The Countryman E6 Flex Microphone combines the springy, form-fitting ear grips of the E6, with the flexible and durable boom of the E6i earset microphone. The E6 Flex provides virtually invisible operation in stage performances, trade shows, houses-of-worship, auctions, lectures and much more.

The E6 Flex includes hypercardioid and cardioid caps which effectively minimize off-axis feedback and noise from nearby monitor speakers, instruments and noisy sources. Flexible microphone positioning is maintained and the included windscreen minimizes the wind noise often associated with cardioid microphones.

A wide variety of colors and connections are available for use with various wireless transmitters. This version is cocoa and the cable terminates to a Screw-on Mini 4-pin connector for Mipro wireless transmitters.

Screw-on Mini 4-pin for Mipro    Cardioid & Hypercardioid Pattern    Slim Springy Ear Grips of E6    Flexible Boom of E6i    1mm Diameter Cable    Headroom for General Speaking    Cocoa

A miniature capsule is mounted to a low-profile, flexible frame. This lightweight, unobtrusive design is available in various colors that virtually render the entire microphone invisible against the skin.

The included removable, quick-swap cable detaches from the actual headset, making it completely replaceable in the event of a short or break. The replaceable cable design makes upgrading wireless microphone systems easy, as they are available in a wide selection of connections to accommodate various wireless transmitters.

This E6 Flex's sensitivity response is optimized to accurately capture general speech without noise and distortion.

The fit of the classic E6 meets the flexibility of the E6i. The front boom is like an E6i, the ear section is like the classic E6, the result is the best fitting easiest to use earset available.

Countryman Earsets are the smallest, lightest, and least visible head-worn microphones. The E6 Flex comes in four skin tones to disappear against the face.

Changeable protective caps let you switch between cardioid and hypercardioid patterns in seconds.

Frequency response is better than 30Hz to 15kHz with smooth off-axis response and >100dB dynamic range. Countryman Earsets sound like world-class, full size performance mics but the performer has complete freedom.

The E6i is exceptionally resistant to makeup, sweat and moisture when used with the supplied protective caps. The skin-colored, almost unbreakable boom resists water, sweat, and makeup and can be bent and re-bent many times to fit different performers. The front boom of the E6 Flex is slightly firmer than our E6i, so it's easily shaped right on the performer's face and smoothes out for a professional look.

The E6 Flex comes in three sensitivities for different speaking or singing styles, with up to 140 dB SPL capability.

With other microphones a worn cable requires purchasing a completely new mic. An E6 replacement cable easily replaces it in less than a minute. Quick-connect miniature 1 mm or 2 mm super-rugged cables are available in four colors for almost any wireless transmitter or phantom mic input providing 3 - 48V.

Related Questions and Answers

Q: 1. Does this camera have a port for a PC Sync Cord for studio lights? If not, what do u recommend?

A: The Sony A7IV does not have a PC sync port. I wireless flash trigger such as this Vello would be recommended instead: https://bhpho.to/3szS3FZ In my opinion the Vello trigger is a better option even for cameras that have a PC sync port because it is safer and no cable gets in the way.

Q: 2. does this camera allow for exposure bracketing?

A: Hi Roger, Sony's commitment to customer satisfaction is our top priority. Yes, this camera does allow for Exposure Bracketing. Thank you for choosing Sony. -Linda Sony Social Support

Q: 3. Does this camera have the same shutter as the A7III, or has it been updated?

A: Sony does not specify the model number of the shutter, so it is hard to know, but since newer cameras that came after the a7iii have not had the same shutter issues as the a7iii has, it makes me believe the shutter has been updated.

Q: 4. Does this camera have clear image zoom for 4k video?

A: Sony's "Clear Image" digital zoom is available at 2x magnification, standard digital zoom up to 4x, and "Smart Zoom" is available where the camera just crops away the unused portion of the image when a lower resolution is selected.

Q: 5. How shoots have this camera?

A: Sony a7 IV Mirrorless Camera with 28-70mm Lens is able to shoot at 10 frames per second.

Q: 6. Picture effects, creative styles, scenes and Panorama are not listed at all on the Sony site or here. Best guess would this camera also include these?

A: As previously said, Picture Effects & Creative Styles will be on the camera. Scenes & Panorama are unknown at this moment in time.

Q: 7. Does this camera use the same batteries as a a7ii ?

A: The Sony Alpha a7 II Mirrorless Digital Camera and the Sony Alpha a7 IV Mirrorless Digital Camera do not use the same battery. The Sony a7 II Mirrorless Camera uses the older Sony NP-FW50 Lithium-Ion Rechargeable Battery (1020mAh), B&H # SONPFW50, whereas the new Sony a7 IV Mirrorless Camera uses the newer Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh), B&H # SONPFZ100.

Q: 8. Is there a waveform monitor in video mode?

A: No. The following unit does not offer waveform monitor an external display would be needed that offers waveform.

Q: 9. Is the A7IV compatible with wireless flash? With no flash sync terminal how does the camera communicate with studio strobes?

A: Regarding the Sony a7 IV Mirrorless Camera with Accessories Kit, for a wireless flash, you will need a remote attached to the hot shoe. The remote will communicate with the flash.

Q: 10. Will we have the same amount of focus points and snappiness for real time eye AF in Super 35 4k60p mode like in full sensor read out mode aka 4k24p/30p?

A: The full frame Sony a7 IV Mirrorless Camera (B&H# SOA74) has 759 on-sensor phase detection focus points as well as 425 contrast detection points. They reside in the center 94% of the sensor image area, leaving only a thin border around them without such designated points. However, when shooting in cropped (APS-C/Super 35) mode, the number of such points is about half of those figures. According to the AF algorithm, the camera will choose the appropriate point(s) at which to focus and then use that/those focus point(s) to attain critical focus. In AF-S mode, the additional step of using contrast AF to confirm focus is used to maximize accuracy. . . at the cost of very slightly reducing focus speed. Since cropped mode reduces the number of points from which to choose, it's possible that focus is very slightly faster when shooting like that. . . but from our experience it's just not noticeable as once the point(s) has/have been selected the actual focusing is the same speed. The area that point is in doesn't make it any faster, whether that's in the wider, full frame, or the APS-C/Super 35 middle part of the frame. If focus speed is a concern, be sure to shoot in AF-C and continuous mode with focus speed set at maximum. In video mode, set AF Transition Speed to 7 (i.e. fastest). Relatedly, if you want the focus to jump quickly to new subjects specifically that may be entering the frame then also set AF Subj. Shift Sensitivity to 7. (You won't set the AF Subj. Shift Sensitivity to a high number (such as 7) if you want focus to stay on the current subject of focus for tenaciously.)