Dry-Lam Trade-Lam Commerical Copolymer Laminating Film is a premium grade laminating film that provides high clarity and a lower melting temperature (230 to 250°).

Copolymer adhesives help speed the laminating process and adhere to many surfaces that Dry-Lam's standard grade film will not. The lower melting temperature makes this a better choice for laminating ink jet prints. The crystal clear finish makes inkjet prints jump to life.

Low Melting Temperature    Clear Finish    Great for Ink Jet Prints

Related Questions and Answers

Q: 1. Will this film work in a Kodak ek4 instant camera?

A: It will not. This requires instant film which you can get from a few other suppliers.

Q: 2. Lightproof pouch: I'm new to large format and am trying to load Ektar for 1st time, and when finding a sealed paper pouch inside instead of a foldable plastic bag like my Ilford film, I was afraid to open it since I'm not loading the whole box and am unsure of proper procedure to protect lightproof storage with this packaging. I'd hate to fog part of my film on my first box. Could you please advise on best practices?

A: Best advice would be to either have someone show you the first time. It's a fiddly process until you get used to it. Next best option is to YouTube it. Watch the videos and practice with spent negs first. Nothing worse than losing a valuable photo becaus you've loaded the film the wrong side out, or have a light leak.

Q: 3. Is there a problem shipping this combination of dry-chemicals to Europe?

A: While you do not list to which country you wish to send the aforementioned chemicals, I have not found any issues with shipping the Photographers' Formulary Pyrocat HD Film Developer to most countries in Europe. However, I would recommend for you to add the item to your online shopping cart, then selecting your country from the drop-down menu. If it is available for shipment to your country, you can click the Begin Checkout button, enter your shipping address, and select a shipping destination. If it cannot be shipped to your country, once you select your country from the drop-down menu on the My Cart webpage, our website would inform you the item cannot be shipped to your country, and will instruct you to remove the item from your cart in order to proceed with placing your order.

Q: 4. Will this work for Kodak EK6 instant Camera? It is needing PR10 film.

A: It will not work in an instant camera. Oy needs to be processed in c-41 chemistry. These are large sheets to be used in a large format camera.

Q: 5. are the powders mixed together in one container for each solution or are they packed in their individual containers for mixing in water or propylene glycol ?

A: According to the manufacturer, part A and part B of the PyroCat-HD Film Developer can be mixed in one container.

Q: 6. kodak colorburst 250?

A: No. This file is 100 speed film.

Q: 7. what is the extra laminating sheet in the pouch for?

A: I am not sure what you mean, please email AskBH@BHPhoto.com with an explanation. Thank you.

Q: 8. can this film be used with colorburst250 Kodak instant camera?

A: no, this film is meant to be used in light sealed film holders on 8x10 view cameras. the colorburst250 used PR 10/PR144 type film, which is no longer manufactured.

Q: 9. is this film compatible with the colorburst 50 kodak instant film camera?

A: Dear Rachel, The short answer is unfortunately no. While I am wholly uncertain what size instant film your Colorburst 50 camera was designed to expose, I can definitively say that Kodak Ektar 4 x 5, or any other size negative sheet film, will not work as intended in your camera. Kodak Ektar is a relatively new color-negative film available in 35mm and 120 rolls, also 4 x 5 inch and 8 x 10 inch sheets. This wonderful film is normally loaded into sheet film holders in total darkness then placed into the back of a large-format camera; once the image has been composed on it's ground glass and all camera/lens adjustments have been made. After pulling the film holders' dark slide and letting the shutter rip, the holder with it's film is then taken back to the darkness to be processed in C-41 chemistry or the film alone sent off for this leg of the magic act to be wielded by other hands or a machine processor. When this film has been properly handled, loaded, unloaded and even acceptably exposed and processed, you arrive at a usable color negative. I suspect that in the digital world this color film is most often scanned to become very large digital files/positives, as it may have been designed with scanning in mind. While contact prints can be made to the same size of any negative film used, in a traditional darkroom, both color and black & white negative films are normally held in a negative carrier which is placed underneath the light source of a photo enlarger and projected optically onto photographic enlarging paper. The paper is then developed/processed in a why not too dissimilar than that of film. That is, you go from darkness to dim safelight, make use of chemical solutions requiring a somewhat exact combination of dilution, temperature, time, and agitation, to a paper development also with chemicals but allowing for a less stringent course with respect to those variables while giving the same amount of attention to paper exposure as you did with film exposure. Sorry about the long answer but I wouldn't want to discourage anyone investigating the use of film by just saying - good luck with that. Also, forgive me if I've wrongly assumed that you're unfamiliar with basic film/darkroom procedures. The question you asked made me think that you may be new to the use of film, 4 x 5 at that! That's a good thing in my view as I have never stopped using film and Kodak sure doesn't make it or discontinue it based on my use alone. (Hey look at that! Mark just bought another box of film, time to start another batch.) Perhaps you asked the question because you already have a box of 4 x 5 Ektar and a 30 year old instant film camera. In that case, go ahead and experiment if you're able to fit a sheet into the back of your camera. Keep in mind that it must be done in complete darkness and the camera back must also be light-tight. At this point you would be well within the realm of experimentation, though, without a darkroom, you are left with sending it out to be processed. I'm not sure but I think the going rate is around $3.00 a sheet. Truth is, you could expose this film and most other sheet films with something as simple as a pinhole camera made from a shoe box and a pie tin but this is not the norm. 4 x 5 negative film has been a widely available standard size film for over 100 years and the new Ektar 4 x 5 will fit into any new or 100 year old 4 x 5 film holder and those holders will work in just about any 4 x 5 large format film camera ever produced (millions) but I'm afraid the film and camera combination you mention are not a proper pairing. If in fact tangible instant photos are what you're after rather then knowing if the Colorburst 50 will work to expose large-format film, well, as explained above, Kodak Ektar 4 x 5 is anything but instantaneous. Funny, I just googled the Colorburst 50 and Fuji's FP-100c film popped up.It's a 3 X 4 inch 100 speed daylight balanced color instant film. In stock at B&H, 10 shots/instant prints for $20.00 Wish I were knowledgeable enough about your camera and this film to say if it will or will not work but if instant is what you want and you somehow haven't seen this film already, maybe you could look into that further. I hope you find a solution and continue to buy film.Have a good day,Mark

Q: 10. Can I use this paper with an Epson 3600 printer?

A: Nope...this is RA4 paper, not inkjet.