The AT2021 Cardioid Condenser Microphone from Audio-Technica is designed for general instrument capturing, vocals, amplifier cabinets, and similar applications. The microphone's small diaphragm condenser element yields a cardioid polar pattern for minimal noise at the off-axis sections of the capsule. There is an extended frequency response, providing versatility both in the studio and on stage. High SPL handling suppresses distortion when capturing transient sources such as drums, percussion, electric guitars, bass, and piano. The package includes a microphone stand clamp and a soft protective pouch.

Small Diaphragm Condenser    Cardioid Polar Pattern    High SPL Handling    Extended Frequency Response

Suitable for acoustic guitar, overheads, piano, and group vocal scenarios

Condenser design for studio-quality vocal and instrument applications

Can be used in high-SPL applications

Extended response for smooth, natural sonic characteristics

Low-mass element for maximum transient response

Corrosion-resistant contacts from gold-plated XLRM-type connector

Cardioid polar pattern reduces sound pickup from the sides and rear, improving isolation of a desired sound source

Related Questions and Answers

Q: 1. I'm looking for a microphone to capture dancer audio on a stage (steps, claps, tambourine, etc.). I'm also hoping to pick up the audience applause/cheering with the same microphone. I'm hoping I could tape this down on the edge of the stage to achieve that. Has anyone done this? What were your results? What kind of microphone would work better? Thanks!

A: This mic will work for you but be aware that the sound coming form the front of the mic will be much louder than from behind it since it is a cartioid microphone.

Q: 2. Does this mic come in a wireless version?

A: This mic is not available in a wireless version.

Q: 3. Does it come with a cable? the in the the box tab does not show it coming with one.

A: Yes it comes with an xlr cable built into mike. I believe its 20-25 long. I used these mikes for community play performances.

Q: 4. How can I connect the Audio-Technica Pro 70 to my Macbook Pro?

A: The Audio-Technica Pro 70 Cardioid Lavalier Microphone can be adapted for connection to a Macbook with an audio interface that offers an XLR input connection. A simple option such as the Polsen XLR-USB-48 XLR to USB Audio Interface (BH #POXLRUSB48) could satisfy this criteria. A more popular option could be found in the Focusrite Scarlett Solo 2x2 USB Audio Interface (BH #FOSCARSOLO3G).

Q: 5. Do I need a power module or can I just plug this into a mini-XLR to XLR adapter and power it with phantom?

A: This version of it has an unterminated cable. This one (AUAT831B) comes with the power module and then you can take an xlr cable out of the module.

Q: 6. How much area does one microphone cover?

A: According to the spec sheet the the mics have a 120 degree pickup and should be placed 3x the distance from the mic to the closest source across the front of the stage and 2x the same distance from front to back. So if the Mic is 4 feet above the closest performers head, they should be 12 foot apart across the front of the stage and 8 foot spacing from the front to the rear. By going higher you can increase the distance apart but these mics are prone to feedback so closer will work better and give youe more gain before feedback.

Q: 7. Is anyone using 2 of these simultaneously with the tascam dr-40 and if so, does the phantom power from the tascam do ok? How long can you record with a new set of batteries? Thanks

A: I do not own a Tascam dr-40, but we used 2 of these with phantom power from a Canon XA-10 and they worked well. It may be a decent alternative to a bunch of lav mics and a mixing board.

Q: 8. Are the newer versions of this mic made in Japan or China?

A: Japan

Q: 9. I'm theatre director in a school with a carpeted (throughout-including stage)lecture hall venue that we use as our theatre. Maximum size- 300 people. No curtains, fly space, wings, etc. Quality Sound has been tricky for years. Would this be appropriate for my situation?

A: We bought two of these for our church and they worked well. However, I not sure we are using them to there best ability. They did allow people to hear the drama btter. Hope that helps. And I believe you have a 30 day return policy with B&H.

Q: 10. What is the best choice to small school auditorium, the omnidirectional or Hipercardiode ?

A: Omni-directional mics are more susceptible to feedback, especially in smaller spaces. A Hypercardioid microphone usually provide the best gain before feedback ratio, however they are not very forgiving and strategic placement is critical in order to get satisfactory results. One nay consider a cardioid polar pattern as they are more forgiving; not too broad to pick overly pick up background noise, but not so directional to the point that a user must be right on the mic for an audible recording or amplification.