The Schneider Xenon FF Prime Cine-Tilt 100mm T2.1 Sony E-Mount Lens marked in feet is designed to intercut with the Schneider FF Primes. However, it incorporates ±4° of tilt adjustment enabling you to change the focus plane of the lens. FF stands for full-frame, and every lens in the set covers a full frame image sensor without vignetting and is designed for 4K image capture. This lens is color-matched to a standard at the factory, minimizing color shift when changing lenses. It features a 14-blade iris, providing natural looking Bokeh, with circular out of focus highlights, and 300° of lens barrel rotation. The 100mm shares the same focus and iris gear position, as well as the same 100mm front barrel diameter with the other lenses in the Xenon FF line of lenses.

The lens features a barrel with a large circumference, providing wide spacing for focus marks. Opposing focus scales provide properly oriented focus marks on both sides, so an assistant can pull focus from either side of the lens. The lens features gears for focus, iris, and tilt, which allow you to adjust each using industry standard lens accessories. The 100mm features two lens supports.

Covers Full Frame Sensors    ±4° of Focus Plane Adjustment    Supports 4K Recording Quality    Color Matched to Factory Standard    Shares Characteristics Across FF Primes    14-Blade Iris    300° Focus Barrel Rotation    Minimized Focus Breathing    Standard Gears for Focus, Iris, and Tilt    Two Lens Supports

The lenses are designed to cover a full-sized image sensor and provide 4K resolution for image capture.

Designed to allow ±4° of tilt, which allows you to shift the focus plane of the lens. This enables keeping subjects in focus that are not the same distance from the camera's image plane without having to close down the iris and increase depth of field. When the tilt is set to 0°, the lens functions the same as a standard FF Prime Cine lens.

The lens physically shifts as you adjust the tilt angle, and because of this movement the simplest set up is to use a Cine Tilt lens with a Sony A7 series camera, as the lens can be mounted directly to support rods using the two lens supports and the camera then mounted directly to lens and not secured to a baseplate. This will allow the camera to "tilt horizontally" and the lens to stay fixed so that rod mounted matte boxes, follow focus units, and lens motors will still work as you change the amount of lens tilt.

The lenses are color matched to a standard ensuring consistent color across lenses. This allows you to purchase additional Xenon FF lenses, as you need, without having to search through multiple lenses trying to assemble a matched set.

The lenses share the same physical characteristics across the set, this includes the length, diameter, and focus and iris gear position. This speeds up lens changes in the field, minimizing adjustments to matte boxes and lens accessories.

300° of lens barrel rotation provides for accurate focus adjustments throughout the range.

120° of rotation provides for precise tilt adjustment of the lens throughout the range of -4 to +4°

Related Questions and Answers

Q: 1. Are these Meike FF- Prime Cine 24mm design for Canon R5?

A: The Meike 24mm T2.1 FF-Prime Cine Lens (RF-Mount) is compatible with the Canon R5.

Q: 2. How are these compared to the Rokinon Xeen?

A: Cine lenses such as the Schneider Xenon and Rokinon Xeen share the attributes that are so needed in prime lens sets for movie production. Principally these are consistent physical size and consistent image quality. Inconsistent size slows down production and inconsistent image quality slows down post-production with a possible affect of the viewing experience. What differentiates the two brands essentially is that the Xeens are good quality while the Xenons are even better. If the budget is limited, go with the Xeens confident that you will get good results. If the budget is more generous, go with the Xenons. What you will get is superb design, build and image quality that you can feel and see. The Xenons will last for years in hard, 18 hour a day movie production.

Q: 3. Does B&H offer a hard case if a 3 set of lens is purchased (like Meike offers)?

A: Yes. please review the following item Meike Hard 6-Lens Case for T2.2 Cine Lenses BH #MEMKCINECASE • MFR #MK-CINECASE https://bhpho.to/3uXRM0w

Q: 4. Is it possible to change the lens mount on my own?

A: This lens is not user-swappable. Duclos Lens offers premium cinema modifications for Meike lenses in Micro 4/3, Sony E, and Fuji X mounts.

Q: 5. Country of origin?,Germany?dr asok

A: The COUNTRY OF ORIGIN is GERMANY.

Q: 6. Can I use this lens with a canon r5 without any adapter?

A: Yes. The following system is a RF-mount based lens.

Q: 7. Does the lens come with any shims to adjust the back focus?

A: The Meike 35mm T2.1 FF-Prime Cine Lens (EF Mount) does not ship with shims included.

Q: 8. Sirs, will this cover the newest (RED) Dragon 8K sensor? Or will there be vignetting? Thank you in advance.

A: The RED Dragon 8K sensor has an image diameter of 46.1mm. The Schneider Xenon FF 25mm T2.1 Lens is designed to cover a Full Frame image diameter of 43.4mm. There will be vignetting.

Q: 9. Can the Xenon handle S35 sensors at 8k?

A: Yes... I have a Red Epic-W with 8K Helium SensorPerfect picture

Q: 10. Work with Panasonic s5?

A: Yes, the Meike 35mm T2.1 FF-Prime Cine Lens (L-Mount) (B&H# MEFF35T21L) utilizes an L-mount bayonet to connect to cameras with an L-mount such as the Panasonic Lumix S5 Mirrorless Camera (B&H# PADCS5): https://bhpho.to/3P1TE0P Since this is an entirely manual lens, aperture (i.e. iris) and focus are controlled by the camera operator (or a motorized servo system, if one is added) twisting the aperture and focus rings on the lens. No EXIF lens data (such as lens model, focal length, or aperture settings) will be automatically recorded by any camera using this lens.