Anamorphic Lens For 35Mm Film Camera

Arri 35mm T1.9 Master Anamorphic Lens (pl, Feet)

Product Code: ga39024
Availability: In Stock

$78,030.00 $93,636.00

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Description
Reviews (5)

The 35mm Master Anamorphic Prime Lens is a wider lens in a set from ARRI/Zeiss featuring low distortion and a fast T1.9 aperture for achieving shallow depth of field. This anamorphic prime offers the skin tones and color rendition for which Zeiss is noted, and color-matches other ARRI/Zeiss primes and ARRI/Fujinon zoom lenses. Its 15-blade iris produces cinematic-looking, oval bokeh with distinct focus fall-off. There is minimal breathing when focusing and no "fat face/anamorphic mumps" effect on your talent. With there being no visible drop-off at the corner of your images, the full 2.39-format image is usable.

Designed from scratch for use with digital cinema cameras, the ARRI/Zeiss Master Anamorphic primes will provide optimal image quality when used with an ARRI ALEXA 4:3-format camera. They will work with film cameras as well. Color fringing and shading in image corners is reduced thanks to the near telecentric design of these multi-coated lenses.

This anamorphic lens provides a 2.39:1 aspect ratio to your image when used with a Super-35 sensor. The 28mm Master Anamorphic Prime Lens features a 30" minimum focus distance, focus marks in feet, a relatively light weight of 5.7 pounds, and a compact length of 7.2". The lens is constructed with geared focus and iris rings for use with follow focus, zoom control, and F/I/Z wireless systems. The PL LDS mount on the 35mm Master Anamorphic Prime Lens will transfer lens data to compatible cameras.

Covers Super-35 Sensor Size Suitable for 2.39-Format Image Capture Fast T1.9 Aperture for Shallow D.O.F. Virtually No Lens Breathing 30" Minimum Focus Distance 95mm Front Diameter No Anamorphic Mumps-Like Effect Weighs 5.7 Pounds PL LDS Mount

Parameters
Focal Length	35mm
Lens Mount	PL LDS
Aperture Range	T1.9-22
Number of Aperture Blades	15
Close Focus Distance	29.5" (0.75 m)
Magnification Ratio	H: 1:32.3, V: 1: 16.1
Front Diameter	3.7" (95 mm)
Maximum Diameter	4.5" (114 mm)
Entrance Pupil	-7.05" (-179 mm)
Angle of View (HxV)	Super 35 Cinemascope: 65-30°
Maximum Image Circle	1.15" (29.26 mm)
Length	7.2" (183 mm)
Length Plus Flange Focal Distance	9.3" (235 mm)
Weight	5.7 lb (2.6 kg)
Packaging Info
Package Weight	9.65 lb
Box Dimensions (LxWxH)	14.1 x 12.6 x 12.3"

Low distortion and no "fat face/anamorphic mumps" effect on your talent

Provides a 2.39:1 aspect ratio on Super-35 sensors

Fast, maximum T1.9 aperture produces shallow depth of field

Color-matches with other ARRI/Zeiss primes and ARRI/Fujinon zooms

Relatively lightweight, compact form factor with 95mm front diameter

PL LDS mount will transfer lens data when used with compatible cameras

Related Questions and Answers

Q: 1. If this is a full frame (36mm image circle lens), will there be a crop factor of 1.27 on Arri Alexa Super 35 sensors?

A: This lens covers super 35mm sensors. If you are using Full Frame as the standard then you will need to account for a crop factor.

Q: 2. I shoot Red Gemini, will the image oval of this cover Geminis larger than typical 4perf height 30x18mm sensor in open gate?

A: The BLAZAR LENS Remus 35mm T1.6 S35 1.5x Anamorphic Lens (ARRI PL, Blue Flare) covers a 25x17mm image circle

Q: 3. Does the optional full-frame adapter this comes with cause a stop of light loss?

A: When using the Venus Optics Laowa Proteus 2x Anamorphic 35mm T2 Lens, when using the optional 1.4x full frame adapter, there will be the loss of one stop of light.

Q: 4. Can the protrusion of these lenses work with "RED KOMODO RF to PL Adapter with Electronic ND Filter" (BH #REREDKOMRFPL )? Thx.

A: No, the lenses of the DZOFilm PAVO 2x Anamorphic 6-Lens Set (Blue Coating, PL/EF Mount, Feet) are not compatible with the RED DIGITAL CINEMA KOMODO RF to PL Adapter with Electronic ND Filter.

Q: 5. Is there a version with lens data? /I compatible?

A: No, the ARRI Ultra Prime 100mm T1.9 Lens (PL, Feet) does not come in another model that supports the Cooke /i Lens Data System.

Q: 6. Is it possible to install on the speedbooster adapter EF to m43?

A: The Venus Optics Laowa Proteus 2x Anamorphic 35mm T2 Lens can be adapted for use with a speedbooster once the PL mount is not longer applied to the lens and it is using the EF mount.

Q: 7. what size mattebox can be used for this? looking to pair it with Red Epic Helium and adding ND and diffusion filter.

A: Yes, Please review what Matte boxes are available for the following unit we highly suggest 6x6 units to future proof your system. https://bhpho.to/40IB8zF

Q: 8. Does this include a PL back cap?

A: Yes, the BLAZAR LENS Remus 1.5x Anamorphic Lens Mount Adapter (ARRI PL) does included a PL lens back Cap with the adapter.

Q: 9. If I get an LPL adapter for my Nikon Z6, will this lens cover the full frame and work with the camera?

A: yes this lens will cover the sensor on a Z6. it is designed to cover the ARRI LF sensor which is significantly larger than the sensor on the Z6

Q: 10. Is there an option for a Cooke/I dataport?

A: Yes, the built-in lens encoder provides lens metadata (focus, zoom, T-stop) via standard Cooke protocol or technology in both spherical and anamorphic configurations. Lens data can be displayed on camera monitors to assist critical focusing and be recorded in camera to support VFX/post production work.

Dave	08/08/2024
When I saw the many video reviews and demos of the Remus Lenses and the price for a set, I knew that they were going to be my first venture into anamorphic lenses. Although it took almost 3 months to get the set, it was well worth the wait. I recommend this model, for it's budget and it's quality build. It's really amazing. 5

Ronald	02/08/2024
Love these lenses and the price 5

Dave	24/04/2024
I've only done tests on location with these before the shoot I've been planning next week... These lenses have a dreamy, droopy, anamorphic look wide open, but I wouldn't suggest using them wide open unless you need a dreamy look. Super soft wide open. At T2.8 it gets better but T4 is where it actually gets sharp. For more context, I'm shooting on a C70, and we know that camera is on the softer side... Aperture/Focus rings are smooth and a pleasure to use. Focus breathing is not great, but depending on the shot your going after, it could be ok. They do some funky things when panning or handheld. I plan to use these lenses mostly locked off, on a slider, dolly, etc for nice smooth controlled shots with an artistic look. Definitely recommend. 5

Luigi	17/04/2024
The best way to go anamorphic at a budget price using the full size of an MFT sensor like on ZCam E2. Top quality build and image. Just an error in the B&H description: the filter size is 67mm!!! 5

Jeffrey	30/11/-0001
I just received this lens set TODAY so please take this all with a grain of salt. This is also being done without shimming so there may be a little bit of blurriness that normally wouldn't be there. I added 2.39 bars to help see what an end image may look like. I really wanted to see the differences between the Great Joy Set and the Remus. I've uploaded some photos to help people choose. Overall I think I may go with the Remus as they seem to actually sharpen up closely to the Great Joy's when opened to 2.8T. they also seem to actually have a little more color constancy between each other (However, I did my test on a cloudy day so the sun may have played a factor). To play to the favor of the Great Joy set they are a little cleaner and I would say might be a better set of lenses for commercial style work where as the Remus set seem to lean into the Narrative a bit more. Hope this is a little helpful! Both sets of lenses are totally worth the money. 5