Laird Digital Cinema Red One Timecode In - Lemo 5p To Bnc - 3'
- Product Code: ga269725
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The Red One Timecode In - Lemo 5P to BNC - 3' from Laird Telemedia is a 5-pin to BNC time coded in/out cable that connects your Red One camera to an external device.
Timecode Output Uses a LEMO Connection
Parameters | |
---|---|
Length | 3' (0.9 m) |
Weight | 0.2 lb (90.7 g) |
Packaging Info | |
Package Weight | 0.1 lb |
Box Dimensions (LxWxH) | 6.75 x 4.25 x 1.4" |
Time Code IN Jam sync the camera time code to a Clockit, TC Slate or another camera
Related Questions and Answers
Q: 1. This camera support Anamorphic lens like a Red ( God bless Red ) Komodo or still oriented to prosumer market ?
A: Without reading too deep into it, the sensor is an Alpha sensor and it probably lands more in line with what you called the "prosumer market". There are workarounds that will get you very fine anamorphic results, but none that don't require some mathematical considerations by the user to achieve the best possible anamorphic capture.
Q: 2. If there are any generous folks out there who would want to help a newb with lens recs? Building a new studio for mostly interview style shoots. Three cameras: FX6, FX6 and Alpha 7IV (which will double as a vlogging and webcam). What five lenses would you buy for a balance of versatility? One or two more expensive lenses and the rest, focusing on value. With at least one lens being a zoom. And is there going to be a new offering of Sony Cinema lenses within the next year or so?
A: This is exactly what the sales reps at B&H are here for! feel free to reach out to us via email at Sales@bhphoto.com, chat in the top right corner of the website, or phone at 1-800-606-6969 to get advice from one of our professional video sales reps. There are a ton of options for building a lens kit between primes and zooms but usually its a good idea to build a set from the same manufacturer for example a set of lenses from companies like Rokinon, Sigma, Zeiss etc will maintain a consistent look as you swap from 1 lens to the next. an example of some high quality kits are the Sigma T1.5 FF High-Speed 5-Lens Kit with Case (Sony E Mount) B&H # SI204355085S MFR # WZV967 ZEISS CP.3 5-Lens Set (Sony E Mount) B&H # ZELK5CP.3E MFR # 2246-660 E on the more affordable side you may want to consider Rokinon 24, 35, 50, 85mm T1.5 Cine DS Lens Bundle for Sony E-Mount B&H # ROCLKSE Rokinon XEEN CF Pro 5-Lens E-Mount Cine Lens Kit B&H # ROXCF5E again if you have more questions feel free to reach out to us via email, chat, or phone.
Q: 3. Do any Sony lens have optical steady shot with the FX6?
A: Lenses with a built in Optical Steady Shot (OSS), such as the Sony FE 24-105mm f/4 G OSS will support the in lens stabilization.
Q: 4. Where is this camera made? Please do not respond with a lecture about the quality coming from Sonys China plant and so on
A: The Country of Origin for this product is China.
Q: 5. Can you use the Odyssey 7Q+ to record 4K out or 2K / HD prores? Can you use it as a monitor only through the SDI port or the HDMI port?
A: Yes, the Odyssey 7Q+ can record 4K, 2K or HD ProRes from the Sony FX6. You can also monitor through the SDi or HDMI port as well.
Q: 6. Will I be able to use Blackmagic Video Assist 12g to get Blackmagic raw out of the FX6?
A: We're afraid not. The Video Assist 12G cannot process the RAW signal from this camera. You will need the Atomos Shogun 7 instead. https://bhpho.to/2KdODWq
Q: 7. Does the Sony FS7 EVF Loupe fit this camera?
A: no it does not
Q: 8. Is there a center scan mode in the FX6 while filming at 1080p?
A: As of 12/14/2020, the FX9 has the flexibility of scan modes including 4K Super 35 and the soon to come 2K Super 16 center-scan mode.
Q: 9. What lens is pictured in these early announcement photos?
A: That is Sony 24-105 mm f4 lens BH #SO241054G
Q: 10. Does the FX6 has internal microphone?
A: The FX6 does have a internal microphone although it's not very good. I would highly suggest getting a dedicated microphone for clearer sound.
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