The Uhbik FX Plug-In Bundle from u-he comprises nine individual software effects modules, each one suitable for use in surround sound applications. These plug-ins are available in 32- and 64-bit platforms, offer compatibility with AU, VST2, or AAX hosts, and are completely safe—if used as directed.

Plug-In Bundle with 9 Separate Modules    EQ, Phaser, Flanger, Verb, Delay & More    Surround Sound Compatible    32- or 64-Bit Modes    Works with VST2 and AU Hosts    AAX Compatible with Pro Tools 10 - 12

A reverb module that aims to evoke ambiences as various as a simple plate, an outdoor landscape, or even a large chamber with pew-like rows of seats, Uhbik-A functions as a combination of early reflections. It combines different plate algorithms (small, direct, and open), independent control over high- and low-frequency decays, pre-delay options, diffusion possibilities, and opportunities for modulation.

This delay plug-in provides echoes with LFO modulation, multiple filtering options, and other modifiers, all of which offer, strictly speaking, the ability to travel through time-in the manner only a delay module can provide. You can also pan each of the five available independently variable echoes, as well as apply soft-clipping distortion to the module's feedback channel.

A flanger simulating two tape machines, this plug-in is capable of offering tones from dramatic jet-engine effects to classic stomp-box chorusing, and as such, is useful for creating shimmer and unsteadiness. Uhbik-F provides a mix knob for either adding or subtracting the sound of the second simulated tape-head, an auto-mix knob for controlling LFO modulation of the mix knob parameter, harmonic distortion via the drive knob, a high-pass "bass sanctuary" filter, and feedback options which simulate those of stomp-box flangers.

A granular pitch-shifting and FFT-based phase vocoder, Uhbik-G cuts audio into snippets and then plays them back at variable rates untethered to the physical limitations of its analog inspiration. It controls shift in semitone steps and can achieve reverse effects via the grain knob. Just like Uhbik-S, this module features both auto and manual reset options. In PhaseVoc mode, the plug-in becomes a vocoder whose input can be sidechained to external audio.

Uhbik-P is a phaser with the capability to deliver as many as 42 all-pass filters in series. It features controls such as a spectrum parameter (defining the center position of the comb before modulation occurs), a depth knob (controlling the amount of LFO modulation), and a high-pass "bass sanctuary" filter (maintains low-frequency stability). Similarly to the flanger, Uhbik-F features a feedback controller which, at high values, can lead to short bursts of self-oscillation.

Aiming to achieve maximum flexibility with a minimum amount of controls, Uhbik-Q is an equalizer featuring freely-tunable semi-parametric bands and four-pole filters rather than the usual two, as well as a low-shelf bass filter and two "brick-wall" cut filters.

Named after one of many Philip K. Dick characters to find himself in a parallel universe, the Runciter can likewise put you in a parallel universe of distorting filters: the state-variable principle is utilized here, providing low-, band-, and high-pass outputs all capable of being overdriven; this module pushes past authentic boundaries of common wah or envelope filters to deliver dramatic sweeps and precarious structures of personality, complete with external/MIDI knob and selector, fuzz and "colour" controls, and an envelope stage featuring a built-in generator based off input signals which can, in turn, modulate cut-off frequencies.

Uhbik-S is a frequency shifter / sideband filter for creating anything from serene rises & falls to full freak-out effects. It utilizes channel offsets, variable frequency shift and range selectors, and phase adjustments for effected signal. Phase options come with auto and manual reset to allow for further phase manipulation in real-time, if desired.

A fully modifiable tremolo which produces linear or exponential gain modulations, Uhbik-T also functions as a panner (complete with quad panning capabilities). It can modulate three parameters simultaneously (volume, stereo/surround position, and low-pass filtering) and features selectable gain laws, channel offset, haas-effect manipulation, filter attenuation, and pattern modes.

These plug-ins are surround-capable, able to handle up to eight channels—including quadrophonic, 5.1 and 7.1—with the option to keep the LFE or Center/LFE channels unprocessed.

Many of these plug-ins feature a selectable high-pass filter which keeps assignable bass frequencies from becoming over-processed; therefore, low frequencies can be kept from triggering effects best left for the mid and treble.

Related Questions and Answers

Q: 1. Can these be powered by the NP-F975 batteries?

A: Yes. For a longer run-time they make a great pair just be mindful that they add a little weight to the units.

Q: 2. Is this a passive microphone?

A: Yes, the MXL R144 is a passive microphone.

Q: 3. What is the continuous run time when powered by an NP-975?

A: Not all NPF-975 batteries have the same mAh. Depending on which you choose, as well as the health of the battery, you will get anywhere between 6-8 hours, when using the Accsoon CineView HE Multi-Spectrum Wireless Video Transmission System.

Q: 4. What is the accsoon-pro-group1 Wi-Fi's use?

A: The Accsoon CineView HE Multi-Spectrum Wireless Video Transmitter works with both 2.4 & 5 GHz Dual Band Frequencies. # of Channels 20 Frequency Range 2412 to 2472 MHz 5180 to 5580 MHz 5660 to 5825 MHz

Q: 5. can i transmit youtube video from laptop to cellphone?

A: Yes, the Accsoon CineView HE Wireless Video Transmitter & Receiver Kit can take a video signal from an HDMI output from a laptop and transmit it to a smartphone using the Accsoon application.

Q: 6. I don't see any power adapter included on the list. is there one included?

A: The Accsoon CineView HE Multi-Spectrum Wireless Video Transmission System, does not come with a power supply, though it can be powered through a general usb-c cable to a usb power source, or by a Sony-style L-series battery, such as the GVM NP-F750 4400mAh Batteries. https://bhpho.to/3RzyZBB

Q: 7. Is it protected against accidental phantom power like the SE X1 R?

A: The MXL R144 HE Heritage Edition Ribbon Microphone is not protected against phantom power, and there is a warning in the user manual that phantom power may damage the microphone. If your equipment has a phantom power switch that is universal to multiple mic inputs, or if you want to be safe from accidental button presses, a blocker like this can protect your mic: https://bhpho.to/3L0h4CV. If you want a little bit more clean gain from the microphone, in-line preamps such as the Polsen XP-30D or the Cloudlifter CL-1 can protect the mic from phantom power while also providing you with a better level signal.

Q: 8. Will this work with the Accsoon CineView SE Multi-Spectrum Wireless Video Transmitter or only with the HE version?

A: No, this will only work with the HE version.

Q: 9. Does the receiver output a clean HDMI signal or are there data overlays? Curious if this can be used for live-streaming events with a switcher like the ATEM Mini. Also, can more than one be used at the same location without interfering one another.

A: The Accsoon CineView HE Multi-Spectrum Wireless Video Transmission System will output a clean HDMI signal if a clean HDMI signal is fed into it. Yes, the Accsoon CineView HE Multi-Spectrum Wireless Video Transmission System can be used with the Blackmagic Design ATEM Mini HDMI Live Stream Switcher. Up to 4 Accsoon CineView HE Multi-Spectrum Wireless Video Transmission System can be in the same facility.

Q: 10. Will this work with the 2S or 2S pro receivers or just the HE receivers?"

A: The Accsoon CineView HE is not compatible with 2S or 2S Pro receivers. With CineView HE, you can transmit video and audio to up to four HE receivers or mobile phones.