This 100mm Anamorphic/i SF Prime Lens provides an added anamorphic flair to the classic, natural yet sharp "Cooke look". This Special Flare Cooke lens offers enhanced flares, bokeh and other aberrations, while complementing standard Anamorphic/i lenses. The 100mm prime incorporates an 11-blade iris for cinematic-looking, 2:1 oval bokeh. Designed for use with both digital cinema and film cameras, the Cooke Anamorphic/i SF primes provide a 2x squeeze, and cover image formats up to Super 35. For maximum optical performance, aberration, flare, and distortion control extends over the entire image area, and throughout the 100mm's T2.3-22 aperture range. The Anamorphic/i SF primes are color-matched with Cooke's Anamorphic/i, S4/i, 5/i, and mini S4/i series of prime lenses.

Each Anamorphic/i SF prime sports both a hardened PL mount and a cable connection that use Cooke's /i Technology to transmit lens data to compatible cameras. Lens setting data including focal length, aperture, focus, depth-of-field, etc. are provided in both feet and metric measurements.

The 100mm Anamorphic/i SF Prime Lens features a 35" minimum focus distance, focus marks in feet and meters, a relatively light weight of 7.5 pounds, and a compact length of 7.7". The lens is constructed with 0.8-mod geared focus and iris rings for use with follow focus, zoom control, and wireless F/I/Z systems. A large lens barrel, an increased number of focus marks, and Cooke's cam-style focus movement enable precise focus pulls. Focus marks are clearly visible and are engraved on the lens barrel in both feet and meters.

Enhanced Flare Coating    Covers Super 35 Format    Hardened PL Mount with /i Technology    T2.3 to T22 Aperture Range    0.8-Mod Geared Focus & Aperture Rings    11-Blade Iris    Clickless Aperture Ring    35" Minimum Focus Distance    Marked in Feet & Meters    Weighs 7.5 Pounds

Enhanced flares, bokeh and other aberrations with a 2x1 anamorphic squeeze

Covers up to Super 35 sensors

Wide T2.3 to T22 aperture range

Color-matched with other Cooke primes

Relatively lightweight, compact form factor

PL /i Technology mount will transfer lens data when used with compatible cameras

11-blade iris produces 2:1 oval bokeh (out-of-focus highlights)

300° of focus barrel rotation; 90° of aperture scale rotation

Related Questions and Answers

Q: 1. What’s the magnification factor on the macro?

A: Cooke says the magnification of the Cooke 85mm T2.8 Anamorphic/i 1.8x Full Frame SF Macro Prime Lens 1:4.

Q: 2. Will this fit and work properly on the Sony PXW-FS5 MK2?

A: With the proper EF to E mount adapter, the Meike 100mm T2.1 Super35 Cinema Prime Lens (EF Mount) would work well on the Sony PXW-FS5 XDCAM Super 35 Camera System.

Q: 3. Is there a 65mm Sigma Art version with autofocus?

A: No, there is no autofocus version of the Sigma 65mm T1.5 FF High-Speed Cine Prime Lens (Canon EF Mount, Feet) in EF mount.

Q: 4. Will this work with a Metabones 0.64 speedbooster on Blackmagic 4K?

A: The Metabones 0.64 adapter will work with full frame lenses as well as APS-C lenses like the Meike 25mm T2.1 Super35 Prime Cine Lens. You may use APS-C lenses, but you can only shoot exclusively in 4K.

Q: 5. I assume this lens can be fit to any MFT cam either through a dumb adapter or a speedbooster?

A: As long as you have a PL to MFT adapter, you can attach this lens to any MFT camera.

Q: 6. What is the close focus of the lens?

A: The minimum focus distance of the DZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens (Blue Coating, PL/EF Mount, Feet) is 1ft 6 inches.

Q: 7. Which Sigma hard case does the 65mm fit?

A: It would work with the Sigma PMC-002 Hard Case for 5x FF High Speed Prime Cine Lenses. If you own the five lens set you would need to remove one lens to fit the additional 65mm lens. Also you could use the following case to store extra lenses like the 65mm or the lens you remove from PMC-002 to fit the 65mm. Pelican 1510 Carry-On Case with Foam Set (Black) B&H # PE1510FB

Q: 8. what happens if I put this on my R5 with the adapter? any vignetting or will it just be wider than 100mm?

A: If the Meike 100mm T2.1 Super35 Cinema Prime Lens (EF Mount) is mounted on the Canon R5 in full frame mode, there will be vignetting as the lens is designed for Super 35 sized sensors. You can place the Canon R5 in crop mode in the menu as seen here: https://bhpho.to/3TkCU85, in order to crop the sensor to only capture the APS-C portion of the sensor to remove any vignetting.

Q: 9. what size mattebox can be used for this? looking to pair it with Red Epic Helium and adding ND and diffusion filter.

A: Yes, Please review what Matte boxes are available for the following unit we highly suggest 6x6 units to future proof your system. https://bhpho.to/40IB8zF

Q: 10. Do the single lenses come in a case?

A: No. the DZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens (Neutral Coating, PL/EF Mount, Feet) does not come in a case, however a case can be purchased for the lens, such as the DZOFilm Hard Case for 1 PAVO Anamorphic Lens (BH #DZCASEPA1 • MFR #DZO-CASEPA1). See: https://bhpho.to/46ieIbA