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Fotodiox Pro Tlt Rokr Tilt-shift Adapter For Pentacon 6 Lens To Sony E Camera

Fotodiox Pro Tlt Rokr Tilt-shift Adapter For Pentacon 6 Lens To Sony E Camera
  • Product Code: ga61825
  • Availability: In Stock

$540.45 $713.39

Beyond just attaching your Pentacon 6-mount lens to your Sony E-mount mirrorless camera, the Fotodiox Pro TLT ROKR is a sophisticated lens adapter with integrated tilt and shift capabilities. Able to turn your lens into either a perspective control or a creative focusing optic, this adapter has +/- 10mm of shift, for correcting converging lines and adjusting composition, as well as 10° of tilt, for fine-tuning your focus position to either increase depth of field or achieve creative selective focus effects. A 360° rotating mechanism is incorporated into the adapter's design, as well, to permit applying the tilt and shift movements in any orientation required. When zeroed-out, the adapter functions as a simple, manual adapter that maintains infinity focus while requiring manual aperture control, and it features a durable all-metal construction with chrome-plated brass mounts.

NOTE: Due to the variations in the construction of these lenses through various production runs, the range of the mechanical aperture control will vary from lens to lens.

Pentacon 6 Lens to Sony E Camera    +/- 10mm of Shift, 10° of Tilt    360° Mount Rotation    Chrome-Plated Brass Mounts

Parameters
Camera MountSony E
Lens MountPentacon 6/Kiev 60
Electronic CommunicationNo
MaterialMetal, Brass
DimensionsH: 4.1 x W: 3.7 x D: 1.7" / H: 105.0 x W: 93.0 x D: 43.0 mm
Weight9.5 oz / 269 g
Packaging Info
Package Weight0.62 lb
Box Dimensions (LxWxH)4.3 x 3.85 x 2.8"

Related Questions and Answers

Q: 1. I understand this T/S adapter is not going to electronically control a Nikon lens on a Fuji body. Trying to figure out aperture. If I buy an old Nikkor manual focus lens (say 28mm f/2 AI or even non-AI) will the manual aperture ring still work? I am fine figuring out exposure, but don't want to be stuck with a lens that is either wide open or stopped all the way down.

A: Nikon lenses that have an aperture ring, the ring will work with the FotodioX Pro TLT ROKR Tilt-Shift Adapter for Nikon F-Mount, G-Type Lens to FUJIFILM X-Mount Camera.

Q: 2. Can i use this adapter with a 12mm laowa lens for canon ef?

A: That adapter is for the older Canon FD lenses it will not work with a EF lens. This adapter will let you use a EF lens on a Sony E mount camera. https://bhpho.to/2W5DD1X

Q: 3. How does the image quality of this product compare to that of a real tilt shift lens?

A: There are no optical elements in the FotodioX Pro TLT ROKR Tilt-Shift Adapter for Nikon F Lens to Nikon Z-Mount Cameras so it will not affect the optical quality of a lens. This adapter has +/- 10mm of shift, for correcting converging lines and adjusting composition, as well as 10° of tilt. The Nikon 85mm PC-E tilt shift lens (for example) has 11.5mm of shift and 8.5 degrees of tilt.

Q: 4. Does this adapter have a tripod mount ?

A: No, this adapter does not have a tripod mount.

Q: 5. What is the maximum vertical shift on a Nikon d-850 before the overhanging prism gets the way and prevents further upward shift?

A: FotodioX does not list for the FotodioX Pro TLT ROKR Tilt/Shift Adapter for Pentax 67 Lens to Nikon F-Mount Camera and how much shift can be done when using it with the Nikon D850.

Q: 6. Can the f stop be adjusted, or is it fixed wide open?

A: The aperture on the FotodioX Pro TLT ROKR Tilt-Shift Adapter for Nikon F Lens to Nikon Z-Mount Cameras can be adjusted as there is an aperture ring on the adapter.

Q: 7. On the RF mount (Canon), can the shift and tilt be on the same side? or they are 90 degrees apart like they used to be on EOS mounts.

A: The tilt and shift on the FotodioX Pro TLT ROKR Tilt/Shift Lens Mount Adapter for Hasselblad V-Mount Lens to Canon RF Mount Camera Body will be 90 degrees apart

Q: 8. There is a 1/4” threaded hole for hot shoe adapter? Thanks in advance.

A: The FotodioX Pro TLT ROKR Tilt-Shift Adapter for Canon EF Lens to FUJIFILM X-Mount Camera doesn't have a built-in 1/4"-20 thread. If the lens is too front-heavy, they typically have a tripod collar for weight support.

Q: 9. Are tilt and shift directions independent?

A: Yes, tilt and shift movements are independent from each other.

Q: 10. what is the crop factor?

A: The crop factor would be 0.79x.

29/09/2024

Architecture Work Horse

5
23/09/2024

I had the original 24 TS-E and upgraded it - I like those lenses so much and wasn't keen on my 17-40, so I'm hoping the 17 TS-E will satisfy my more. So far, I love the results - no vignetting when used without any shift and sharp edge to edge. I love the flexibility - I use the shift a lot and occasionally the tilt - but it's also great for stitching and accepts the extenders.

5
22/08/2024

I haven't had the T/S for long but have already seen some interesting results and am looking forward to taking it with me to NY mid May 2011 to trial out its miniaturisation features. It is a quality piece of gear and when I get used to its change of perspective dynamics I expect it to give me some interesting conversation with the photographs.

5
13/08/2024

As a landscape photographer / view camera user for over 20 years, I really appreciate the perspective control offered by this lens. It is really a plus in many situations. IN addition, this lens is very sharp and delivers great performance overall. I previously owned the the 16-35mm F/2.8L II and this 17mm offers performance superior to the zoom. My favorite way to use this lens is to head out into the field with a 5D Mark II and a 7D. Depending on the shot I am after, I have a 17mm or a 28mm to work with. Most useful and very impressive results.

5
13/07/2024

If you shoot architecture, interior or landscape and use a full frame camera, consider this lens a necessary purchase. It works like a charm and no more skewed lines from buildings. The images are tack sharp front to back and the color is perfect. This lens performs amazingly well for a 17mm rectilinear lens, with very little geometric distortion and chromatic aberration. F4.0 is very good, and F8-11 creates images that need no help at all. Amazing for a 17mm rectilinear lens!

5
05/07/2024

It's darn sharp, built like a rock. I just wish I could put a filter on it, but you know...

5
24/06/2024

- avoids lots of photoshopwork, which in addition destroys optical qualities - good in combination with high res.fullframe modells - great shift range

5
22/06/2024

As an architectural photographer I've been waiting for a good ultra-wide angle TS lens for a long time. This is it. Without question, the finest WA lens from Canon I have ever seen. Not counting the TS capabilities - this lens is sharper than even the 14mm F/2.8L, the 16-35mm F/2.8L and the 24 F1.4L at the same f ratio. A must have for any pros collection.

5
30/11/-0001

I have been a professional photographer (architecture and landscape) for 15 years and got my start on film. During this time I have used Hasselblad (film), Arca Swiss (film and RM3D with P+ back), and Nikon with an assortment of high quality lenses. My favorite combo to date has been the RM3D with a Rodenstock 28HR. This is a fantastically sharp lens/back combo with a lot of available shift. Well, let's just say, I have a new favorite. While, not quite the same as an Arca/Rodi combo, this lens performs with tremendous flexibility, sharpness and IQ. I have used a Nikon D3x with a 24pce for several years and I've got to say, this lens was worth the switch. While I've only shot 5 projects with this lens, I've have yet to have flare problems even unflagged. And as far as I can tell, there is harly any barrel distortion which is pretty amazing for a 17mm lens. Basically, I love it.

5

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