Designed to deliver professional-quality audio, the 10" QSC K10.2 is a highly flexible, easy to use, 2000W powered portable PA speaker for today's working musicians, singer/songwriters, mobile DJs, and other sound providers.

The speaker works in a variety of orientations and configurations for use as a main PA or stage monitor. When used as a main speaker, a pair of K10.2s is well equipped to cover an audience of up to 300.

A push button on the back of the speaker allows you to physically switch between eleven preset modes and four subwoofer preset modes for incorporating a dedicated subwoofer to extended low-end performance. The built-in DSP provides user control over mic/line and mic/inst selections, factory presets, an alignment delay for rear fills, and a 2-band parametric EQ with high- and low-shelf filters. All settings can be saved into one of five user scenes for easy recall.

Two inputs (A and B) feature combo XLR-1/4" connectors with input A offering a Mic/Line selection and input B offering Mic/Hi-Z selection, which is designed for connecting high-impedance signals such as guitars and other instruments. Additionally, channel 3 provides a 3.5mm TRS auxiliary input for connecting portable audio devices.

With independent mic and line inputs, the K10.2 is a great choice for any singer/songwriter or solo performer with an instrument. You have independent control over mic and instrument levels, while the aux input provides backing tracks or incidental music between sets.

Inputs A and B also feature XLR Thru-Outputs for daisy-chaining to additional speakers or other audio equipment. All three mono inputs are mixed to a mono signal internally and are passed-thru the Mix Out XLR connector. For a true stereo L/R operation, two K10.2s are needed with each to receive independent the left and right signals respectively.

The highly efficient 2000W Class-D amplifier powers the 10" woofer and 1.4" titanium compression driver, which provide full-range audio (56 Hz to 20 kHz) with a sound pressure level powerful enough to ensure the entire audience can hear your performance. QSC's Directivity Matched Transition (DMT) matches the coverage angle of the woofer at the crossover frequency with the horn pattern to ensure a uniform response across the coverage area (90° axisymetric). The Intrinsic Correction techniques ensure a smooth power response resulting in accurate performance in a wide range of acoustic spaces with little or no EQ. The K10.2 includes a power cord.

Two Lightweight Powered Speakers    2000W QSC Class-D Amplifier    Intrinsic Correction for Tuning & More    35mm Pole Sockets with Tilt Capability    Strong ABS Enclosure, Tough Steel Grille    Loudspeaker Management Solution    EQ, Filtering, Polarity, and Delay    Gain and Crossover Control    Compression and PeakStopPlus Limiters    Two High-Quality XLR Cables

• 2000W Class-D amplifier module
• Factory Presets and savable/recallable scenes for commonly used applications
• Multifunction digital display for control and selection of loudspeaker functions including crossover, EQ, delay, and frequency contour
• Intrinsic Correction tuning and loudspeaker management
• Directivity Matched Transition (DMT) design provides excellent power response and consistent performance across the listening area
• Refined, professional appearance looks great in any application
• Rugged ABS enclosure for long life and lasting durability
• Deployment in either main PA or floor monitor position
• Dual pole cup mounts (standard and 7.5 degree down-tilt)
• M10 fittings for flown applications
• Optional security panel prevents unauthorized tampering of controls
• 6-year warranty with product registration

• 2000W power module 
• Delivers ample burst and continuous power for the loudspeaker’s premium drivers
• Designed with very low-noise fan cooling, enabling the enclosures to be used in settings where background noise must be kept to a minimum. 
• Subtle and sophisticated dynamics processing protects the drivers from damage and the performance from distortion

• Presets: The user may select from an extensive list of factory preset EQ contours
  • DEFAULT: The basic voicing of the loudspeaker
  • LIVE: For live sound reinforcement and vocal clarity
  • LIVE BRIGHT: Similar to LIVE with some high-frequency boost to balance the sub
  • DANCE: Low- and high-frequency emphasis
  • STAGE MONITOR 1: For most stage monitor uses, reduces excessive bass build-up on stage
  • STAGE MONITOR 2: For stage monitor use when low-frequency reproduction is needed
  • AC GUIT / VOX: For acoustic guitars and VOX
  • BASS AMP: For direct connection of bass instruments
  • HAND MIC: For speech intelligibility and feedback reduction using a handheld microphone
  • HEAD MIC: For speech intelligibility and feedback reduction using a head microphone
  • STUDIO MON: For use as a recording monitor
• SUB Menu: Select a setting to match the top-box with a subwoofer
  • NO SUB: For use without a subwoofer
  • 80 Hz KS: Applies an 80 Hz High-Pass Filter (HPF) 
  • 100 Hz K – KW – KLA: Applies a 100 Hz High-Pass Filter (HPF) (for use with a K-SUB, KW Sub, or KLA Sub)
  • 125 Hz: Applies a 125 Hz High-Pass Filter (HPF)
• Scenes: Savable and recallable Scenes can store information like user EQ, Delay, and input configuration settings
• DELAY: Adjust the signal delay for rear fill and similar applications
  • 0 to 100 ms, 0 to 113' (all units of measure change together when the Selection knob is turned)
• EQ: Adjust the 4-band, parametric equalizer
  • High-Shelving Band: 1 to 10 kHz (0 dB to -6 dB)
  • EQ1: 50 Hz to 20 kHz (0 dB to -6 dB, 0.4 to 4 Q)
  • EQ2: 200 Hz to 20 kHz (0 dB to -6 dB, 0.4 to 4 Q)
  • Low-Shelving Band: 100 to 500 Hz (0 dB to -6 dB)

• Floor Monitor
  • Use on its side
  • Use vertically
• Main PA
  • Suspended from above
  • Placed on a tripod stand
  • Placed on a pole mount on top of a subwoofer

Related Questions and Answers

Q: 1. What are the necessary accessories that must be brought along with k12.2 ? Need some quick responses ?

A: Other than cables, if you don't already have them, or some mounting options such as a stand or wall mount, if you indeed want to mount them, there is nothing else that is absolutely necessary. Under the recommended accessory section, you will find some cables, stands, or mounting hardware that will work with these speakers.

Q: 2. Is this compatible with lin arrays?

A: Yes, this can be used to manage any PA system.

Q: 3. Dimensions?

A: The DBX Drive rack PA2 is a 19 single rack space unit. 1.75 (H) x 5.75 (D) x 19 (W). The mic included is the dbx RTA-M, dimensions : Length 14.6 cm, Body diameter 2 cm, Head diameter 1.1cm.

Q: 4. My name is Lee, I have a Yamahard 512 SC mixing amplifier , and a pair of Yamaha C112V passive speakers, is this Drive Rack PA working with my PA system?

A: Hi Lee,This unit will NOT work with your system. It is designed to be inserted between mixer and amplifier. It cannot be connected to your speaker outputs.

Q: 5. Can the output be routed to a (Mackie) power amp driving 4 (Electro Voice 10 PA) speakers?

A: The Driverack PA2 features 3 sets of line level outputs, low , med, and high, with adjustable crossover points. These can be routed to any power amp using the proper cables. The unit is also able to output full range from a single set of outputs as well. This is also accessible via the menu.

Q: 6. Can I connect an amp for full range speakers to high and another amp to low for a sub, then set it to cross over appropriately?

A: This unit allows single, bi or tri-amped configurations.

Q: 7. post problem solved in new k12.2

A: That is someting you would have to ask QSC.

Q: 8. How do i know the low and the Hi on dbx 260

A: The 6 outputs on the Driverack 260 are individually configurable. The common setups would be for Full Range - Outputs 1 & 2 (all frequencies are passed), 2-Way operation - Outputs 1 & 2 (highs), Outputs 3 & 4 (lows) or for 3-Way operation - Outputs 1 & 2 (highs), Outputs 3 & 4 (midrange), Outputs 5 & 6 (lows). For additional information or assistance with your purchase, please feel free to contact a Representative here in our Pro Audio Department by calling 800-606-6969 or email audio@bandh.com.

Q: 9. Hi my name is Hugh I have impro hd-388 ,micro phone GTDaudio G-788 ,the mixer pro FX12 12 channels professional effects mixer and 2 EON 615 JBL speakers build in amplifier 1000w can I use this and my sounds will much better?

A: The DriveRack PA2 can be connected between your mixer and speakers. The unit offers crossover functionality, room correction EQ as well as compression and limiting for more control and better overall sound.

Q: 10. As relates to the PA2 (479), the 260 (699), and the 360 (995), what would I not be able to do with these units absent an RTA-M microphone?

A: All units mentioned provide similar functionality with varying degrees of feature sets. The dbx DriveRack VENU360 Loudspeaker Management System expands on the feature set of the dbx DriveRack 260 and dbx DriveRack PA2 with more crossover capabilities, more bands for EQ, and more I/O and signal processing.