Chandler Redd Large-diaphragm Condenser Microphone With Built-in Tube Preamplifier
- Product Code: ga47005
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The Chandler Limited REDD Microphone fuses the concept of a large-diaphragm condenser together with the well-regarded REDD.47 line amplifier. With controls for the preamplifier circuit split between the included power supply and the microphone itself, this unit aims to give you the shortest distance between two quintessential elements in your recording chain.
Make no mistake, this is an unmistakably EMI-style, large-diaphragm condenser sporting a handmade, hand-milled platinum membrane. It provides both cardioid and omnidirectional polar patterns.
However, as this microphone integrates with a version of the classic REDD.47 tube preamp, use of an external pre is not necessary. Many of the preamplifier’s controls are available right from the microphone. For changing the harmonic content/tonal character, NORM and DRIVE settings are found at the bottom of the mic. You’ll also note the polarity-invert switch, as well as a pad switch, the polar pattern selector, and a prominent gain knob.
On the included PSU, you’ll find a low-contour control, which acts similarly to—but not exactly like—a high-pass filter, which emphasizes top-end while simultaneously tightening the lows. This feature is located on the variable-output control knob. Simply pull the knob to engage low-contour mode.
A 7-pin receptacle on the PSU is provided for connecting the microphone, as is your standard 3-pin XLR jack for outputting to an interface, a converter, or a separate, dedicated preamp, should you wish to color the sound further before hitting any other processor. A shockmount, an AC cable, a pattern-select screwdriver, and a flight case are all included.
Cardioid, Omnidirectional Polar Patterns Integrated REDD.47 Tube Preamp -10 dB Pad Switch Pad, Polarity & Gain Controls on Mic NORM &DRIVE Gain Modes Low-Contour & Output Controls on PSU Included PSU with Output Included Shockmount Included IEC Cord & 7-Pin Mic Cable Included Flight Case
Key Specs | |
---|---|
Polar Pattern | Cardioid / Omnidirectional |
Element Type | Condenser |
Controls | Gain/Sensitivity, Mode, Polar Pattern, Polarity, Low Contour, Pad |
Analog Output | 1x XLR 7-Pin |
Power Sources | External PSU |
Microphone | |
Polar Pattern | Cardioid / Omnidirectional |
Element Type | Condenser |
Sound Field | Mono |
Orientation | Side Address |
Controls | Gain/Sensitivity, Mode, Polar Pattern, Polarity, Low Contour, Pad |
Pad | -10 dB |
Circuitry | Tube |
Connectivity | |
Analog Output | 1x XLR 7-Pin |
Cable Length | 25' / 7.6 m |
Power | |
Power Sources | External PSU |
Physical | |
Color | Gray |
Dimensions | L: 10.97" / L: 27.86 cm |
Weight | 1.11 lb / 0.5 kg |
Packaging Info | |
Package Weight | 21.87 lb |
Box Dimensions (LxWxH) | 22 x 17.6 x 8.7" |
When the toggle switch is set to NORM, the REDD Microphone preamplifier is considered in its normal operational condition. The sound, in this state, is more organic, natural, and "laid-back" in comparison to DRIVE mode. The DRIVE setting, on the other hand, has an overall effect over the adjustable gain range, both in terms of structure, and, more importantly, harmonic content. This feature is similar to the FINE GAIN on the rackmount version of the REDD.47 amplifier. However, with this unit, the setting is always fully on and non-variable. For further tonal tweaking, investigate the LOW-CONTOUR function, which triggers an alternate voicing of the microphone, one with a tighter sound that emphasizes the top-end.
The dedicated on-board REDD.47 Mic Amplifier circuit relies on two vacuum tubes.
Related Questions and Answers
Q: 1. Does it say Polsen on the pop filter or is that just in the photo?
A: Yes, there is a "Polsen" logo on the pop filter of the Polsen RM-650 Large Diaphragm Condenser Microphone.
Q: 2. what is the length (in feet) of the included cable?
A: The Gotham GAC-7 7-pin cable included with the Warm Audio WA-47 microphone is 16.4 feet long (5 meters).
Q: 3. The specs says : Output Connector 1 x XLR 3-Pin. How can I connect this mic to my pc?
A: This microphone has an XLR analog connector and will not plug directly in to your computer. In order to use this microphone with your PC you will need to use an Audio Interface. A simple solution for a one-mic set up is the MXL Mic Mate. You will need a short XLR to XLR cable to connect the mic to the interface. https://www.bhphotovideo.com/c/product/576806-REG/MXL_MIC_MATE_PRO_MicMate_Pro_USB.html https://www.bhphotovideo.com/c/product/845507-REG/Kopul_m4006_Kopul_Studio_Elite_4000.html Alternately, if you intend to use the microphone only with your computer, you may want to consider a USB microphone. The Samson Satellite is a good choice because it can be used with Mac, PC, or iOs devices, and it has features that are important when recording or streaming. https://www.bhphotovideo.com/c/product/1471366-REG/samson_sasat_satellite_usb_ios_broadcast_mic.html I would encourage you to give us a call at 800-606-6969 and a Pro Audio specialist will be happy to assist in choosing the right mic for you.
Q: 4. Is this the best mic for recording a quartet or small choir or group of instrumentalists where the microphone will be 5 to 10 feet way from the performers?
A: This is an excellent microphone for the price and well suited for your stated application.
Q: 5. Connected with XLR jack? Have a cable if so how long?
A: This mic uses an XLR cable which is not included.
Q: 6. What is the Dynamic Range of the Rode NT1 Signature Series?
A: The manufacturer has not provided a specification for the dynamic range of the RODE NT1 Signature Series Large-Diaphragm Condenser Microphone.
Q: 7. Would you recommend this microphone over the AT2050? I have the AT2050, but I want a better overall mic, I am also planning on getting a better preamp or to get a mixer instead.
A: The AT2050 is a fine microphone but I'll give RODE the edge here. 10 year warranty too!
Q: 8. I am updating my Samson MTR 231, what differences should I expect between both mics, please?
A: In comparison, the Sennheiser is the more feature rich. 3 step low cut filter and 3 step pad. You are also getting more selectable pickup patterns. These allow you to more precisely tailor the mics performance to a specific application. Comparatively the mic are similar in self noise, however the Sennheiser offers better specs in dynamic range as well as signal to noise ratio. Regarding frequency response, the Sennheiser is relatively flat, with the Samson featuring a slight boost in the higher frequencies. This will generally be interpreted as the Sennheiser having a warmer sound.
Q: 9. Is a table stand compatible for this for studio use?
A: A table stand will work. A studio arm is recommended for better positioning: Auray TT-ISO Isolating Desktop Microphone Stand B&H # AUTTISO
Q: 10. Could this mic be used in it's Figure 8 pattern along with a Senn 416 for M+S recording?
A: Yes absolutely.
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