Sanken Cs-1e Moisture-resistant Short Shotgun Microphone Deluxe Location Recording Kit
- Product Code: ga264131
-
Record dialogue, foley, and sound effects in sterling sound quality with the Sanken CS-1e moisture-resistant short shotgun microphone mounted on your boompole or camera. Its focused reach, low noise, and ultrastrong output yield high-end audio performance in an incredibly lightweight design. With a fast power-up response and no controls to configure, the CS-1e is always ready to go.
The microphone exhibits a supercardioid polar pattern at low and midrange frequencies, and transitions to a lobar pattern at high frequencies, allowing it to attenuate the 90° off-axis points by about 10 dB from 250 Hz to 1 kHz, by 20 dB at 2 kHz, and by over 24 dB at 4 kHz. For independent and major film, television, and location recording gigs, the CS-1e is an ideal space-saving microphone that won't compromise the integrity of your audio and won't get in the way of your shot.
CS-1e Moisture-Resistant Short Shotgun Shoe/Pole Shockmount & Rycote Windshield Cabled Graphite Boompole & Pistol Grip Long & Short XLR Cables, Boompole Bag Ultralightweight & Moisture-Resistant 50 Hz to 20 kHz Frequency Response Supercardioid at Low & Mid Frequencies Lobar Pattern at High Frequencies Low 15 dBA Self-Noise Ultrahigh Sensitivity of -24 dB
Key Specs | |
---|---|
Microphone Type | Shotgun |
Polar Pattern | Lobar / Supercardioid |
Element Type | Condenser |
Frequency Response | 50 Hz to 20 kHz |
Maximum SPL | 130 dB (1% THD) |
Analog Output | 1x XLR 3-Pin |
USB/Digital Output | No |
Power Sources | Phantom Power |
Microphone | |
Microphone Type | Shotgun |
Polar Pattern | Lobar / Supercardioid |
Element Type | Condenser |
Sound Field | Mono |
Orientation | End Address |
Controls | No |
Pad | No |
Performance | |
Frequency Response | 50 Hz to 20 kHz |
Maximum SPL | 130 dB (1% THD) |
Off-Axis Rejection | 6 dB at 60° 25 dB at 120° 15 dB at 180° |
Sensitivity | -20 dB |
Equivalent Noise Level | 15 dB (A-Weighted) |
Connectivity | |
Analog Output | 1x XLR 3-Pin |
USB/Digital Output | No |
Power | |
Power Sources | Phantom Power |
Operating Voltage | 48 V |
Physical | |
Color | Black |
Environmental Resistance | Water-Resistant (Unrated) |
Dimensions | ø: 0.75 x L: 7.15" / ø: 19 x L: 181.5 mm |
Weight | 2.82 oz / 80 g (Microphone) |
Packaging Info | |
Package Weight | 1.2 lb |
Box Dimensions (LxWxH) | 10.6 x 4.6 x 3.3" |
When working outdoors in humid environments, moisture and condensation can cause many mics to fail. The CS-1e's rugged design and purpose-built components provide optimum resistance to humidity and hostile temperature changes, assuring dependable signal quality in a variety of environmental conditions.
The CS-1e was built for use by independent videographers and demanding sound recordists alike. Its 50 Hz to 20 kHz frequency response incorporates a gentle rise above 5 kHz to increase intelligibility, and a natural bass roll-off to mitigate rumble. Its low self-noise of 15 dBA and ultrahigh sensitivity of -24 dB produce signal purity that's ready to be mixed.
Thanks to its 3-pin XLR output and compliance with 44 to 52 VDC phantom power, the CS-1e is compatible with a variety of handheld audio recorders, field recorders, and mixer adapters, as well as built-in preamps on many camcorders and cinema cameras.
The CS-1e includes two rubber O-rings that expand the microphone's diameter to fit the larger mic holders found on many high-end cameras. Alternatively, use a separately available shockmount such as the Sanken KS-1 to attach the CS-1e to a boompole and prevent the transfer of vibrations to the microphone. The CS-1e's body features a matte black finish to prevent distracting visual reflections.
The CS-1e has a urethane windscreen to reduce unwanted wind noise from breezes, fans, heaters, and air conditioners. For maximum reduction of wind noise indoors and outside, consider the Sanken WSJ-1e furry windshield (available separately).
Related Questions and Answers
Q: 1. Does it shoot in 4K?
A: It does not, this films in HD quality only. You would need to move up to the A6100 which does offer 4K UHD Recording. https://bhpho.to/2GZJLPB
Q: 2. Will this be able to record 4K 120P from the Fx6 like the Ninja V+? And will it require an SDI adapter like the Ninja V+?
A: The new Atomos Ninja Ultra 5.2" 4K HDMI Recording Monitor, renders all of the same capabilities of its predecessor, with only new additions.
Q: 3. Will the Ninja Ultra fit in the Ninja Shinobi cage?
A: No, the Atomos Shinobi comes in a completely different form factor, compared to the Ninja V/V+.
Q: 4. Spare Rechargeable Li-Ion Battery. Does this mean, there will be 2 batteries when delivered? Thanks.
A: Yes, there are 2 batteries included.
Q: 5. How is its low light capability compared with GH5S?
A: At 6400 iso the GH6 is about 1-2 stops better than the GH5s.
Q: 6. Where is the GH6 manufactured?
A: As per our records, the Panasonic Lumix GH6 Mirrorless Camera is made in China. Please note that this is subject to change at any time.
Q: 7. What is the bit depth of the MOV files?
A: The video specs are as follows; CinemaDNG (8/10/12-bit) / MOV H.264( ALL-I /GOP) with Linear PCM stereo audio (48KHz, 16-bit)
Q: 8. Will the Ultra paired with Atomos Connect be compatible with the Sony FS5 Ii ?
A: Yes, the Atomos Ninja Ultra and the Atomos connect when pair together will support the Sony FS5 mk II.
Q: 9. Will this support ProRes 4444/4444XQ?
A: Atomos Ninja Ultra 5.2" 4K HDMI Recording Monitor can record ProRes RAW which you can convert to ProRes 444/4444.
Q: 10. Can Elements 11 be used to edit RAW images from the Sony a6000?
A: I would guess yes, but I don't use RAW. I do use Photoshop CS on all my images (jpg only) taken with the Alpha 6000.
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