The Prism Sound ADA-8XR Frame is a rack-mountable 2 RU audio interface chassis designed to deliver versatile clocking and configurability for producers, musicians, and audio engineers in home, project, and commercial studios. Its modular design yields flexible I/O arrangements thanks to four I/O module slots—two analog and two digital. A variety of modules (available separately) can be installed for access to multichannel analog/digital inputs and outputs as well as Pro Tools or FireWire workstation connectivity.

The ADA-8XR Frame supports resolutions up to 24-bit/192 kHz, and can clock internally or to external AES3, AES11, word clock, or Pro Tools Loop Sync. The built-in Utility Module provides stereo analog RCA and digital BNC audio outputs, BNC word clock and XLR AES11 sync I/O, and a DB9 serial communications port. Additionally, the front panel has a 1/4" stereo headphone output along with assignable 8-channel bargraph meters. An onboard display and comprehensive controls enable efficient adjustment of parameters, which can be quickly stored and recalled via factory and user presets. The ADA-8XR Frame comes with no I/O modules, ready for custom configurations.

Modular Design for Flexible I/O Setups    Up to 24-Bit / 192 kHz Resolution    16 x Balanced Analog Inputs via XLR    DigiLink Mini Ports for Pro Tools HDX    1/4" Stereo Headphone Output    Versatile Clocking & Routing Options    Low Distortion & Noise    Selectable Input Limiters    Onboard Display & Comprehensive Controls

Modular architecture accommodates special configurations and provides future-proofing with individually upgradeable A/D conversion, D/A conversion, DSP, digital interfacing, and utility hardware

Supports sample rates up to 192 kHz

2-channel monitor section follows channel pairs or a mix of all channels

8-channel assignable bargraph meter array with over-detection

Renowned Prism Sound jitter-rejecting PLL technology and low-jitter master clock

Flexible synchronization options including sync to AES11, word clock, or video sync

Flexible routing allows creation of digital-to-digital processing paths for processing or format conversion

SNS noise-shapers preserves dynamic quality during 16-/20-bit transfers

MR-X bit-splitting allows extended bit depths and sample rates on 16-bit media

DRE (Dynamic Range Enhancement) enables 24-bit performance on 16-bit stereo media without sacrificing tracks

Optional DSP expansion facility for extended processing features including synchronous

sample-rate conversion

Comprehensive store system for fast-access factory and user presets

Unique "Access button" layout combines the flexibility of menus with the speed of dedicated

controls

Internet-upgradeable software loads from your computer into flash memory inside the ADA-8XR

Rack-mountable enclosure occupies 2 RU of rack space

Related Questions and Answers

Q: 1. what are the optimum settings for clean sound and volume? I get confused between GAIN and LEVEL. Also should MASTER GAIN slides be set to upper levels?

A: The Pyle Pro PMX462 3-Channel Audio Mixer with Built-In FX and USB Interface is versatile and easy to use, and features a clearly labeled set of controls. The Gain controls on Channels 1, 2, and 3 are used to adjust the input gain level for individual devices connected to these channels. Likewise, the individual Level controls for these channels adjust the output level for that corresponding input channel. The Main level fader is a master control for the overall mix. The optimum settings for a clean sound will vary depending on the particular devices that are connected to the input channels. Each individual channel has its own red Peak LED indicator light next to the channel's Level control knob to show when the level for that channel is very high. Additionally, the 5-stage LED Level indicator panel provide a more detailed view with green, yellow, and red LEDs. For cleaner sounds, you will want to keep the levels within the green and yellow indicators and avoid peaking, where the indicators becoming red.

Q: 2. Does the mixer actually have 48v phantom power or do i have to purchase that separate?

A: The CH1 phantom power is 17.8V, not 48V. If your mic requires 48V, you will need an external power supply.

Q: 3. Is it possible to connect a USB microphone to this unit?

A: The Pyle Pro PAD10MXU is not compatible with USB connection microphones. It is compatible with XLR connection microphones and 1/4'' connection microphones.

Q: 4. Can I connect this device to Thunderbolt 2 equipped Mac Pro (2013?) with an Apple adapter?

A: Yes, you can connect this device to a 2013 MacPro with a Thunderbolt 2 adapter. Per Avid, you would require the Apple Thunderbolt 3 to 2 adapter, B&H # APMMEL2AMA, a power cable for the HDX card B&H # SOTCBHDXB, and they recommend using this Thunderbolt cable B&H # SOTCBTB307M. Please also note, the Pro Tools HDX card is sold separately.

Q: 5. Is there a microphone included for use with the transmitter?

A: There is no microphone included, but there is a small microphone jack in the rear of the unit which I have not had the need to use. There is a cable that I run from the ADA to my mixer, and my microphone is plugged into the mixer.

Q: 6. Is the EVO 16 have a built in Reverb and Delay with a software configuration as for stand alone ?

A: No, the Audient EVO 16 24x24 USB Audio Interface does not have built-in effects like reverb or delay.

Q: 7. Are rack-ears included in the box?

A: No, rack ears are not included with the purchase of the Audient EVO 16 24x24 USB Audio Interface. The EVO 16 has optional rack ears that can be claimed via arc.audient.com.

Q: 8. Does the USB interface provide the option for simultaneous input/output, or is it just one or the other at any time?

A: The USB interface sends and receives audio simultaneously.

Q: 9. Does this device feed audio directly to the computer via USB, or is the USB only for power?

A: This is a USB Audio Interface and will appear on your computer's desktop as a USB device.

Q: 10. Which slots in the new Apple Mac Pro 2019 will three Avid HDX PCIe cards work? Is the power cord cord pin arrangement compatible with slots 1, 2 and 3?

A: The card easily installs into your existing Mac or Windows tower/desktop computer. To get a full 64 channels of I/O, the Pro Tools | HDX PCIe card allows you to connect up to four, 16-channel Pro Tools | HD audio interfaces. Two of the interfaces connect directly to DigiLink Mini ports 1 and 2, and the other two interfaces connect to the expansion ports on the Pro Tools | HD audio interfaces. In the Box: Avid Pro Tools | HDX PCIe Card HDX TDM Cable HDX PCIe Power Cable for Mac HDX PCIe Power Cable for Windows 12' DigiLink Mini Cable Limited 1-Year Warranty