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Arri 12mm Master Prime Lens (pl Lds, Feet)

Arri 12mm Master Prime Lens (pl Lds, Feet)
  • Product Code: ga38583
  • Availability: In Stock

$71,550.00 $103,032.00

The 12mm Master Prime is one in a set of 16 from ARRI, featuring excellent resolution, advanced contrast, almost no breathing, and a fast T1.3 aperture for achieving shallow depth of field. Ranging from 12 to 150mm, the Super35-format Master Primes offer the skin tones and color rendition for which Zeiss is noted and are color-matched for consistency across the set. These lenses incorporate an iris with at least nine blades for a cinematic-looking bokeh with distinct focus falloff. Dual floating elements provide optimal close-focus performance, minimizing breathing when focusing. The advanced T*XP coating reduces reflections and glare while improving contrast.

Covers Super35 Sensor Size    PL Mount with LDS (Lens Data System)    T1.3 to T22 Aperture Range    Cooke /i Data for ALEXA/Mini and AMIRA    Geared Focus and Aperture Control Rings    Marked in Feet    16" Minimum Focus Distance    Weighs 6.4 lb    Aspherical Elements | Minimal Aberration    Consistent FIZ Ring Positions

Key Specs
Focal Length12mm
Maximum ApertureT1.3
Lens MountARRI PL
Lens Format CoverageSuper35/APS-C
Filter ThreadNo
Image StabilizationNo
Electronic CommunicationYes
Parameters
Maximum ApertureT1.3
Minimum ApertureT22
Lens MountARRI PL
Interchangeable MountNo
Lens Format CoverageSuper35/APS-C
Image CircleNot Specified by Manufacturer
Angle of ViewSuper 35
Horizontal: 83.87°
Vertical: 66.44°
Diagonal: 96.13°
Focus ScalesImperial
Filter ThreadNo
Minimum Focus DistanceFrom Camera Sensor: 15.7" / 40 cm
Maximum Magnification Ratio1:16.5
Diaphragm BladesNot Specified by Manufacturer
Image StabilizationNo
Interpupillary Adjustment203.8 mm / 8"
Gear StandardFocus: 0.8 MOD
Iris: 0.8 MOD
Gear RotationNot Specified by Manufacturer
Electronic CommunicationYes
Camera Connection1 x 4-Pin Flat Connector (ARRI LDS-1) Control, Data
CoatingMulti-Coating
DiameterMaximum: 6.3" / 159 mm
Front: 6.1" / 156 mm
Length9.8" / 249 mm
Weight6.4 lb / 2.9 kg
Packaging Info
Package Weight11.15 lb
Box Dimensions (LxWxH)14.9 x 12.6 x 12.2"

The 12mm Master Prime is one in a set of 16 from ARRI, featuring excellent resolution, advanced contrast, almost no breathing, and a fast T1.3 aperture for achieving shallow depth of field. Ranging from 12 to 150mm, the Super35-format Master Primes offer the skin tones and color rendition for which Zeiss is noted and are color-matched for consistency across the set. These lenses incorporate an iris with at least nine blades for a cinematic-looking bokeh with distinct focus falloff. Dual floating elements provide optimal close-focus performance, minimizing breathing when focusing. The advanced T*XP coating reduces reflections and glare while improving contrast.

Related Questions and Answers

Q: 1. Please, What is the minimum focus distance?

A: The minimum focus distance for the NiSi ATHENA PRIME 135mm is 1 meter.

Q: 2. Does the lens data contain lens distortion information?

A: The Cooke 21mm T2.2 Panchro/i Classic Prime Lens uses /i Technology which is a metadata protocol that enables film and digital cameras to automatically record key lens data for every frame shot. /i Technology data includes focal length, focus distance, zoom position, near and far focus, hyper focal distance, T-stop, horizontal field of view, entrance pupil position, distortion and shading data.

Q: 3. Which is better cooke s/8i ff lens or Arri signature prime lens

A: Cooke and ARRI are two of the finest cinema lens manufacturers in the world. Either would do the job they are call upon to do, and do it with exemplary panache. To decide which one to use, you need to find out what the shot or the entire production requires of its lenses. You then do tests with both lenses to determine which one works. It can be said that Cooke's exhibit a warmth that is very complimentary to people, particularly faces. Arri lenses, like Zeiss, exhibit a cooler, very color accurate tone. These two colors are very subtle and you have to look for them.

Q: 4. How does the focal length of these lenses on a full frame body like the LF compare to master primes on super35mm?

A: This lens can cover a full frame sensor. If used on a camera that is Full Frame it will give you an 18mm view. If you use it on a camera that has a Super 35mm Sensor it will give you a 27mm field of view.

Q: 5. Will this fit in the empty slot of the 5-lens hard case?

A: Of the two cases available for the NiSi ATHENA Cinema Lenses, the NiSi Hard Case for Set of 9 ATHENA Cinema Lenses fits the NiSi ATHENA PRIME 135mm T2.2 Full-Frame Lens (ARRI PL).

Q: 6. Is there a version with lens data? /I compatible?

A: No, the ARRI Ultra Prime 100mm T1.9 Lens (PL, Feet) does not come in another model that supports the Cooke /i Lens Data System.

Q: 7. What is the meaning of open gate?

A: Open Gate provides the maximum sensor area (36.70 mm x 25.54 mm) and maximum resolution (4448 x 3096 photosites) for maximum flexibility in post.

Q: 8. Will this lens work with a full frame sensor? Has anybody tried it? Thanks.

A: The ARRI Alura 30-80mm lens has a 31.5mm image circle and a full frame sensor has a 43.2mm image circle (Nikon FX, Sony Alpha/Alpha FE, Canon EF). Therefore, this lens will vignette and not cover a full frame sensor.

Q: 9. Would drop-in filters that fit the Canon RF-EF adapter work with this?

A: No, only the NiSi drop-in filters are compatible with the NiSi ATHENA PRIME lenses that are included in the NiSi ATHENA PRIME T2.4/1.9 Full-Frame 8-Lens MASTER Kit (Canon RF).

Q: 10. If I get an LPL adapter for my Nikon Z6, will this lens cover the full frame and work with the camera?

A: yes this lens will cover the sensor on a Z6. it is designed to cover the ARRI LF sensor which is significantly larger than the sensor on the Z6

03/08/2024

For the money, you cant go wrong. Solid build and great size. Image is just fantastic.

5
02/08/2024

This is part of a kit i bought. This is probably my favorite lens of sigma cine line. Super sharp. Good color and contrast, as they all the cine line does. The numbers even glow in the dark if they are exposed to enough light. Nice little touch. Could not be happier with this lens.

5
24/05/2024

I already own a nice 24mm 1.4 so this lens has got some heavy lifting to do to raise my interest. And it has done just that. Now it would be unfair to say it is light years ahead of the Nikon 24mm 1.4G ED lens that I have been using. Truth is.....it just does it ALL very well. Well resolved without being scratchy sharp. Holds the corners well. No CA that I can find and creamy (almost misty) background to help throw that focused subject right in your lap. Honest colors and built like a bloody TANK!!!. So yeah.... a worthy contender at around half the price of the other lenses it beating. You won't be disappointed. Rocks well on my RS3 Pro Gimbal too. Thank you B&H for overnighting it to my shoot and making Christmas happen in August :0)

5

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