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Bergger Prestige Variable Cb Warmtone Baryta Paper (glossy, 11 X 14", 25 Sheets)

Bergger Prestige Variable Cb Warmtone Baryta Paper (glossy, 11 X 14", 25 Sheets)
  • Product Code: ga3307
  • Availability: In Stock

$344.85 $520.72

Prestige Variable CB from Bergger is a warmtone chlorobromide fiber based paper with a glossy surface finish, and is designed for traditional black and white printing and enlarging. Featuring a baryta-coated double-weight, 280 gsm white base, this polycontrast paper uses both green and blue chromatic sensitizers to deliver six full grades of contrast along with a high Dmax and rich, warm black tones.

This item is one box of 25 sheets of 11 x 14" glossy paper.

For Traditional Black & White Printing    Chlorobromide Fiber Base Paper    Six Full Grades of Contrast, High Dmax    Double Weight, 280 gsm    Warm Tone, White Base

Parameters
Item Type25x Sheet Paper
Size11 x 14" / 27.9 x 35.6 cm
Paper TypeNegative
Base TypeFiber Base
Paper HandlingAmber, Red Filter (15 W Bulb)
Surface FinishGlossy
ContrastMultigrade
ToneWarm
Basis Weight280 gsm
ISOR200
Packaging Info
Package Weight2.3 lb
Box Dimensions (LxWxH)14.9 x 12.5 x 0.4"

Related Questions and Answers

Q: 1. What kind of chemistry do i need to Enlarge with this Paper for an Art Show?

A: This paper can be developed with traditional black and white darkroom chemistry for black and white prints.

Q: 2. Will this paper work with my Canon pro 10 printer and on my Epson 3800?

A: Yes, this Canson Infinity Baryta Prestige II Glossy Paper is compatible with the Canon pro 10 and Epson 3800 printers.

Q: 3. is this epson 3880 compatible?

A: You can use the Baryta FB 17 x 22 Paper with the Epson 3880 printer, yes. You can get the ICC profile from Hahnemuhles site.

Q: 4. is this black and white?

A: Yes this paper is for black and white printing in a darkroom.

Q: 5. How does the archival quality of Hahnemuhle Baryta FB compare to Hahnemuhle Fine Art Baryta?

A: Not sure how to answer that, but the non FB is a better paper for me. The FB has a slight magenta cast. The Fine Art Baryta is very very nice. I havd always used Canson or Ilford for Baryta until I tried these 2 papers. The Hahnamuhle Fina Art Baryta is slightly more expensive than the FB, but the surface is slightly textured and the color rendition is fantastic. I would be confident that both papers are as archival as the manufacturer can make them. Don't worry. Just make great prints.

Q: 6. Hi, will this roll fit on the Canon pro 4000 large format printer?

A: Yes, this roll is made for this and all other 44" Wide Format Ink Head based roll fed printers.

Q: 7. How does this tone? Say selenium for tinting?

A: Toning of this paper is just a light touch of warm (I like very much). This is not Linda greenish like the package shows.

Q: 8. Does this paper require all the extra filters?

A: Since it is a variable contrast paper, the best results would be achieved using variable contrast filters such as these: https://bhpho.to/3hToJ8K

Q: 9. What does the FB stand for?

A: Fiber Based, as opposed to RC = Resin Coated https://forum.luminous-landscape.com/index.php?topic=75439.0

Q: 10. Do you have any problems loading this in a Pro-100 printer ? Heavier Hahnemuhle gloss Baryta 320 will not load with the manual feed

A: Should be no problem at all if you feed it in the manual rear feed even for the Baryta 320. Just be sure to feed it straight in with both hands by pushing it lightly & the printer will automatically grab it.

16/09/2024

There isn't probably a better all around paper than this. Heavy weight, nice glossy finish. Great tonality, and mild warm tone. If you've got the cash, try it. You won't regret it.

5
05/09/2024

Papers come and, unfortunately, papers go, but I hope the Bergger Prestige Variable CB Warmtone is to stay a long time. It's my favorite, and better than my great, late favorite. I especially love the subtle tonal gradations in the denser, high-end values of the negative. With 1 to 15 selenium toning the blacks are also solid. I use the paper for both contact printing 8x10 negatives as well as projection printing 120 film negatives. With my Moersch ECO 4812 print developer, the warmth is very subtle. Highly recommended.

5
25/08/2024

I really like this paper. So far I have only developed it in Ilford Multigrade (1:9). It is quite a bit slower (needs more exposure) than Ilford MG classic and needs about a grade more filtration. Strangely it does not increase its DMax in selenium (1:30) I plan on developing it in D72, Ansco 130 and Defender 55-D but the results so far as beautiful.

5
16/06/2024

A very nice paper, producing an lovely, rich, warmtone image. The paper takes selenium well, although that cools the image tone. It costs a little more than its Ilford counterpart. The Bergger paper may have a slightly warmer tone before any subsequent toning treatments.

5
06/06/2024

Great to see this paper still available. Please keep it coming!

5
05/06/2024

Great low zone details. Takes selenium toner slowly.

5
26/05/2024

Bergger variable CB Warmtone glossy lives up to its manufacturers claims for Dmax and weight. It produces lovely neutral greys with the right amount of gloss in the dark tones. It is a slower working paper requiring more exposure to achieve max black, and needs longer development times. It tones nicely in Thiourea becoming a deep rich brown if one's mix leans toward darker sepia. Dries nearly flat with minimum curl. As others have stated it needs to come down in price and be offered in larger quantities. To my eye, it has no distinguishing difference other than weight to similar Ilford warm tone products.

5
11/04/2024

Beautiful warm tone paper, I was sceptical at first at the quality, no more. I plan on using 16x20 if available.

5
02/04/2024

This paper is excellent. I have used fomabrom in the past, which is obviously a slightly cooler tone. I wouldn't say that any of the images I have printed are warm tone by any means (I have not toned any of them), but they do look great. blacks are full black with great tonality across the mid range.

5
30/11/-0001

I've printed B/W for over forty seven years and with many papers. The Bergger Prestige Variable CB Warmtone is my current favorite for both contact printing and projection printing. With Moersch ECO 4812 print developer the image warmth is subtle. The characteristic I love is the paper's ability to tonally separate delicate highlights. At the other end, the blacks are very rich, especially with selenium toning at a 1 to 15 concentration.

5

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