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Canon Eos 5d Mark Iv Dslr Camera With 24-105mm F/4l Ii Lens

Canon Eos 5d Mark Iv Dslr Camera With 24-105mm F/4l Ii Lens
  • Product Code: ga33129
  • Availability: In Stock

$10,197.00 $14,887.62

Continuing on in their legacy of powerful workhorse cameras, Canon has released the 5D Mark IV DSLR which is an outstanding still photography option and an able 4K-capable video machine. This multimedia maven offers a newly developed 30.4MP full-frame CMOS sensor paired with the DIGIC 6+ image processor in order to balance fine detail and resolution with low-light performance and sensitivity. It is able to work within a native range of ISO 100-32000, which can then be expanded to an impressive ISO 50-102400, for sharp, low-noise images in a variety of conditions. Along with these improvements to image quality, users will enjoy a performance boost across the board with an enhanced AF system, built-in Wi-Fi, NFC, and GPS, and much more.

In order to deliver detailed images quickly and effectively the 5D Mark IV leverages the power of the DIGIC 6+ image processor, which can handle up to 7 frames per second during continuous shooting. It also uses a 150,000-pixel RGB+IR metering sensor to evaluate the scene and subjects for accurate exposures under a variety of different lighting conditions. An improved 61-point High Density Reticular AF furthers the camera's speed by tracking and locking onto subjects quickly and accurately for tack sharp photos. A new AF area select button is now available as well for near immediate access to this setting.

Video benefits from the addition of Dual Pixel CMOS AF and Movie Servo AF to smoothly rack focus during a shot. Shooters can even make use of the 3.2" 1.62m-dot touchscreen LCD to simply tap to adjust the focus point. Furthermore, now that the camera has DCI 4K (4096 x 2160) video recording at up to 30 fps, users can snag 8.8MP stills from the video for an even faster capture option. Tied into the Dual Pixel sensor architecture is a brand new feature for Canon: Dual Pixel RAW, which allows for fine tuning of certain image parameters, including bokeh shift and focus micro adjustment, after the image is taken.

The body has been further refined for comfort and ease of access, as well as durability and weather resistance. The Canon N3 remote port has been relocated to the front of the camera body and they have added both GPS and Wi-Fi with NFC to make this model a connected camera.

30.4MP Full-Frame CMOS Sensor    DIGIC 6+ Image Processor    3.2" 1.62m-Dot Touchscreen LCD Monitor    DCI 4K Video at 30 fps; 8.8MP Still Grab    61-Point High Density Reticular AF    Expanded ISO 102400; 7 fps Shooting    Dual Pixel RAW; AF Area Select Button    Dual Pixel CMOS AF and Movie Servo AF    Built-In GPS and Wi-Fi with NFC    EF 24-105mm f/4L IS II USM Lens

Key Specs
Lens MountCanon EF
Sensor ResolutionActual: 31.7 Megapixel
Effective: 30.4 Megapixel (6720 x 4480)
Image Sensor36 x 24 mm (Full-Frame) CMOS
Image StabilizationNo
ISO Sensitivity RangePhoto
100 to 32,000 in Manual, Auto Mode (Extended: 50 to 102,400)
Video
100 to 25,600 in Manual, Auto Mode (Extended: 102,400)
Continuous ShootingUp to 7 fps at 30 MP for up to 21 Frames (Raw) / Unlimited Frames (JPEG)
Internal Recording ModesMOV/MP4
4096 x 2160 at 23.98/24.00/25/29.97 fps [500 Mb/s]
1920 x 1080p at 23.98/24.00/25/29.97/50/59.94 fps [180 Mb/s VBR]
1280 x 720 at 100/120 fps [160 Mb/s VBR]
External Recording ModesHDMI
1920 x 1080p at 23.98/24.00/29.97/59.94 fps
1280 x 720 at 120 fps
Media/Memory Card SlotSlot 1: CompactFlash (UDMA 7)
Slot 2: SD/SDHC/SDXC (UHS-I)
Video I/O1x Mini-HDMI (Unspecified Signal) Output
Audio I/O1x 1/8" / 3.5 mm TRS Stereo Microphone Input
1x 1/8" / 3.5 mm TRS Stereo Headphone Output
Power I/ONo
Other I/O1x Canon N3 Control Input
1x Micro-USB (USB 3.2 / 3.1 Gen 1) Data Output
1x PC Sync Socket Input
WirelessWi-Fi
Display TypeFixed Touchscreen LCD
Battery Type1x LP-E6N Rechargeable Lithium-Ion, 7.2 VDC, 1865 mAh
Imaging
Lens MountCanon EF
Sensor ResolutionActual: 31.7 Megapixel
Effective: 30.4 Megapixel (6720 x 4480)
Image Sensor36 x 24 mm (Full-Frame) CMOS
Sensor Crop (35mm Equivalent)Crop Factor: 1x
*Additional Crop Occurs in Select Video Modes
Image StabilizationNo
Mirror Lock-UpYes
Capture TypeStills & Video
Exposure Control
Shutter TypeMechanical Focal Plane Shutter and Electronic Rolling Shutter 
Shutter Speed1/8000 to 30 Seconds
Bulb/Time ModeBulb Mode
ISO Sensitivity RangePhoto
100 to 32,000 in Manual, Auto Mode (Extended: 50 to 102,400)
Video
100 to 25,600 in Manual, Auto Mode (Extended: 102,400)
Metering MethodCenter-Weighted Average, Evaluative, Partial, Spot
Exposure ModesAperture Priority, Auto, Manual, Program, Shutter Priority
Exposure Compensation-5 to +5 EV (1/3, 1/2 EV Steps)
Metering Range0 to 20 EV
White Balance2500 to 10,000K
Presets: ATW, AWB, Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten
Continuous ShootingUp to 7 fps at 30 MP for up to 21 Frames (Raw) / Unlimited Frames (JPEG)
Interval RecordingYes
Self-Timer2/10-Second Delay
Still Image Capture
Image Sizes3:2 JPEG / Raw
30.1 MP (6720 x 4480)
16.9 MP (5040 x 3360)
7.5 MP (3360 x 2240)
4:3 JPEG / Raw
26.7 MP (5952 x 4480)
15.1 MP (4480 x 3360)
6.7 MP (2976 x 2240)
16:9 JPEG / Raw
25.4 MP (6720 x 3776)
14.3 MP (5040 x 2836)
6.3 MP (3360 x 1888)
1:1 JPEG / Raw
20.1 MP (4480 x 4480)
11.3 MP (3360 x 3360)
5 MP (2240 x 2240)
Aspect Ratio1:1, 3:2, 4:3, 16:9
Image File FormatJPEG, Raw
Bit Depth14-Bit
Video Capture
Internal Recording ModesMOV/MP4
4096 x 2160 at 23.98/24.00/25/29.97 fps [500 Mb/s]
1920 x 1080p at 23.98/24.00/25/29.97/50/59.94 fps [180 Mb/s VBR]
1280 x 720 at 100/120 fps [160 Mb/s VBR]
External Recording ModesHDMI
1920 x 1080p at 23.98/24.00/29.97/59.94 fps
1280 x 720 at 120 fps
Fast-/Slow-Motion SupportSlow-Motion Only
Gamma CurveCanon Log
Recording LimitUp to 30 Minutes
IP StreamingNo
Built-In MicrophoneMono
Audio RecordingMP4: AAC Audio
MOV: LPCM Audio
Interface
Media/Memory Card SlotSlot 1: CompactFlash (UDMA 7)
Slot 2: SD/SDHC/SDXC (UHS-I)
Video I/O1x Mini-HDMI (Unspecified Signal) Output
Audio I/O1x 1/8" / 3.5 mm TRS Stereo Microphone Input
1x 1/8" / 3.5 mm TRS Stereo Headphone Output
Power I/ONo
Other I/O1x Canon N3 Control Input
1x Micro-USB (USB 3.2 / 3.1 Gen 1) Data Output
1x PC Sync Socket Input
WirelessWi-Fi
Mobile App CompatibleYes: Android & iOS
App Name: Camera Connect
Functionality: Access Stored Files, Adjust Settings, Firmware Update, Remote Control, View Live Feed
Global Positioning (GPS, GLONASS, etc.)GLONASS, GPS, QZSS
Monitor
Display Size3.2"
Resolution1,620,000 Dot
Display TypeFixed Touchscreen LCD
Secondary DisplayTop: Status Display
Viewfinder
TypeOptical (Pentaprism)
Eye Point21 mm
Coverage100%
MagnificationApprox. 0.71x
Diopter Adjustment-3 to +1
Focus
Focus TypeAuto and Manual Focus
Focus ModeContinuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus PointsPhase Detection: 61 (41 Cross-Type)
Autofocus Sensitivity-3 to +18 EV
Flash
Built-In Flash/LightNo
Maximum Sync Speed1/200 Second
Flash Compensation-3 to +3 EV (1/3, 1/2 EV Steps)
Dedicated Flash SystemeTTL
External Flash ConnectionShoe Mount, PC Terminal
General
Battery Type1x LP-E6N Rechargeable Lithium-Ion, 7.2 VDC, 1865 mAh
Shoe Mount1x Hot Shoe
Material of ConstructionMagnesium Alloy
Operating Conditions32 to 104°F / 0 to 40°C up to 85% Humidity
Dimensions (W x H x D)5.93 x 4.58 x 2.99" / 150.62 x 116.33 x 75.95 mm
Weight2.0 lb / 890 g (With Battery, Recording Media)
1.76 lb / 800 g (Body Only)
Packaging Info
Package Weight3.4 lb
Box Dimensions (LxWxH)9.8 x 7.35 x 5.85"

In line with previous members of the main 5D series, the Mark IV attempts to balance high resolution with low-light performance with a newly developed 30.4MP full-frame CMOS sensor. This provides a beneficial increase in overall resolution without compromising on sensitivity. Additionally, thanks to the DIGIC 6+ image processor it is paired with, it offers impressive performance within a native range of ISO 100-32000, which can be expanded to ISO 50-102400.

Versatility is key with the 5D, as it needs to be able to tackle landscapes and weddings with equal ease. By using a 150,000-pixel RGB+IR metering sensor shooters will be able to more comfortably rely on the camera to capture difficult scenes. This sensor also has face detection as well as flicker detection which can ensure proper exposure in less-than-ideal lighting situations. Along with this, the camera offers an improved continuous shooting rate of 7 fps, making it a great option for events and action.

Ensuring your subject is tack sharp, the 5D Mark IV incorporates an enhanced High Density Reticular AF system, which offers 61 phase-detect points, with all points sensitive to f/8 and 41 of which are cross-type. The center point can function down to -3 EV for working in extremely dim lighting. Compared to previous versions, this sensor has expanded vertical coverage of 24% on the peripherals and 8% in the center in order to better track and locate subjects in the frame.

In addition to advanced tracking and focusing while using the optical finder for stills, Live View and video can now use Dual Pixel CMOS AF on the actual imaging sensor. This offers about 80% coverage of phase-detection autofocus for faster and more accurate focusing in these modes. It is ideal for video as users will enjoy smoother rack focusing without the downsides normally encountered with contrast-based systems. Also, this works well with the touchscreen functions, allowing shooters to just tap to adjust focus.

Designed for both professional stills shooting and video recording, the 5D Mark IV supports DCI 4K (4096 x 2160) resolution recording at up to 30 fps at 500 Mbps, along with Full HD 1080p shooting at 60 fps and HD 720p at 120 fps for slow motion playback. When recording in-camera, 4K video has 4:2:2 sampling and 8-bit color depth, while Full HD 1080p footage has 4:2:0 sampling. Uncompressed Full HD 1080p video can also be saved via HDMI to an optional external recorder with 4:2:2 color sampling. 4K video is recorded using a central 4096 x 2160 area of the sensor at a 1.74x crop in order to record video with an ideal 1:1 pixel sampling ratio, while Full HD recording makes use of the entire full frame.

Audio can be recorded using the on-board stereo microphone or an optional external mic can also be used via the 3.5mm mic jack. Real time audio monitoring is possible, too, via the 3.5mm headphone jack. The 4K video recording also avails the ability to take 8.8MP still frame grabs during playback on the rear touchscreen and save them as single images.

First implemented here on the 5D Mark IV, Dual Pixel RAW allows photographers to record all the information the sensor's unique pixel architecture can deliver, providing a way for fine adjustments to be made after the image is taken. These adjustments include focus fine tuning that can help you ever-so-slightly adjust the focus point to bring out extra details, shift bokeh around for improved composition, and reduce the impact of ghosting on your photos. This requires the use of Canon's Digital Photo Professional 4.5 software.

  • A large 3.2" 1.62m-dot Clear View II LCD monitor is available and features an anti-reflective design for bright, vivid image playback and live view shooting, and its touchscreen interface can be used for intuitive touch-to-focus control and adjusting settings in the menus.
  • A dedicated AF mode selection button located beneath the rear joystick offers another avenue for accessing settings, allowing for fast, intuitive access to commonly changed options.
  • Dual CompactFlash and SD memory card slots allow you to extend your file saving capabilities by permitting overflow recording or in-camera file type separation while shooting.
  • An Intelligent Viewfinder II uses a pentaprism design and offers a bright means for viewing. When using the viewfinder, AF points are highlighted in red for greater visibility in low-light conditions, and the finder can also be configured to display a range of other shooting aids, such as an electronic level, grid, flicker detection, white balance, metering mode, AF information, and other settings.
  • A Mirror Vibration Control System helps to minimize mechanical vibrations in order to better ensure sharpness during long exposures or fast continuous shooting bursts.
  • A robust magnesium alloy body design is both dust- and weather-sealed to permit working in harsh environments.

  • A built-in GPS module allows you to geotag imagery in-camera as well as auto time sync with the Universal Time Code via satellites. This module is compatible with American GPS, Russian GLONASS, and Japanese quasi-zenith Michibiki satellites for a wide coverage of support.
  • Digital Lens Optimizer technology compensates for a range of optical defects from various lenses, including chromatic aberration, distortion, peripheral brightness, and diffraction, and the camera can store lens data in order to avoid having to re-register lenses prior to each use. The camera can handle this process in real time, delivering JPEGs with the corrections already applied.
  • A built-in intervalometer permits the creation of time-lapse imagery and supports recording 1-99 consecutive frames in pre-selected intervals from 1 second to 99 hours 59 minutes and 59 seconds. Users can also choose to set the camera to unlimited frames.
  • Built-in Wi-Fi and NFC connectivity enable wireless sharing, control, and image transfer with a compatible smart device as well as the CS100 Connect Station.

Available by digital download from manufacturer's website.

Related Questions and Answers

Q: 1. When you buy this with either lens, will the body not have C Log? It seems to say that we get C Log only if we order body-only. Thanks!

A: You are correct, this does not include C-Log. For C-Log you will need BH #CAE5D4CL which does not come with a lens.

Q: 2. Does this camera come with camera body grip? If it does, is it Canon camera body grip?

A: The 5D4 does not come with the grip.

Q: 3. I notice that the battery is different that the MK III. Will moving up to the MK IV from the MK III require a few new extra batteries? Is the body similar enough that current MK III L bracket fits?

A: The battery LP-E6N is same as the rest of the 5D series. LP-E6 or LP-E6N are interchangeable. Battery grip is a new model so I'm assuming there will be a new L bracket required but have not seen anything yet.

Q: 4. Has anyone used this with the old version of the Canon 100-400mm? How is autofocus? Any issues?

A: AF doesn't works well in dark. Issue: too heavy.

Q: 5. How would one describe the differences between the 5D Mark IV and the 7D in non-technical terms? Not really interested in video capabilities. Long due upgrade from Canon 30D.

A: Keeping it simple and short, The 5D4 has a full frame sensor and the 7D is a cropped sensor. With the 5D4, it will give you much better detail, color and better low light capabilities. If you plan to make large prints or crop, then the 5D4 would be best, if you want a good quality camera and don't really plan to make large prints, etc... the 7D would be a great fit.

Q: 6. does the 5d mk iv have silent shooting?

A: There is a mode called silent with a choice of single frame or continuous. I almost always shoot in the silent continuous mode for weddings.

Q: 7. What is the best lens?

A: A good wide angle zoom lens that works well for landscapes as well as portraits is this one. https://www.bhphotovideo.com/c/product/843008-USA/Canon_5175B002_EF_24_70mm_f_2_8L_II.html

Q: 8. Does the 5dm4 have face or eye focus

A: Yes this has advance focusing support. Search this on Youtube and you will find multiple videos with samples to try on

Q: 9. Does the camera come with the compact flash memory card? Or must I buy it separately?

A: The card comes in the free accessory kit bundled with the camera.

Q: 10. How do I shoot in aps-c mode on Canon Mark IV?

A: Canon full frame DSLR cameras do not have a crop mode, due to the fact you cannot attach crop sensor lenses.

25/09/2024

I am a 50 year canon shooter, and this is the most awesome camera I have purchased so far. Including the EOS1DS mark 2. You have to use it to really see what I am talking about. For about 20 years I have had to sharpen images or brighten them in post for print. Not with this camera.

5
18/09/2024

This is my 2nd camera purchase from B&H. I have also purchased several lens here. I keep coming back to them for the great service!



The 5D Mk 4 is an outstanding camera! I purchased it as an upgrade to my 6D. The difference in megapixels, continuous shooting and low light capability is amazing. I would definitely recommend this camera to someone thinking about upgrading.

5
02/09/2024

I purchased this to upgrade from my 70d.� From the very first picture, even just on the camera's screen, I could tell that the quality was steps above my old crop sensor.�

I like to do some astro and always had trouble manual focusing on stars with the 70d, the screen was so noisy.� The first time I used this camera I was astounded at how noiseless the screen was at high ISOs.

Canon's menus are awesome, and familiar.� The touch screen is like butter.� Button layout is excellent, and the feel of them is way nicer than on the 70d.� The fit and finish are very nice - I love having a metal bodied camera over the plastic.� And like I said, the photo quality is excellent.

I often suffer from buyer's remorse - not so with this purchase.� I really like this camera and I think it will be with me for a long time.

5
12/08/2024

I love this new model. I oddly love the touchscreen option, the images are sharper and in general it shoots warmer. The shutter is quieter too, less intrusive if you are shooting quiet(er) events.

5
06/08/2024

I have had it for a week and started using it and I love it. It is easy to use and the quality is awesome!

5
03/07/2024

I bought the 5DIV last December as an upgrade from the 5DIII. The transition was pretty much seamless as the button and menus are quite similar. Opted for the 5DIV over the DS because I don’t need 50 M.P. and the features in the DIV are superior. I am still discovering the upgraded features. Image quality is excellent.

5
01/07/2024

I totally love the camera after using for a month. Photos are amazing! So far my only displeasure would be the movement of buttons from where they have typically been on a Canon. For me, the RATE button is a total waste. I don't rate my photos in camera. I rate them in editing. Should have put the info button there. Such a waste of a button. I liked the magnify button so much more when you could keep magnifying. Now I can only magnify once then I have to change hand positioning and use my fingers on the touch screen to increase further for viewing of sharpness. How frustrating is that? I DO love the touch screen though. I know I will come across many more positives and negatives as I continue using the camera. HUGE learning curve which I may never really master. The negatives do no negate my love of the camera.

5
25/06/2024

I have been shooting the 5D Mark III for a number of years and love it! I hesitated to upgrade because the biggest difference for my purposes was the auto-focus on the Mark IV in video mode, and I am just now starting to do any video at all (mostly for personal use). I shoot a lot of weddings in low light without flash, so the improved handling of noise over the Mark III has been a plus. I found the transition from the Mark III to the Mark IV to be very smooth. Overall, it was worth the upgrade. I'm keeping my Mark III as my back-up and selling my 60D.

5
14/06/2024

I HAVE 17 CANAN DSLR CAMERA AND THIS ONE IS NEAR THE TOP OF THE LIST.

5
13/06/2024

I upgraded from a 5D Mark 3 and could not be more pleased. �It was a difficult decision because I did not want to get caught up in the need to constantly upgrade equipment, but there are subtle differences which now make me confident that I made the right choice.

The physical set up of the new camera is nearly identical to the Mark 3, so the learning curve is very minimal, but there is a learning curve with some additional and much appreciated features. �Having the joy stick on the back is awesome.

The clanky shutter sound of the Mark 3 is gone and the Mark 4 sounds so much nicer and more solid in that area. �Like sweet music to my ears every time I take a photo.

At some point I guess, someone will say - "Ok, this is sufficient pixels for a camera." �I assume we will get there eventually, but when you are taking photos and cropping, you'll appreciate the extra pixel count of the Mark 4 over the Mark 3. �It is subtle, but definitely better.

The lens upgrade for the 24-105 is much appreciated. �It is a little bigger (longer and fatter) and the lock is great. �I have not truly put the lens thorough the drills to fully comment, but if you are going to spend the money on the Mark 4, just go for it. �I do feel that the new lens does do a better job in low light, but obviously difficult to quantify in that the camera does much better in low light as well.

Together they are just a beautiful and a solid looking combo that work together like peanut butter and jelly. �

I am sitting here looking at the camera and lens to the side of my computer and they are just a beautiful to look at. �The Mona Lisa of camera combinations!

5

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