrade to a lens which will be a better one than the 18-105 Kit, must be a FX lens at the same time as I dont want to invest further in DX lens. I will retain my D 7100 as my second body,when I upgrade to FX.If not mistaken a lot, I think I have few options to choose from ( I have a budget concern too)-Nikon 24-70 f/2.8 ( non VR or VR,both are out of reach financially now), Tamron 24-70 f/2.8 VC & Nikon 24-120 mm VR.My CONFUSION / QUERRY -** Which is better,in terms of reliability , quality assurance & service -Tamron 24-70 f/2.8 OR Nikon 24-120 f/4 VR ?** Is there a HUGE Difference in the image quality/ bokeh / sharpness of both the above lenses,if suppose both are shot at f/4 ?** Will Nikon 24-120 f/4 VR produce noticeably better result than the Nikon 18-105 mm in D 7100 ?** Given that I mostly use external light sources like Elinchrome or Flash, will I miss the f/2.8 too much ?** Is it wiser to invest in 24-120 VR + Nikon 85 mm f/1.8 G rather than one single 24-70 f/2.8 ?Ranjan KM

A: Hi Ranjan: OEM (Original Equipment Manufacturer) is always more expensive than off brand, but the real advantage are near perfect match between lens and sensor. Off brand may save you some money, and some of them are quite good, my recommendation is, if you can go with the OEM, do it by all means. All the lens you mentioned offer better quality than the original kit lens, and one major reason for a FX lens on a DX body has the advantage of taking the best image area FX can offer, and if you are going to the D750 body, now the game comes down to considering flexibility, image quality, build consistency and focal length versatility.The 24-70 is an outstanding piece of optical engineering, if you could still find the original version (i.e. Non-VR), the bundle you save I would suggest to put it to a solid tripod like Gitzo or the like. You also mentioned you use light set up, the F2.8 may or may not be a game changer for you.concerning bokeh, the larger the aperture, the better.The 24-120 on the other hand, is cheaper, its major advantage is when you are shooting beyond 70mm but not quite up to 120 you have that extra 'reach' without the need to changing to 70-300mm, which itself is a good lens minus nano coating--and I hope Nikon will have its update version with Nano coating someday.That extra 50mm reach will benefit you a great deal, other than saving on cost. You did not mention how many camera bodies you plan to acquire, but if you are using a single D750 as your main body, it will be a very versatile wedding photo tool.Haiving said that, if you can bite the bullet and go with the 24-70, yes, there is an image quality diference between it and the 24-120.

Q: 10. Would this lens be compatible with the T4i?

A: The Canon RF 100-400mm f/5.6-8 IS USM Lens is only compatible with Canon RF cameras, it is not compatible with the Canon T4i.

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