The Laird Telemedia Red One Quick Disconnect Camera-Field Mixer Cable (25’/7.62 m) converts the RED connectors TA3 to standard XLR female. It is designed to attach to any standard mixer/recording device with XLR interface. It functions as a breakaway and adapter cable. The breakaway feature allows you keep the cable permanently attached to the RED ONE allowing you to conveniently attach and re-attach the cable as needed. The camera portion that attaches to the RED ONE is 2’ (0.61 m) long.

This RD1-MIX series cable features a self-contained Canare pliable 3-channel triplex cable, which is easy to work with. The 2-channel XLR male to 2-channel XLR female audio lines transmits a stereo feed. The third channel returns the headphone feed from the camera to the monitor input of a portable field mixer via a stereo mini connection.

The camera side of the cable contains an additional 3.5mm female end for headset monitoring. The cable is supplied with a multi-pin quick disconnect that permits the cameraman to split from the mixer when the action calls for it.

For Red One Cameras    Functions as Breakaway & Adapter Cable

Related Questions and Answers

Q: 1. Will I be able to use Blackmagic Video Assist 12g to get Blackmagic raw out of the FX6?

A: We're afraid not. The Video Assist 12G cannot process the RAW signal from this camera. You will need the Atomos Shogun 7 instead. https://bhpho.to/2KdODWq

Q: 2. Will the Sony FX6 body work on the Steadicam Solo rig?

A: The Steadicam Solo has a 10 pound load capacity. Just as long as you keep your FX6 build below 10 pounds, which is very possible, you will be able to balance and shoot with this camera on the Solo.

Q: 3. Does the camera have an Active Steady Shot mode (like in the FS100) ?

A: No Active Steadyshot Mode is alluded to in any of the published specs, but you can pair the FX6 with Sony's Catalyst Prepare/Browse software to use metadata to stabilize your image, automatically rotate gimbal footage, and add flags for easier clip filtering in post-production.

Q: 4. Does it provide HDMI output while recording?

A: yes the HDMI output is active during internal recording

Q: 5. Can it record proxy files to a slower SD card while silmutaneously recording to a CFexpress type-A card in a different slot? I don’t want to purchase another CFexpress since they are pretty pricey

A: Proxy files can be written in 8-bit 4:2:0 XAVC-L 1080p at 8Mbps with either UHS-II or UHS-I SDXC cards.

Q: 6. Can you record 4K MP4 files for clients that need an on site download?

A: Yes, the Sony FX6 Digital Cinema Camera can record in MP4 format.

Q: 7. Does it record raw internally, or Prores raw internally?

A: The Sony FX6 does not record RAW or ProRes RAW internally. You will need to use the Atomos Ninja V to record in ProRes RAW.

Q: 8. Full Frame?

A: yes this will be a FF sensor camera

Q: 9. Is there a way to roll (record) remotely?

A: The Sony FX6 Full-Frame Cinema Camera can be remotely controlled over Wi-Fi with a smartdevice app.

Q: 10. What lens is pictured in these early announcement photos?

A: That is Sony 24-105 mm f4 lens BH #SO241054G