This black, compact Microphone Madness MM-PSM Pro Series Omnidirectional Earset Mic delivers clear spoken-word and vocal reproduction for presenters and performers working in music, theatrical, broadcast, house of worship, lecture, and presentation settings. It comes with a TA4F connector that plugs into select Electro-Voice bodypack transmitters.

The MM-PSM Pro Series earset features a 3mm capsule mounted on a short 3.4' boom that can be discreetly positioned away from the mouth for an unobtrusive fit. The earset can be worn on either the left or right ear and feels natural when used for extended periods of time. The extremely flexible boom is virtually unbreakable.

The capsule delivers full-frequency (20 Hz to 20 kHz) audio performance and high gain before feedback for detailed speech intelligibility. The 145 dB of dynamic range makes this mic well suited for loud vocal performances in houses of worship and on the musical stage. The mic's omnidirectional polar pattern offers enhanced plosive protection with no proximity effect for a natural sound.

All MM-PSM Pro Series microphones are made in the USA.

For Stage, Broadcast, Public Speaking    Omnidirectional Pickup Pattern    3.4" Boom/Low-Profile/Single-Ear Design    TA4F Connector    Made in the USA

• TA4F connector for compatibility with the following Electro-Voice wireless transmitters: 3000 Series, N/DYM, NBPU, MSB, BPV, BPU, BPU2, CSB-1000, RE-1, RE-2, and BP-300

Related Questions and Answers

Q: 1. would these work for a wireless system? for example, the new Rode Wireless Go system or Sennheiser XSW kits? do transmitters typically provide the plug in power needed for these lavs?

A: This will work with the Rode Go systems very well, I've used them together in the past and overall had a good experience. However it does not work with Sennheiser wireless system since they have a proprietary locking pin, so when buying lavs for Sennheiser systems it either needs to be made buy Sennheiser or for Sennheiser.

Q: 2. Is the 1/8 inch jack straight or a right angle?

A: It is at a right angle.

Q: 3. Unsure about which cable to purchase as microphone will be plugged into Azden FMX-DSLR mixer. Do I need the Kopul or the Hosa?

A: The Electro-Voice RE50 will connect to the XLR mic inputs on the Azden FMX-DSLR. The Kopul 4000 series cable is an XLR mic cable that will allow you to connect the two together. a href= http://bhpho.to/1wXUMX2 target= _blank http://bhpho.to/1wXUMX2/a

Q: 4. This version states that the connector is compatible with shure ta4f .But i see a ta3f in picture closeup.which is it?

A: The Polsen ESM-2 Dual-Sided Earsets Microphone headsets are available in a few different configurations. The ESM-2-TA4Fconfiguration has the TA4F connector for compatibility with Shure wireless transmitters. On the pictured closeup view of the connector, you might have overlooked the hole in the center, which is not there on a TA3f connector.

Q: 5. Is this for all shure TA4F shure models? Thank you

A: Yes, this will work with all Shure transmitters that have a TA4 connector.

Q: 6. Where is the serial number located? thanks, blake

A: On the box.

Q: 7. What are people using to mount these, and to minimize clothing noise?

A: It's really more about where you are mounting these rather than about what you are mounting it with.I use basic Rycote Undercovers as the sticky element and then I find a dead spot under the subject's clothing.

Q: 8. I use a Microphone Madness MM-MSLM Omnidirectional MatchStick Lapel Microphone (Black) with the Zoom H1N. Are there any adapters that I should have between the two or can the mic just plug into the recorder?

A: You don't need any adapters. It's a 3.5mm mic in on the H1 and a 3.5mm on the lav's connector. All you have to do is plug it in.

Q: 9. How does this compare to Countryman EMW Omnidirectional Lavalier Microphone for Digital Recorders?

A: The Countryman is going to have a bit more high frequency clarity, and can also handle much higher SPL.

Q: 10. Looking at this, the Countyman B6 and the Sanken COS-11D for a documentary I'm doing for a hospital in a small African country this summer. I know the B6 and 11D are highly regarded, but given the $ and my need for 2-3 mics while paying for them out-of-pocket, I want to find the best bang-for-buck without sacrificing a lot in sound quality. My big question before trying it is, how is the self-noise and handling-noise on this unit? Thx in advance.

A: The Microphone Madness MM-MSLM is an excellent microphone for the money, relatively quiet, and not too bad on the handling noise. You may want to pick up some hush lav quieting sleeves (used with the sanken lavs) to better isolate the microphone from rustling noise. Also, please not the microphone requires power via bias voltage; 1 to 9 VDC.