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Panasonic Cinema Varicam Lt 4k S35 Digital Cinema Camera (ef Mount)

Panasonic Cinema Varicam Lt 4k S35 Digital Cinema Camera (ef Mount)
  • Product Code: ga70636
  • Availability: In Stock

$35,550.00 $45,859.50

Panasonic's Cinema VariCam LT 4K S35 is a single Super 35-sized sensor digital cinema camera with a lightweight magnesium body and interchangeable lens mount. It shares the same sensor as the Varicam 35, which features dual native ISO ratings of 800 and 5000. The camera is capable of capturing 14-stops of dynamic range when using V-Log and recording up to 60 fps at 4K, and up to 240 fps at 2K.


You can record your footage to high-data-rate files using the camera's built-in expressP2 card slot (expressP2 cards not included) while simultaneously recoding proxy files to the camera's SD card slot. The proxy files can incorporate color grading changes that the high-resolution files do not, making it easy for post to see your intent, without baking the look into your high-quality, camera-original files. The camera features selectable gamma curves, allowing you to get the most out of the sensor. It supports recording using AVC-Intra, AVC-Intra 4K, and Apple ProRes codecs. The 3.5" control panel can function as an LCD screen or be used to control the camera's functions.

Single Super 35mm MOS Sensor    Interchangeable Stainless Steel EF Mount    Dual Native ISO 800/5000    14 Stops of Dynamic Range with V-Log    4K Up to 60 fps, 2K/HD Up to 240 fps    Simultaneous Dual Codec Recording    Selectable Gamma Curves    Removable IR Cut Filter    AVC-Intra, ProRes    3.5" LCD Control Panel

Key Specs
Lens MountCanon EF
Sensor ResolutionActual: 10.3 Megapixel
Effective: 8.9 Megapixel
Image SensorSuper35 MOS
ISO Sensitivity Range200 to 12,800
Internal Recording ModesAVC-Intra 4:2:2
4096 x 2160 from 1 to 30.00 fps
3840 x 2160 from 1 to 30.00 fps
2048 x 1080p
1920 x 1080p
AVC-Intra LT
4096 x 2160 from 1 to 60.00 fps
3840 x 2160 from 1 to 60.00 fps
2048 x 1080p from 1 to 240 fps
1920 x 1080p from 1 to 240 fps
ProRes 422/ProRes 422 HQ/ProRes 422LT
2048 x 1080p from 1 to 60.00 fps
1920 x 1080p from 1 to 60.00 fps
ProRes 4444/ProRes 4444XQ
2048 x 1080p from 1 to 30.00 fps
1920 x 1080p from 1 to 30.00 fps
External Recording Modes10-Bit via SDI/BNC
4096 x 2160 from 1 to 60.00 fps
3840 x 2160 from 1 to 60.00 fps
2048 x 1080p from 1 to 240 fps
1920 x 1080p from 1 to 240 fps
Media/Memory Card SlotSlot 1: expressP2
Slot 2: SD/SDHC/SDXC
Video I/O2x BNC (3G-SDI) Output
1x BNC Monitor Output
Mobile App CompatibleNo
Battery TypeGold Mount
Imaging
Lens MountCanon EF
Lens CommunicationYes
Sensor ResolutionActual: 10.3 Megapixel
Effective: 8.9 Megapixel
Image SensorSuper35 MOS
Image StabilizationNo
Built-In ND FilterMechanical Filter Wheel with 2-Stop (1/4), 4-Stop (1/16), 6-Stop (1/64) ND Filters
Internal Filter HolderNo
Capture TypeVideo Only
Exposure Control
Shutter TypeElectronic Rolling Shutter
Shutter TypeElectronic Rolling Shutter 
ISO Sensitivity Range200 to 12,800
Gain-12 to 14 dB
Shutter Angle0 to 358° in 0.1° Increments
Advertised Dynamic Range14 Stops
Video Capture
Internal Recording ModesAVC-Intra 4:2:2
4096 x 2160 from 1 to 30.00 fps
3840 x 2160 from 1 to 30.00 fps
2048 x 1080p
1920 x 1080p
AVC-Intra LT
4096 x 2160 from 1 to 60.00 fps
3840 x 2160 from 1 to 60.00 fps
2048 x 1080p from 1 to 240 fps
1920 x 1080p from 1 to 240 fps
ProRes 422/ProRes 422 HQ/ProRes 422LT
2048 x 1080p from 1 to 60.00 fps
1920 x 1080p from 1 to 60.00 fps
ProRes 4444/ProRes 4444XQ
2048 x 1080p from 1 to 30.00 fps
1920 x 1080p from 1 to 30.00 fps
External Recording Modes10-Bit via SDI/BNC
4096 x 2160 from 1 to 60.00 fps
3840 x 2160 from 1 to 60.00 fps
2048 x 1080p from 1 to 240 fps
1920 x 1080p from 1 to 240 fps
Sensor Crop ModesSuper35 / APS-C
Fast-/Slow-Motion SupportYes
Gamma CurvePanasonic V-Gamut, Panasonic V-Log
Audio Recording4-Channel 24-Bit 48 kHz
IP StreamingNo
Interface
Media/Memory Card SlotSlot 1: expressP2
Slot 2: SD/SDHC/SDXC
Video I/O2x BNC (3G-SDI) Output
1x BNC Monitor Output
Audio I/O1x XLR 5-Pin Input
2x XLR 3-Pin Input
1x 1/8" / 3.5 mm TRS Stereo Headphone Output
Power I/O1x XLR 4-Pin (11 to 17VDC at 1.5 A) Output
1x XLR 4-Pin (11 to 17VDC) Input
Other I/O1x Lens 12-Pin Control
1x RCU 10-Pin Control Input/Output
1x USB-B
1x BNC (Timecode) Input/Output
1x USB-A
1x 20-Pin Control
1x 6-Pin (GPS)
1x BNC (Genlock) Input
1x RJ45 (LAN)
1x Lens 12-Pin Control
WirelessNo
Mobile App CompatibleNo
Global Positioning (GPS, GLONASS, etc.)No
Viewfinder
TypeOptional, Not Included
Focus
Focus TypeAuto and Manual Focus
General
Battery TypeGold Mount
Power Consumption≥77 W
Tripod Mounting Thread4x 3/8"-16 Female
3x 1/4"-20 Female
Accessory Mounting Thread1x 1/4"-20
Netflix ApprovedYes
Dimensions (W x H x D)7.2 x 9.1 x 9.7" / 184 x 230.5 x 247 mm (Without Protrusions)
Weight6 lb / 2.7 kg
Packaging Info
Package Weight10.6 lb
Box Dimensions (LxWxH)15 x 14.5 x 11.5"

The VariCam LT ships with a removable stainless steel EF mount, which you can swap out for a PL mount if you choose. Please note that the PL mount is not included and must be sourced separately.

The VariCam LT is equipped with the Super 35mm, single-chip MOS that offers 4K (4096 x

2160) and UHD (3840 x 2160) resolution. It boasts high sensitivity,

low noise, and wide dynamic range. The sensor's size delivers the classic cinematic depth of field as it is the same size as the film frame in motion picture cameras.

The camera features a dynamic range of 14+ stops when shooting in Panasonic's BV-Log, which enables accurate image rendering over the entire image, from

dark areas to highlights. Even in very dimly lit scenes, the VariCam LT provides

low-noise images without any compromise in picture quality.

The sensor of the VariCam LT has two dedicated analog circuits that are implemented on every pixel. This allows the sensor to have two native ISO settings: 800 and 5000.

The noise level at 5000 ISO is nearly identical to that seen at 800 ISO.

Normally noise is introduced in the gain process of rating ISO in

digital cameras; however, the native 5000 ISO rating sidesteps the issue of adding gain to capture low light images.

The VariCam LT is equipped with V-Gamut, which encompasses the entire

BT.2020 color space.

The VariCam-LOOK (V-LOOK) mode is a setting for creating cinematic images without color grading. Featuring a gamma curve that allows detail to be maintained over a greater tonal range within the Rec 709 color space that has also been included in the VariCam LT. The V-709 gamma setting provides a tone suitable for viewing on standard monitors while the BC-LOOK creates a look that mimics traditional TV broadcast images.

The VariCam LT provides down conversion to Full HD via two 3G HDSDI outputs and one VF output (BNC) while shooting in 4K.Your look with in-camera color grading and information overlay can be applied to each output.

The maximum frame rate when recording in 4K (4096 x 2160) or UHD (3840x2160) resolution is 60p (60 fps).

When shooting in 2K (2048 x 1080) and HD (1920x1080) resolution, high-speed 240 fps recording can be used to produce an extreme slow-motion effect. Variable frame rates are available from 1 to 120 fps in AVC-Intra 2K422 and from 120 to 240 fps in AVC-Intra 2K-LT. The frame rate is variable in-shot while recording.

Using the AVC-Intra 4K codec, the VariCam LT can record 4K (4096 x 2160) or UHD (3840 x 2160) resolution. For 2K recording, the VariCam LT supports AVC-Intra 2K444/2K422/2K-LT. For HD recording, the VariCam LT supports AVC-Intra 444/422/100/LT and Apple ProRes 4444/HQ.

Using the 256 GByte expressP2 card, the camera can record approximately 90 minutes of 23.98p 4K video with AVC-Intra 4K422. The camera can simultaneously record proxy-quality footage to an SD card.

The VariCam LT features an in-camera color grading function (3D LUT/CDL). This enables color tuning on set as well as in the field when using the camera control panel or 3rd party software. Grading information such as 3D LUT files and CDL files can be recorded simultaneously with the image data, providing a simple way of protecting your vision from overly aggressive editorial tweaking.

The VariCam LT can record files to an SD memory card while simultaneously recording high-data-rate files to an optional expressP2 card.This feature lets you record an ungraded 4K master with V-Log in the main expressP2 card recorder while simultaneously recording graded HD files on the SD memory card.

The VariCam LT features a removable IR filter. This allows you the freedom to record footage with or without the IR cut filter in any lighting situation.

  • The lens mount is made of stainless steel and designed to prevent flange back deviation due to temperature changes.
  • The camera body is made of strong, rigid magnesium.
  • The top and bottom panels have been made flat for easy installation of various plates and accessories.
  • Mounting holes are provided on both sides as well as on the handle for convenient mounting of accessories.

Related Questions and Answers

Q: 1. 2k is it cropping like red cameras or downscaling from 4k to 2k without any crop?

A: According to Panasonic the VariCam LT shoots full frame at 2048/1920 (2k and HD) up to 60p. If you are shooting at a higher frame rate, like 120fps in 2k, then it will crop the sensor.

Q: 2. The varicam lt can provide hdr output monitor?

A: Yes, new LT models have HDR support.

Q: 3. Does anybody know if once the EF mount is removed from the LT can it be put on a Varicam 35?

A: NO you can NOT use and EF mount on the varicam 35, the mount system on the LT is strictly for the LT and future Varicam line cameras. the Varicam 35 preceded the varicam LT and is a PL mount only camera. the mount on the varicam 35 can NOT be changed

Q: 4. Does it come with a microphone holder?

A: It does not. It is an optional accessory. Part number is #AJ-MH800G. https://bhpho.to/2X9ztWu

Q: 5. Does this come with a power supply?

A: No power supply is explicitly defined in our "In The Box" data but for confirmed verification, we highly recommend a "chat" (their site has a live chat option) with a Panasonic agent: https://bit.ly/39cbKuA

Q: 6. Can it record to the SD card without a expressP2 card inserted? Meaning can you just record pro res ?

A: You cannot. The SDXC Card slot is for Proxy recording only.

Q: 7. what is the bit depth? I heard its only 10 bit???

A: The highest image quality codec the Cinema VariCam LT 4k S35 digital Cinema Camera uses is AVC-ULTRA's AVC-Intra Class4K4:2:2 10 bit. If you need 12 bit, you can upgrade to the VariCam 35. B&H does not sell it so please contact Panasonic. The camera's go for around $55,000.

Q: 8. Will this be an active EF mount that will support AF and IS? Thanks!

A: The VariCam LT will have an active EF mount that will bring over lens data and allow you to control the Iris of the lens from the camera. However it will not have Auto Focus or Image Stabilization.

Q: 9. Can you get the Panasonic Varicam LT ProEx Kit without the PL Mount. If so, would that knock $1,200 off the price?

A: At this time, the kit cannot be modified.

Q: 10. wanted to know whether you guys can ship to India?

A: We can ship this product to India. Simply add the product to your shopping cart and follow the check out procedures. Your shipping costs will be presented to you.

25/09/2024

I have a lot of these. Long lasting for the size. Great for handheld, easyrig, or gimbal work on Komodo.

5
01/06/2024

Desde hace un par de aos que no dejo de sorprenderme por la calidad de la C200. Disparar en RAW 12 o 10 es una posibilidad que no es fcil de encontrar en cmaras de este precio, incluso en las recientes versiones de Canon.
La C200 tiene todo lo que necesita un realizador independiente, alguien que ha optado por el trabajo en solitario como yo.
Esta cmara est pensada para un uso inmediato sin perder la calidad. Solo hay que encenderla y disparar en la calidad que prefieras y con la posibilidad de conectar dos micrfonos tipo shotgun y un Lavalier.
Una gran cmara, un cono en la historia de Canon

5
28/04/2024

I had my eye on one of these for quite a while. With the price drop I couldn't resist it. It's going to replace my basic C100 that I bought to try a cine style camera. Love that it does 4K 60p to SD cards, love that it outputs raw on the HDMI port. Not in love with all the bits and pieces it has: Why do you need two power adapters, one for the camera, one for the battery charger? The top handle is a bit clunky to put together and install but once it's there it's OK. I'd like to see it be a little bit lower profile. Lots of places to mount accessories on it that I'll never use. The LCD needs a hood as it's not very bright in daylight. But the eyepiece more than makes up for that if you can shoot that way. Very happy with it, however, and I expect to make it my workhorse camera.

5

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