Kodak VISION3 50D is a low-speed daylight-balanced color negative movie film characterized by its ability to record a wide dynamic range with increased highlight sensitivity. It has an exposure index of 50 when shot in daylight conditions and its fine grain structure contributes to notably high image sharpness. As part of the VISION3 series of movie films, this stock has high archival stability and is well-suited to digital post-production processes.

This item is one 400' roll of 35mm color negative movie film for process in ECN-2 chemistry. It is perforated on both edges (BH-1866) and wound on a Type U core for use in-camera, for making optical prints, or for bidirectional printing.

Daylight-Balanced Color Neg. Movie Film    Exposure Index of 50 in Daylight    Expanded Highlight Latitude    Fine Grain and Sharpness    Wide Dynamic Range    Well-Suited to Digital Post-Production    Process in ECN-2 Chemistry    Type U Core

Related Questions and Answers

Q: 1. heyis film kodak 50D suitable for super 8 camera CANON 310 XL?

A: Yes indeed. Mind you it's a negative film that requires scanning.

Q: 2. Does this work on the Kodak disc 6000 ?

A: This would be movie film for Super 8mm cameras.

Q: 3. Will this film fit an old Montgomery Ward 760 XL? (Bell & Howell f/1.3 8/5mm-24mm Zoom lens) Cheers.

A: Yes, the Kodak VISION3 50D Color Negative Film #7203 (Super 8, 50' Roll) will fit and work in the Montgomery Ward 760 XL. That camera uses Super 8mm movie film.

Q: 4. Hi, would this work on super 8 ricoh?

A: This film is super 8 film and your camera is super 8, yes.

Q: 5. I have a Kodak M18 super 8 instamatic movie camera.Will this film load into this camera? Thank You!

A: Yes, that will work in that camera.

Q: 6. Yes i know that super 8 film works in all super 8 cameras:)..but what about kodak vision 3 50D?..is suitable for my camera?(daylight 25-100ASA artifical light 40-160ASA)Is it ok for my camera?...Im sorry but i have to be 100%:)))...BLAZ

A: 50d is the closest to the original ASA's and this usually doesn't have a problem I've used it many times and have always had good results. But I can't answer for 100% more like 90%. You could look at the camera model you have and maybe try talking to a guy named Bernie he runs a business called super16 and he's very knowledgeable

Q: 7. Will this work in a 8MM Mansfield Holiday Zoom EE Automatic/Windup Movie Camera?

A: This is Super 8 film which will not fit your camera.

Q: 8. How many minutes can be held on a roll of 24 fps and 18 fps?

A: A 1,000 foot roll of 35mm film at 24fps and 2-perf will give a total time of 00:22:13. A 1,000 foot roll of 35mm film at 24fps and 3-perf will give a total time of 00:14:48. A 1,000 foot roll of 35mm film at 24fps will give a total time of 00:11:06. A 1,000 foot roll of 35mm film at 18fps and 2-perf will give a total time of 00:29:37. A 1,000 foot roll of 35mm film at 18fps and 3-perf will give a total time of 00:19:45. A 1,000 foot roll of 35mm film at 18fps will give a total time of 00:14:48. (hours:minutes:seconds)

Q: 9. Hello, can u tell me if i am filming KODAK 50D with eumig mini 3 zoomreflex (daylight 25-100ASA artifical 40-160ASA), is pin have to be pushed-in like i was filming with a kodachrome 40 type A when i am putting a cartridge into a film chamber?...what kind was a filmstock kodachrome 40 type A??..daylight or artifical? Are the settings the same like with kodak 50D ...i mean the pin thing (pushed-in or not pushed-in)??...thanks

A: Part of what you are asking is a camera-specific question, but I think I can offer a few words of advice to help you. The old Kodachrome 40 Type A film was balanced for 3400 degrees Kelvin, which is informally called Tungsten and best thought of as indoor lighting. There used to be photo-flood light bulbs made for the amateur filmmaker market that produced a 3400 degree Kelvin color temperature. The old amateur Super 8 cameras used to have an 85A filter built in to the camera. Normally, old Super 8 cameras would have this 85A filter actively in place in the light path. Often times a Super 8 camera would come with a filter key that you could insert in the camera in order to remove the 85A filter from light path. Outdoor light has a color temperature somewhere around 5200 degrees Kelvin. To shoot Kodachrome 40 Type A film outdoors, a person would need to have the 85A filter in place in the light path of the camera in order to change the 5200 degree outdoor light to match the 3400 degree film. The addition of the 85A filter in the light path had the side-effect of dropping the ASA from 40 down to 24. To shoot Kodachrome 40 Type A indoors with 3400 degree photo-flood bulbs, a person would normally insert the filter key to retract the 85A filter (because the light source already matched the film type and therefore you didn't need the 85A filter). Note that in the old days, a lot of us amateurs didn't bother to procure proper 3400 degree photo-flood lights; we just used regular ole household, incandescent tungsten light bulbs. Regular old household, incandescent light bulbs were not 3400 degrees Kelvin. That is why home movies shot indoors with Kodachrome 40 Type A film had a slightly warm , yellowish-orange cast to them. The important things to be aware of is that Kodak Vision 50D film is 1) daylight balanced and 2) it is a color NEGATIVE film. Kodachrome 40 Type A, on the other hand, was color REVERSAL film. BIG DIFFERENCE!!! Good luck.

Q: 10. I recently purchased a beautiful Nizo S1 and am wondering if this film is compatible? It seems that it is, but I can’t find a manual or info on my new camera anywhere! Any leads/resources/info would be amazing! Thank you.

A: Yes, the Kodak VISION3 50D Color Negative Film #7203 (Super 8, 50' Roll) is compatible for use in the Braun Nizo S1 Super 8 Movie Camera.