The HXS-100 Balanced 3-Pin XLR Female to 1/4" TRS Male Audio Cable (100') from Hosa Technology is a professional audio cable that is ideal for touring and live sound applications where a device with an XLR output needs to be connected to a device with a balanced 1/4" input. The cable has top-quality REAN connectors for excellent durability and superior signal transfer.

The conductors are made from 24AWG oxygen-free copper to maintain a clear signal path. The cable also has 90% OFC spiral shielding for terrific flexibility and effective EMI and RFI rejection. The cable is 100' long and has a 3-pin XLR female connector at one end and a 1/4" TRS male phone connector at the other.

Pro-Quality REAN Connectors    24AWG Oxygen-Free Copper Conductors    90% OFC Spiral Shield

Ideal for professional touring and live sound applications where a device with an XLR output needs to be connected to a device with a balanced 1/4" input

The REAN connectors provide excellent durability and superior signal transfer

The conductors are made from 24AWG oxygen-free copper to maintain a clear signal path

90% OFC spiral shielding provides terrific flexibility and effective EMI and RFI rejection

The cable is 100' long and has a 3-pin XLR female connector at one end and a 1/4" TRS male phone connector at the other

Related Questions and Answers

Q: 1. Have a t6 canon and looking for a 400mm lens.

A: This EF 100-400 Canon lens is compatible with the Canon T6 digital camera.

Q: 2. can you use this lens with the blackmagic zoom and focus demands on a blackmagic studio 4k camera?

A: No.

Q: 3. Will this lens allow zoom and focus with the Blackmagic Micro studio camera 4K over SDI?

A: Please check with the manufacturer of the camera.

Q: 4. How is the 200mm sharpness on this lens compared to the 50-200 II (not f2.8), but the shorter version of this (100-300) lens?

A: I just recently rented both lenses and I find find them both to be very sharp. I used them both on my GX8 and they rented GX9. I love the size of the 100-300 and the auto focus and success rate of keepers seems equal to the 50-200. The 50-200mm may be the sharpest lens I've ever used. I am still deciding between the compact size and value of the 100 – 300; the sharpness of the 50 – 200mm and the reach of the 100-400.

Q: 5. Does the specified weight (1395g) include the tripod foot?

A: No, that weight is without the foot. Its 52oz with the foot.

Q: 6. More than one reviewer stated that he/she had to shake the lens excessively to activate the OSS. Is that a problem everyone else has experienced or is it isolated (which would lead to questions of quality control)? That would seem to be a deal stopper for me.

A: I used the 100-400 lens with 1.4x telextender, mounted on a video rack, dlc v1 dslr rig, at Iguazu Falls in Argentina for three days of birding. It performed flawlessly. Autofocus may fail if the background is uniformly bright, e.g. sky, and the focal point is set for a spot rather than a more broad focus. My Canon 7d mark ii works the same way. The Sony did its job well and the OSS gave me great, crisp images. It has regularly outperformed my Canon 100-400.

Q: 7. it is good in low light conditions? I had the Sony 70 to 300 G OSS and it was terrible at night!

A: the low light performance on this lens is the same as 70-300mm , they both are 4.5-5.6 lenses

Q: 8. Does this lens have internal zoom and focusing or does it "grow" in length zooming from 100 to400?

A: the lens expands as you zoom in.

Q: 9. Does it have any scratches on it? what does it come with? Does it come with the white cap?

A: No scratches and the caps are black

Q: 10. Is this compatible with an EOS M6 MarkII with mount adapter EF-EOSM?

A: Yes, it will work with the adapter.