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Audix R62 Kit Dual-channel Wireless True Diversity Receiver (522 To 586 Mhz)

Audix R62 Kit Dual-channel Wireless True Diversity Receiver (522 To 586 Mhz)
  • Product Code: ga54950
  • Availability: In Stock

$3,477.00 $4,554.87

The Audix R62 Kit is a Performance Series dual-channel true diversity receiver designed to deliver enhanced range and easy configuration for musicians, vocalists, presenters, and public speakers in houses of worship, concert venues, conferences, and live stage applications. It offers 207 pre-coordinated frequencies across 64 MHz of bandwidth in the 522 to 586 MHz frequency band. Use two wireless microphones (available separately) from up to 450' away. One-touch sync and auto scan functions provide simple and efficient setup.

The high-contrast LCD shows a host of information such as battery level, frequency, and AF/RF signal strength, which can be optimized via adjustable AF and RF gain. XLR and 1/4" outputs allow compatible connectivity with the balanced or unbalanced inputs on your mixing console. The R62 Kit ships with two antennas, two BNC cables, an audio cable, one power supply, and a rackmount kit.

522 to 586 MHz Band, 64 MHz Bandwidth    207 Pre-Coordinated Frequencies    Dual-Channel True Diversity Receiver    High-Contrast LCD Display    AF and RF Gain Control    Range up to 450'    One-Touch Sync and Auto Scan    XLR and 1/4" Outputs    Includes Antennas and Audio Cable    Includes Power Supply and Rackmount Kit

Parameters
Frequency Band522 to 586 MHz
Bandwidth64 MHz
# Of Simultaneous SystemsUp to 12
Switchable Frequencies207 pre-coordinated frequencies
Reception Frequencies2560 tunable frequencies (spaced 25 kHz apart)
Wireless RangeUp to 450' / 137 m
Antenna Connector2 x BNC (8 VDC, 150 mA)
Outputs2 x XLR 3-pin balanced
2 x 1/4" TS unbalanced
Audio Output LevelXLR: -12 dBV at 25 kHz deviation, 600-Ohm load, +6 gain
1/4": -18 dBV at 25 kHz deviation, 10-Ohm load, +6 gain
Audio Level Control-12 to +9 dB in 3-dB steps
Frequency Response45 Hz to 18 kHz
Compander2:1
Pilot Tone32 kHz
Receiving SystemDual tuner, true diversity
Signal to Noise Ratio112 dB at 30 kHz deviation (A-weighted)
Total Harmonic Distortion (THD)<0.4% (33 kHz deviation at 1 kHz)
Sensitivity5 dBµV (S/N 60 dB at 25 kHz deviation, A-weighted)
Power Requirement100 to 240 VAC, 50/60 Hz, 12 VDC, 1 A
Enclosure MaterialMetal
Dimensions16.0 x 8.2 x 1.7" / 406 x 209 x 44 mm
Weight4.8 lb / 2.2 kg

Incorporate up to 12 systems to use 24 unique channels simultaneously

Dual-channel receiver supports two wireless microphones

64 MHz wide spectrum tuning

207 pre-coordinated frequencies

2560 tunable frequencies

High-contrast LCD shows RF and AF signal strength, group/channel/frequency, level/squelch, battery level, and more

One-touch sync via infrared

One-touch scan eliminates inefficient manual tuning

Ground-lift switches help eliminate ground loops or hum

Metal strain relief for power cable

Adjustable AF and RF level

Selectable receiver lock disables the scan, sync, and power buttons

Selectable transmitter lock prevents the transmitter from being accidentally muted or powered off

Allows front- or rear-mount antenna configurations

Related Questions and Answers

Q: 1. Will the balanced output drive a device that requires line level input? I was thinking of connecting it directly to the line level input of the Radial EXO-POD.

A: The Sony URX-P41D Dual-Channel Camera-Mount Wireless Receiver is only capable of Mic level output signals and does not offer Line level output.

Q: 2. Can you please paste a link to the hot shoe adaptor that is compatible with this unit? Thx

A: please review the following item Sony SMAD-P4 Shoemount Adapter for URX-P40 Receiver BH #SOSMADP4 • MFR #SMADP4 https://bhpho.to/3mb0vYF

Q: 3. Would I be getting what is shown in the photo? The all black 2020 device or the old original yellow device?

A: This listing is for the Saramonic UwMic9-RX9, the old orange version. The new version is called the UwMic9S (BH #SAUWMIC9SK2M).

Q: 4. Compatible with UwMic9?

A: Yes it is.

Q: 5. Is it possible to use manual audio gain also as all 4 channels on a sony a7sIII via MI shoe? (because on older P03D its only automatic and 2 channel)

A: You can use the Sony URX-P41D Dual-Channel Camera-Mount Wireless Receiver together with the Sony SMAD-P5 Digital MI Shoe Adapter for UWP-D Series (B&H # SOSMADP5) to connect to the Sony a7S III MIrrorless Camera via the multi interface shoe. The URX-P41D offers a 4-channel mixer that enables you to control your mic levels (up to four) as well as assign output 1 and/or 2 as needed.

Q: 6. Can this unit be powered by the USB port?

A: Yes, the Sony URX-P41D Dual-Channel Camera-Mount Wireless Receiver can run on USB power.

Q: 7. Is there a 3.5mm to TA3 cable to plug this into an 833 TA3 input?

A: A cable such as the Cable Techniques 3.5mm TRS to TA3F Balanced Cable (BH #CACTS2KT318) could be used to facilitate connection between the locking 3.5 mm TRS female balanced output on the Sony URX-P41D Dual-Channel Camera-Mount Wireless Receiver and the TA3 input connections on the Sound Devices 833 Multitrack Field Recorder.

Q: 8. Will this work with the Sony A7C

A: Yes, the Sony URX-P41D Dual-Channel Camera-Mount Wireless Receiver is compatible for use with the Sony a7C Mirrorless Camera through both its wired 3.5mm audio connection as well as the wireless Multi-Interface Shoe connection. The MI Shoe requires the implementation of the Sony SMAD-P5 Digital MI Shoe Adapter for UWP-D Series (BH #SOSMADP5) to connect wirelessly.

Q: 9. Can the Sony URX-P41D be paired with a Lectrosonics LMb transmitter with the same frequency range?

A: No, a Sony URX-P41D Dual-Channel Camera-Mount Wireless Receiver will not work with a Lectrosonics transmitter.

Q: 10. I am interested in purchasing this wireless microphone but am unsure what frequency to purchase. I live in Los Angeles, is there a preferred frequency for my region of the USA?

A: Because the Sony URX-P41D Dual-Channel Camera-Mount Wireless Receiver offers the ability to auto-scan it's 2,772 potential frequencies, it should allow you to find an open channel in virtually all areas in any of the three available bands. Frequency availability across bands could also change depending on your location within the greater Los Angeles area. In general, it appears that the UC14: 470 to 542 MHz band may offer the most access to open channels in Los Angeles out of the three available frequency bands.

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