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Allen & Heath Zed-16fx 16-channel Recording And Live Sound Mixer With Fx & Usb

Allen & Heath Zed-16fx 16-channel Recording And Live Sound Mixer With Fx & Usb
  • Product Code: ga266736
  • Availability: In Stock

$2,819.97 $3,468.56

The Allen and Heath ZED-16FX Mixing Console is a flexible, compact mixing desk for today's home studio, project recording and small live sound reinforcement applications. The ZED-16FX features 16 inputs comprised of 10 mono and 3 stereo channels. The mono inputs provide high quality microphone preamps and three-band EQ. The ZED-16FX features a USB connector for direct integration with Mac and Windows computers and a copy of Sonar LE recording software is included. In addition to all this, the mixer's internal effects engine delivers up to 16 high quality effects for recording and live sound reinforcement.

USB Connection for Mac and Windows    16 Internal Effects    10 Mono Input Channels    3 Stereo Input Channels    3-Band EQ Section with MusiQ    Four AUX Sends    Includes Cakewalk Sonar LE Software

Parameters
Total # Of Inputs16
Mic/Line Inputs3-pin XLR Balanced Microphone x10
1/4" Phone Balanced Line x10
Stereo Line InputsST1 - ST3 1/4" Phone L/R Stereo
In-Line Inputs/ReturnsNo
AUX Sends1/4" TRS Phone x3 4 Total sends, 1 reserved for internal effects
AUX ReturnsDedicated USB Return, Aux 1-2, Aux 3-4, L/R Pre
Inserts1/4 TRS Phone x12 (Mono chs and Main Stereo Out)
BUS (Group) OutputsNo
2 Trk Master I/OMain Output: Balanced 3-pin XLR
ALT I/OUSB Connector
1/4" Phone Mono Out
Monitor OutputsRCA Stereo Phono - ALT Out
RCA Stereo Phono - REC Out
EQ Section3-Band with Mid Sweep On all Mono Channels
2-Band On Stereo Channels
Solo/MuteMute and PFL Solo
Channel Level Control100mm Fader
Trim/Gain ControlRotary Control
Phantom Power+48V Switched Globally
Metering12 Segment Peak LEDs
Frequency ResponseMic in to Mix L/R Out, 30dB gain: +0.5/-1dB 20Hz to 20kHz
Line in to Mix L/R out 0dB gain: +0.5/-1dB 10Hz to 30kHz
Stereo in to Mix L/R out: +0.5/-1dB 10Hz to 30kHz
HeadroomAnalogue Headroom from nominal (0Vu): 21dB
USB in & out headroom from nominal (0Vu): 14dB
Signal-to-Noise RatioMic Pre EIN @ max gain 150R input Z 22-22kHz: -127dBu
Mix L/R out, L/R faders = 0, 22-22kHz: -86dBu
Total Harmonic Distortion (THD)Mic in to Mix L/R Out, 0dB gain 1kHz +10dBu out: 0. 004%
Mic in to Mix L/R Out, 30dB gain 1kHz: 0. 014%
Line in to Mix L/R out 0dB gain 0dBu 1kHz: 0. 005%
Stereo in to Mix L/R out 0dB gain +10dBu 1kHz: 0. 003%
USBUSB Audio In/Out: USB 1.1 compliant 16-bit
Sample Rate: 32, 44.1, or 48kHz
Dimensions18.3 x 3.85 x 18.3" (464 x 98 x 465mm)
Weight18.7 lb (8.5 kg)
Packaging Info
Package Weight22.5 lb
Box Dimensions (LxWxH)24.25 x 23.75 x 10.75"

16 time-delay effects, designed for small groups who don't want to carry around an effects unit with their gear, but still want great quality FX at their gigs and on their recordings.

A USB connection provides direct connection to Mac and Windows computers. Sonar LE recording software is also included.

There are 10 mono channels with line and microphone input connections.

The Three stereo channels feature stereo-paired 1/4" phone connectors for stereo devices such as recorders, effects, keyboards, etc.

ZED-16FX features a responsive 3-band, swept mid frequency EQ design which utilizes MusiQ - with optimized slope (or Q factor) for equalizing individual instruments.

Inserts on all mono channels and stereo output provide flexible routing and control to outboard processors, effects, monitors, etc.

The main output section feature a pair of balanced XLR connectors.

Related Questions and Answers

Q: 1. I'm sure this has been answered in the description, but can this recording monitor be wireless and away from the camera?

A: Yes, the Elvid SkyVision 5.5" Wireless RX/TX HD Recording Monitor is a transmitter as well as a receiver, so it can be used wirelessly up to 500ft (line of sight) away from the camera, however, inorder to transmit to the monitor from the camera, you would need wither a second Elvid SkyVision 5.5" Wireless RX/TX HD Recording Monitor, or a separate wireless transmission system.

Q: 2. Will the Ultra paired with Atomos Connect be compatible with the Sony FS5 Ii ?

A: Yes, the Atomos Ninja Ultra and the Atomos connect when pair together will support the Sony FS5 mk II.

Q: 3. Is it possible to record 4k 120P from the Sony FX3 in ProRes RAW on the Ninja Ultra?

A: The Sony FX3 does not produce a 120p RAW signal at all regardless of the recording option you choose.

Q: 4. is the grip optional?

A: I am not aware of a grip for the Sigma fp.

Q: 5. does it work with sony fx30?

A: Yes, the Atomos Ninja Ultra 5.2" 4K HDMI Recording Monitor is compatible with the Sony FX30 Digital Cinema Camera and can record ProRes RAW up to 4.2K Uncropped (1.77:1) 4264 x 2408 at 59.94 fps.

Q: 6. What exactly are the new features / differences from the Ninja V+?

A: Regarding the main differences between the new Atomos Ninja Ultra 5.2" 4K HDMI Recording Monitor and the older Atomos Ninja V+ 5.2" aside from the obvious color change are as follows: the new Atom OS 11 provides a streamlined workflow that is easier to navigate from previous operating systems, the camera to cloud workflow is much more efficient using H.265 instead of H.264 for the proxy workflow, which allows for more data to be handled with the same size drive.

Q: 7. does the head have a half ball for leveling?

A: Yes it does

Q: 8. Can i record 8k with the fx3?

A: The Sony FX3 does not offer or output anything larger than 4.2k, so no this is not possible with any monitor or the Atomos Ninja Ultra 5.2" 4K HDMI Recording Monitor.

Q: 9. Fluid head

A: Yes it is.

Q: 10. Will this be able to record 4K 120P from the Fx6 like the Ninja V+? And will it require an SDI adapter like the Ninja V+?

A: The new Atomos Ninja Ultra 5.2" 4K HDMI Recording Monitor, renders all of the same capabilities of its predecessor, with only new additions.

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