The black Countryman E6X Omnidirectional Earset Mic, Standard Gain with Detachable 1mm Cable and TA4F Connector for Line 6 Wireless Transmitters is a versatile blend of the E6 and the E6i earset that features a springy, thin earpiece and a flexible boom and is suitable for use when a few people will be using the same mic.

The E6X earset can be used on either ear for capturing audio and rejecting unwanted sound, feedback, or surrounding noise from stage monitors or nearby speakers in houses of worship, theater, and outdoor vocal and speech applications.

The low-profile, omnidirectional E6X earset virtually disappears against the skin, so performers will forget they're wearing a mic. This version offers the highest gain for general speaking such as presentations or sermons. In addition, the earset comes with three protective caps with different high-frequency response characteristics that control the amount of crispness or sibilance (response at 15 kHz). This omnidirectional E6X earset's cable terminates to a TA4F connector for direct connection to Line 6 TBP12 wireless bodypack transmitters.

For Stage, Theater, and Broadcast TV    Fits Line 6 Transmitters    Headroom for General Speaking    Detachable 1mm Diameter Cable    Versatile, Flexible Boom    Includes Windscreen    3 x Protective Caps    Black and White Single Tie Cable Clips    Carrying Case

The Countryman earsets are very small, lightweight, and the least visible headworn microphones.

The E6 Flex or E6X offers a versatile blend of the E6 and the E6i. With a springy, thin earpiece and a flexible boom, the E6 Flex is secure on the ear and fast to fit without compromising true invisibility and sound.

The E6X's stainless steel boom is tough and can be bent and re-bent to fit different performers. It is highly resistant to makeup, sweat, and moisture when used with the supplied protective caps. The earset should always have a protective cap in place to keep sweat, makeup, and other foreign material out of the microphone.

The E6X earset's flexible boom is easily shaped right on the performer's face. Changeable protective caps let you shape the frequency response for different situations or to match other microphones. This omnidirectional version includes three protective caps—+4 dB (bright), +8 dB (very bright) and +0 dB (flat)—that controls the amount of crispness or sibilance (response at 15 kHz.)

Easy adjustment keeps the mic in a comfortable position for rejecting unwanted sounds. The omnidirectional E6X earset provides more isolation and is suitable for situations where there are loud monitors, extreme feedback, or environmental noise.

The included removable, quick-swap cable detaches from the actual earset, making it completely replaceable in the event of a short or break. The replaceable cable design makes upgrading wireless microphone systems easy as they are available in a wide selection of connections to accommodate most wireless transmitters.

Related Questions and Answers

Q: 1. Is this product TAA complaint?

A: The RDL STA-2A Dual High-Gain Line Amplifier Made in the U.S.A. and is TAA Compliant.

Q: 2. Does it interfere with the DJI Wireless Mic like the Rode Lavalier Go?

A: The Saramonic SR-M1 is compatible with the DJI Mic transmitter units.

Q: 3. Is the item compatible with the Canon 6D?

A: DSLR Compatibility: The ACH4-25MON is compatible with DSLR cameras that feature a 1/8 unbalanced mic level input including: Canon: EOS Rebel T2i(550D)/T3i(600D)/T4i(650D)/T5i(700D)/SL1(100D) EOS 60D/70D/7D/6D EOS 5D MK ll/MK lll EOS 1DX/1DC/1D MK lV

Q: 4. Is this cable compatible with the Blackmagic Micro Cinema Camera?

A: This splitter cable is compatible with the Black Magic Micro Cinema Camera, if you do require a female headphone tap as well as an output from a digital recorder. But be aware that the camera can accept a line level signal into the 3.5mm input, so the attentuation to mic level is not necessary.

Q: 5. Wht is the difference between this cable and ACH4-25MON-RA?

A: The Right - Angle connectors.

Q: 6. There are Kopul ACH4-25MON and Kopul ACDR-35. One has 25dB of Attenuation and the other one has 35dB of Attenuation. Please clarify: When to choose the first one and when the second one?

A: Both cables will provide sufficient attenuation for use padding a line level output signal from a device such as a portable audio recorder in order to match the mic level input on a camera or device with a 3.5mm mic input. -25 dB is typically enough, but -35 dB will provide even more attenuation. A higher level of attenuation would be needed if the -25 dB attenuation level is still overloading the mic input or if more headroom is desired.

Q: 7. Is this compatible with android devices?

A: You can use the Kopul ACH4-25MON with an Android device but you will need to use it with a 3.5mm TRRS adapter to convert the plug from 3.5mm TRS to TRRS since smartphones have a 3.5mm TRRS connector. The Rode SC4 3.5mm TRS Female to 3.5mm Right-Angle TRRS Male Adapter Cable for Smartphones (B&H # ROSC4). Another option would be to use a similar cable that already has a TRRS connector such as the Movo Photo TCB2 XLR Female Microphone to 3.5mm TRRS Male Smartphone Adapter (B&H # MOTCB2) or the MXL Female XLR to 3.5mm Male TRRS and 3.5mm Female TRS Multimedia Adapter Cable (B&H # MXMMCABLE1).

Q: 8. Can I use this to add a headphone jack to my Panasonic G7 to monitor audio?

A: Yes you can. That is a cable to go from line level to mic level. Used so you can plug the output of a line level recorder out. Into a camera at mic level in. With a headphone jack.

Q: 9. Is the headphones female port trs or trrs and will this work with my Canon M50

A: The Kopul ACH4-25MON Line-to-Mic Attenuator Cable uses a standard 1/8" TRS connection for headphone monitoring and is compatible for use with the 1/8" / 3.5 mm TRS stereo microphone input on the Canon EOS M50 Mark II Mirrorless Camera.

Q: 10. Does the windscreen come off?

A: Yes, the windscreen can be removed from the Saramonic SR-M1 Omnidirectional Lavalier Microphone Cable with 3.5mm TRS Connector (Black).