Long Range Surveillance Camera Hd Analog Bnc

Sony Hdcu-3100 Ip-enabled Camera Control Unit

Product Code: ga55714
Availability: In Stock

$41,895.00 $62,423.55

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Description
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The HDCU-3100 IP-Enabled Camera Control Unit from Sony adds IP capabilities to the broadcast and studio system cameras. Connecting to compatible cameras via optical fiber cable, the compact HDCU-3100 supplies power to the camera, performs signal processing, and provides an interface with external equipment. The compact 1.5 RU unit is ideal for space-limited production areas. It is equipped with eight built-in SDI outputs, including four 3G-SDI outputs.

Camera Remote Control Unit Eight 3G-SDI/HD-SDI Outputs Two-Channel Teleprompter Inputs Built-In LAN Interface Compact 1.5 RU Unit

Parameters
Connectors	1 x Optical camera fiber 1 x 50-pin sub-D intercom/tally 1 x 8-pin RCP/CNU 1 x 12-pin trunk 1 x 8-pin LAN-com 1 x 8-pin network trunk 4 x BNC 3G/HD/SD SDI input 4 x BNC 3G/HD/SD SDI output 2 x BNC loop-thru reference output 4 x BNC 3G/HD/SD SDI Return 2 x BNC loop-thru Prompter output 1 x BNC AES/EBU 2 x 3-pin XLR audio output 1 x AC input
Power Requirements	100 to 240 VAC, 50/60 Hz
Current Consumption	4.5 A
Operating Temperature	41 to 104°F / 5 to 40°C
Storage Temperature	-4 to 140°F / -20 to 60°C
Dimensions	19.0 x 3.0 x 15.6" / 48.2 x 6.6 x 39.5 cm
Weight	16.1 lb / 7.3 kg
Packaging Info
Package Weight	21.525 lb
Box Dimensions (LxWxH)	22.1 x 21.7 x 9.4"

The optional HKCU-SFP30 interface kit adds essential functionality required for IP live

production such as Tally, Intercom, and Return.

By installing an optional 4K/HDR Processor Board HKCU-UHD30, the HDCU-3100 can

output 4K signals when connected to an HDC-series system camera. In addition, the

HDCU-3100 with an optional 12G-SDI interface kit HKCU-SDI30 can transfer 4K signals

through a single BNC cable.

The optical fiber transmission system maintains high picture quality across cable runs of up to 1.2 miles. Combined with the HKCU-SM30 interface kit, the compact HDCU-3100

can be directly connected on Single Mode Fiber (SMF) for long-distance transmission up

to 6.2 miles, making it ideal for space-limited operations like OB trucks.

Related Questions and Answers

Q: 1. Does Leica SF C1 work with Nissin MG 10?

A: Yes, they work together.

Q: 2. How many universes does apollo have?

A: Each Apollo Bridge has one universe.

Q: 3. Is Apollo Bridge RDM ready ?

A: Yes. The unit is fully RDM ready

Q: 4. does it work with led lights?

A: Yes the Kenko KCM-3100 Professional Color Meter can measure the color temperature in any type of light such as LED's.

Q: 5. Can this control my Astera Titans?

A: The Apollo Bridge can be used with an DMX compatible light, but it looks like you will also need to purchase the Astera PowerBox for Titan Tubes, B&H # ASFP1PWB. This will give the Astera TitanTube lights a DMX connection for your planned usage needs.

Q: 6. what software comes with? MAC COMPATIBLE? if not, can i use ikan's or prompter people's MAC software to control this? thanks!

A: The software is sold separately. It is designed for Autoscript Newsroom Licence For WinPlus-IP Studio Prompting Software Application which is only available for Windows computers.

Q: 7. Will this work with the Leica S (typ 007)?

A: Yes it is compatible.

Q: 8. Will this work with the Leica M9?

A: Yes

Q: 9. how reliable is this colormeter with led lights and hmi?

A: Although this meter is suitable for reading the color of an HMI lamp, it is not optimized for LED lighting. A better option for both would be the Sekonic C-800 SpectroMaster Color Meter, BH# SEC800SM https://bhpho.to/3pz6CJ0

Q: 10. Does this work with Nikon SB-5000?

A: They are not compatible.

James	11/09/2024
Havent used it much yet (need to buy CC gels for color temp, & for tint); its well-built, & the instruction manual is comprehensive.. 5

Gulf Coast Shooter	30/11/-0001
I use my Kenko meter for sports photography in arenas. Tired of the color temp of your backgrounds not matching the color temp of the close-up subject? The light fixtures in most arenas have two colors of non-daylight-colored light. Like most non-incandescent lights, they pulse many times per second -- one dominant color and a second that emits as the power falls off before the next pulse. Although easy enough to look up the specs on the bulb/fixture manufacturer's web page, it's often impossible to determine the precise type of bulb used in your locations fixtures, and in any event the wall paint schemes affect the hue. This meter helps me measure the two temps of the ambient lighting, and then gel my arena strobes first to absorb the primary hue missing from the ambient fixtures, and then to gel again to absorb the second hue. The meter is then used again to fire the strobes, and then by changing the shutter speed on the meter with that single reading, it reports both the color of the strobes and the ambient light to help ensure you've got them reasonably matched. It's expensive, but if you invest the time to master it, you can build formulas and gel packs for every arena you shoot. I've even used it on occasion to gel my camera-mounted strobe to match the ambient light. 5