The black Countryman E6X Omnidirectional Earset Mic, Standard Gain with Detachable 1mm Cable and 4-pin Hirose Connector for Sony Wireless Transmitters is a versatile blend of the E6 and the E6i earset that features a springy, thin earpiece and a flexible boom and is suitable for use when a few people will be using the same mic.

The E6X earset can be used on either ear for capturing audio and rejecting unwanted sound, feedback, or surrounding noise from stage monitors or nearby speakers in houses of worship, theater, and outdoor vocal and speech applications.

The low-profile, omnidirectional E6X earset virtually disappears against the skin, so performers will forget they're wearing a mic. This version offers the highest gain for general speaking such as presentations or sermons. In addition, the earset comes with three protective caps with different high-frequency response characteristics that control the amount of crispness or sibilance (response at 15 kHz). This omnidirectional E6X earset's cable terminates to a 4-pin Hirose connector for direct connection to Sony DWT-B01, DWT-G01, DWT-S01, and DWT-V01 wireless bodypack transmitters.

For Stage, Theater, and Broadcast TV    Fits Sony Transmitters    Headroom for General Speaking    Detachable 1mm Diameter Cable    Versatile, Flexible Boom    Includes Windscreen    3 x Protective Caps    Black and White Single Tie Cable Clips    Carrying Case

The Countryman earsets are very small, lightweight, and the least visible headworn microphones.

The E6 Flex or E6X offers a versatile blend of the E6 and the E6i. With a springy, thin earpiece and a flexible boom, the E6 Flex is secure on the ear and fast to fit without compromising true invisibility and sound.

The E6X's stainless steel boom is tough and can be bent and re-bent to fit different performers. It is highly resistant to makeup, sweat, and moisture when used with the supplied protective caps. The earset should always have a protective cap in place to keep sweat, makeup, and other foreign material out of the microphone.

The E6X earset's flexible boom is easily shaped right on the performer's face. Changeable protective caps let you shape the frequency response for different situations or to match other microphones. This omnidirectional version includes three protective caps—+4 dB (bright), +8 dB (very bright) and +0 dB (flat)—that controls the amount of crispness or sibilance (response at 15 kHz.)

Easy adjustment keeps the mic in a comfortable position for rejecting unwanted sounds. The omnidirectional E6X earset provides more isolation and is suitable for situations where there are loud monitors, extreme feedback, or environmental noise.

The included removable, quick-swap cable detaches from the actual earset, making it completely replaceable in the event of a short or break. The replaceable cable design makes upgrading wireless microphone systems easy as they are available in a wide selection of connections to accommodate most wireless transmitters.

Related Questions and Answers

Q: 1. Does the windscreen come off?

A: Yes, the windscreen can be removed from the Saramonic SR-M1 Omnidirectional Lavalier Microphone Cable with 3.5mm TRS Connector (Black).

Q: 2. How does this mic compare to the DK3A one from Saramonic?

A: The DK3A is much higher quality (sounds better).

Q: 3. I’m powering my 702 sound device Need 4pin Hirose x 5.5x2.5

A: This cable is meant for a Lectrosonics system. The cabling you require is dependent on what power source you are coming from. If using a BDS distribution system, here is a cable you could use: https://www.bhphotovideo.com/c/product/283346-REG/Remote_Audio_BDSCSQN_CSQN_BDS_Power_Output.html/specs If from a different power source, I would recommend calling in and speaking with a sales representative for the proper cabling.

Q: 4. Does this transmitter work with SL MCR 2 DW-5?

A: No, the Sennheiser EW-DX TS 3-PIN Digital Wireless Tablestand Transmitter with 3-Pin XLR Connector only works with the EW-DX receivers.

Q: 5. Will this work with Bubblebee Industries Lav Concealer for Sony ECM-77?

A: The dimensions of the capsule ECM-77 are different than the ECM-V1BMP. Based on this, they seem incompatible.

Q: 6. Will this improve the SQ of a cell phone for recording live music? (Big concerts so stereo recording is not needed). Needs to be lapel style.

A: An external microphone will improve the audio over the built in mcrophone of the mobile phone.

Q: 7. will this work on Blackmagic Studio cam for adaptor from MFT to B4 lens ?

A: This adapter is designed to work with the size sensor in the pocket camera. It work well on BMPC and well designed and sturdy.

Q: 8. Do these record descretely to the left and right channels or do they sum together? I could see phasing issues, if together.

A: Although not specifically mentioned by the manufacturer, it could be assumed that the microphones on the BOYA BY-M2D Digital Dual Omnidirectional Lavalier Microphones with Detachable Lightning Cable (iOS) are separated on the left and right channels of the stereo 3.5mm connection and would likely depend on the capabilities of the specific software application to further isolate each mic signal.

Q: 9. Think this would work with a GH4?

A: This unit is specifically for the Blackmagic Design Pocket Cinema Camera (BMPCC) which has particular needs. Therefore it is our opinion that we would have to answer your question in the negative.

Q: 10. Will this convert the 20 pin out of the Canon ZSG-C10 Zoom Controller to BlackMagic 12 Pin Lens Control?

A: No, the Chrosziel Canon 20-Pin Hirose to Fujinon 12-Pin Adapter Cable for Servo Zoom Control (B&H# CHCABC20F12Z) is designed to be used with a Canon servo lens only. Among the issues would be a lack of power to the Blackmagic Design controller.