The Classic PEQ Blue from Algorithmix is a DirectX/VST plug-in featuring precise emulations of classic parametric equalizers. The complete collection of twelve EQs includes standard, vintage, modern and experimental models, structured as ten serial and two parallel equalizers.

Every EQ has ten-bands with five freely assignable parametric filter types including bell, low-shelf, high-shelf, low-cut and high-cut. To avoid bell filter asymmetry at high frequencies, reference-quality up-sampling techniques are employed, automatically switchable if the sampling frequency of the input signal is 44.1 or 48kHz. Also used are different kinds of shelving filters along with cut filters.

By using proprietary filter algorithms, the equalizers exhibit a huge dynamic range, as well as extremely low noise and distortion level. This results in unparalleled sound purity. The whole equalizer collection works with sample rates up to 384kHz, making it eminently suitable for DSD post-processing.

Parametric EQ    Multiple EQ Emulations    DirectX/VST    Windows

Complete collection of classic analog equalizer emulations

Twelve different equalizer types - ten serial and two parallel

Parametric EQ styles for every taste include classic, vintage, modern and experimental with different frequency characteristics - classic, constant-Q, proportional, ideal-Q and special

True emulation of the analog parallel feedback equalizer

Reliable operation with support for up to 384kHz sampling frequency, suitable for high-resolution DSD post-production work

Extended center frequency setup up to 80kHz covers ultrasonic range in DSD applications

Bell filters in all types normalized to look identically at + 6dB boost and Q = 0.71 (ideal for fast sound comparisons between different types of equalizers)

Every equalizer type provides ten-bands with five freely assignable parametric filter types - bell, low-shelf, high-shelf, low-cut and high-cut

Extremely low noise and low nonlinear distortion filter algorithms resulting in the residual THD+N being significantly lower than 24-bit quantization noise

Very low-noise and low-distortion over-sampling technique for getting analog-like filter characteristics when working with low sampling frequencies (44.1 and 48kHz)

Adjustable Q-factor for shelving and cut filters

Allows for overlapping several low-cut and high-cut filters to get specific brick wall characteristics

All internal calculations made using double floating-point accuracy (80-bits)

Resizable and zoomable frequency-response display for high-precision adjustments (DirectX only)

Parameter editing via numerical fields or directly on the graphical display

Three fast accessible presets for quick setup comparison

Several instances, each with different PEQ type selection, can be opened simultaneously

Complete setup exchange among several simultaneously opened instances

Automatic latency compensation with compatible DAWs

Related Questions and Answers

Q: 1. Will this be a good fit for Sony Pxw-z280? It's a solid piece with no length adjustment? Also, I prefer to use my LCD.

A: Yes, the Sony Z280 is a similar sized camera to the other models listed, and would work well with the Camera Ribbon Rig QR Classic Camera Support. Also, the built in quick release system of the CameraRibbon will offer a few inches of camera adjustment if needed.

Q: 2. Is there a difference between the black one and the titanium one besides just the color ?

A: No, the Benro MeFOTO RoadTrip Classic Series 1 Tripod with Monopod and Ball Head Kit in black and titanium are the same and the color is the only difference.

Q: 3. What's the difference between the RoadTrip Classic and the RoadTrip Pro Series 1 Tripod?

A: The Benro MeFOTO RoadTrip Classic Series 1 Tripod has a single piece center column. The Benro MeFOTO RoadTrip Pro Aluminum Series 1 Travel Tripod has a double section center column. The RoadTrip Pro includes some new features, like the tools incorporated into the tripod legs, and a camera plate that can double as a smartphone holder.

Q: 4. Is the rig compatible with the Sony FDR AX700?

A: Yes it is. You will be able to use a camcorder like the AX700 with this rig.

Q: 5. Will this rig work with Canon XA15 / XA45?

A: Yes, the CameraRibbon Rig QR Classic Camera Support for Panasonic, Sony, Canon & JVC Professional Cameras is compatible with the Canon XA15 Compact Full HD Camcorder with SDI, HDMI, and Composite Output and the Canon XA45 Professional UHD 4K Camcorder.

Q: 6. Will it work with ag-dvx-200 ?

A: It will mount and work well with that camcorder.

Q: 7. Will this work with the Panasonic CX 10?

A: Yes, this will work well with the CX10.

Q: 8. Does it work with dvx200 ?

A: Seems to work with anything you can put on a tripod. I use it with both a Nikon D4 as well as my Panasonic AG100p Cameras for ENG Videos. Not as good as a good gyro stabilizer like a DJI Ronin but no set up time and great for short static clips on the Go. I am adapting mine to take monopod and the Really Right Stuff quick release system so that I can quickly and easily set up for longer interviews. It's really pretty cool.

Q: 9. Will this be compatible with my Canon XA20?

A: The QR Shoulder Rig is compatible with the Canon XA20. You will be able to use that camera on this shoulder support system.

Q: 10. Will this camera ribbon work with the Panasonic AJ PX270?

A: The CameraRibbon QR Shoulder Rig Camera Support for Panasonic will work with the Panasonic AJ PX270.