The black Single Earset Mic for Select Azden Systems from Microphone Madness is an ultralow-profile, single-earloop microphone with high gain before feedback designed to deliver detail and clarity even in noisy spaces or near loudspeakers. The flexible earloop comfortably conforms to your ear and the boom can be precisely placed to deliver accurate sound. This mic is intended for voice reinforcement in theater plays, speeches, lectures, male and female vocals, and more.

Non-Locking 3.5mm Male Connector    For Azden Wireless Systems    Miniature Low-Profile Single-Ear Design    Flexible Earloop    Sturdy Boom    Hypercardioid Polar Pattern    50 Hz to 15 kHz Frequency Response    High Gain Before Feedback    For Speech & Vocals    Windscreen & Holding Clip Included

Non-locking 3.5mm male connector for compatibility with the following Azden wireless systems: WM-PRO, WLT-PRO, 32BT, and 31LT

Related Questions and Answers

Q: 1. How does this compare to Countryman EMW Omnidirectional Lavalier Microphone for Digital Recorders?

A: The Countryman is going to have a bit more high frequency clarity, and can also handle much higher SPL.

Q: 2. Has anyone compared the Polsen ESM-1-TA4 Single-Sided Earset Microphone for Shure Transmitters to the Pyle PMEMS10... do they sound similar, dramatically different, level about the same?

A: While we have not compared the Polsen ESM-1-TA4 Single-Sided Earset Microphone for Shure Transmitters directly against the Pyle Pro PMEMS10 Omni Earset Microphone for Shure Wireless Transmitters, based on specifications and user reviews, the Pyle appears to edge out the Polsen in overall quality. It has a wider frequency response and is more commonly used with many positive reviews.

Q: 3. Do these mics produce two mono signals, meaning the left mic is the left channel and the other mic is on the right channel? Or are they mixed into stereo, both mics on the right and left channel? Thanks!

A: Each microphone is sent to a separate channel (left and right).

Q: 4. What are people using to mount these, and to minimize clothing noise?

A: It's really more about where you are mounting these rather than about what you are mounting it with.I use basic Rycote Undercovers as the sticky element and then I find a dead spot under the subject's clothing.

Q: 5. Could this be used with a Rode VXLR+ 3.5mm TRS female to XLR male adapter with phantom power converter to use it as a wired mic?

A: Yes, the Polsen ESM-1-35H Single-Sided Earset Microphone for Sennheiser Transmitters (B&H # POESM135H) can be used with the RODE VXLR+ 3.5mm TRS Female to XLR Male Adapter with Phantom Power Converter (B&H # ROVXLRP) in order to connect it to a wired XLR microphone input. As another option, you could use the similar Polsen ESM-1-MN Single-Sided Earset Microphone for Recorders and Wireless Transmitters (B&H # POESM1MN) for connection to a standard 3.5mm TRS mic input with plug-in power. Either version of the earset mic can be used with the VXLR+ adapter for connection to an XLR mic input. The difference between the two models is that the version for Sennheiser transmitters has a locking 3.5mm connector and the version for recorders has a standard non-locking 3.5mm connector.

Q: 6. is this microphone compatible with the "Azden WLX-PRO+i VHF wireless microphone system for cameras & mobile devices"?

A: Yes, the HS-9 microphone is fully compatible with the WLX-PRO+i wireless system.

Q: 7. Are there certain settings you'd use this mic with the zoom H1, for a wedding?

A: I've used .wav format, 48khz 24 bit, lo cut off, and auto level off settings with a Zoom H1 with this mic to record wedding ceremonies and had good success. You'll have to play with the input level because each shooting scenario will vary but I always normalize in post with Adobe Audition anyway. Keep in mind this mic will only record the voice of the person it's attached to.

Q: 8. would these work for a wireless system? for example, the new Rode Wireless Go system or Sennheiser XSW kits? do transmitters typically provide the plug in power needed for these lavs?

A: This will work with the Rode Go systems very well, I've used them together in the past and overall had a good experience. However it does not work with Sennheiser wireless system since they have a proprietary locking pin, so when buying lavs for Sennheiser systems it either needs to be made buy Sennheiser or for Sennheiser.

Q: 9. can I used this with the saramonic wireless transmitter receiver system?

A: Yes you can.

Q: 10. Looking at this, the Countyman B6 and the Sanken COS-11D for a documentary I'm doing for a hospital in a small African country this summer. I know the B6 and 11D are highly regarded, but given the $ and my need for 2-3 mics while paying for them out-of-pocket, I want to find the best bang-for-buck without sacrificing a lot in sound quality. My big question before trying it is, how is the self-noise and handling-noise on this unit? Thx in advance.

A: The Microphone Madness MM-MSLM is an excellent microphone for the money, relatively quiet, and not too bad on the handling noise. You may want to pick up some hush lav quieting sleeves (used with the sanken lavs) to better isolate the microphone from rustling noise. Also, please not the microphone requires power via bias voltage; 1 to 9 VDC.