Swit S-1173f Waveform Studio Lcd Monitor (17.3", Gold Mount)
- Product Code: ga38146
-
The S-1173F Broadcast Studio LCD Monitor from SWIT adopts a 17.3” LCD panel to produce 3G/SDI/HDMI video in Full HD 1920 x 1080 resolution. It provides a 700:1 contrast for accurate color reproduction and comes with a Gold Mount battery plate. With four corners and a large center display position, the monitor allows for adjusted translucence for waveform and vectorscope/histogram.
Key Specs | |
---|---|
Display Size | 17.3" / 43.9 cm |
Native Resolution | 1920 x 1080 |
Power Consumption | 32 W |
Display | |
Panel Type | LCD |
Display Size | 17.3" / 43.9 cm |
Screen Area | 15 x 8.6" / 38 x 22 cm |
Native Resolution | 1920 x 1080 |
Aspect Ratio | 16:9 |
Viewing Angle | Horizontal: 160° Vertical: 160° |
Maximum Brightness | 300 nits / cd/m2 |
Contrast Ratio | 700:1 |
Color Support | 16.7 Million Colors |
Image Controls | Customizable Aspect Ratios |
Power | |
Input Power | 100 to 240 VAC, 60 / 50 Hz 11 to 17 VDC |
Power Consumption | 32 W |
General | |
Operating Conditions | 32 to 104°F / 0 to 40°C at 10 to 90% Humidity |
Storage Conditions | 5 to 140°F / -15 to 60°C |
Dimensions | 1.7 x 1.2 x 0.3" / 4.32 x 3.05 x 0.76 cm |
- 17.3” LCD panel
- 1920 x 1080 resolution
- 2 x 2K/3G/HD/SD-SDI, HDMI monitoring
- Y/Pb/Pr, VGA, CVBS monitoring
- 2-channel embedded audio meters with alert
- 2 selectable audio channels to output
- Waveform Y/Cb/Cr/R/G/B and single line
- Vectorscope, histogram R/G/B/Y
- Peaking focus assist (red/blue switch)
- Active Format Description (AFD)
- Timecode, H/V delay
- TSL UMD and text TALLY display
- Safety marker 4:3/13:9/14:9/15:9/1.85:1/2.35:1
- False color with color chart
- R/G/B/mono color modes
- Over exposure zebra stripes
- Internal color bar
- Gold Mount battery plate
- 19” rack installation, 7U height
- USB firmware upgrade
Related Questions and Answers
Q: 1. what's in the box?
A: In the box for this product is the switcher itself and a power cord.
Q: 2. I noticed in the description for the package it states that it comes with a carrying case. Is this case a hard flypack/road case?
A: Yes, the Lilliput Q17 comes with a hard case. There are no wheels and it looks like a suitcase.
Q: 3. Can you use the sfp for video over fiber?
A: Yes, the Lilliput Q17 17.3" 12G-SDI/HDMI HDR Monitor has an optical fiber input for video. Please add the optional SFP below: Lilliput 12 Gb/s Video SFP+ Optical Transmitter BH #LI12GSFPLCTX https://bhpho.to/3Z7aQ9P
Q: 4. I understand the HDMI dynamic. So all the BNC inputs can use a standard SDI BNC cable from camera source to monitor input? I don't need a 12G-SDI BNC cable.
A: as long as the SDI cable supports the resolution being tranmitted
Q: 5. The quad view stock photo shows a description overlay (CAM 1, CAM2....) for each quadrant. How do I get the monitor to do this?
A: Lilliput says to use the Remote Terminal software to control the monitor UMD function, such as turn ON/OFF UMD, color and UMD data for the Lilliput Q18 17.3" 12G-SDI/HDMI Broadcast Studio Monitor with Carrying Case (Gold Mount).
Q: 6. does the q17 rack mount ears fit the q18 as well?
A: The Lilliput Q18 17.3" 12G-SDI/HDMI Broadcast Studio Monitor with Carrying Case (Gold Mount) fits the Q18 rack mount ears.
Q: 7. Can this monitor split the screen with the two SDI input signals side by side?
A: No, this monitor is not split screen. You will have to change the input for what source you want to view.
Q: 8. Is there a v-mount version of this monitor?
A: Although the image for this monitor clearly shows a v-mount plate on the back of it, we do not yet have a listing for a v-mount version as of this writing.
Q: 9. Isn't 400 cd/m brightness unusually low for a broadcast monitor? Most SmallHDs are 1500 cd/m and above.
A: The Lilliput Q18 17.3" 12G-SDI/HDMI Broadcast Studio Monitor (V-Mount) is meant to be used indoors in a light controlled environment. It is not for use in the field.
Q: 10. can it record individual files for each camera feed?
A: When using the Datavideo 12 Input HD-SDI And HDMI Hand Carried Mobile Studio one could record an individual file from each camera feed, only if that camera feed is mixed to be the only output.
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