Digital Stop Motion Camera

Irix Edge Gelatin Filter Set (29 X 29mm, 2 To 4-stop)

Product Code: ga75535
Availability: In Stock

$44.85 $54.27

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Description
Reviews (3)

This 29 x 29mm Edge Gelatin Filter Set from IRIX contains five each of three popular neutral density filters, used to darken the entire image area for more control to decrease lens aperture for narrower depth of field, helping to isolate a subject from the background. These filters also make it possible to lengthen camera shutter speeds to increase movement and motion blur.

The flat, unmounted filters slide into the rear filter slot of the IRIX 11mm f/4.0 and 15mm f/2.4 lenses.

0.6, 0.9, 1.2 Optical Density 5 Each 2-, 3- & 4-Stop Gelatine Filters For IRIX 11mm & 15mm Lenses 0.1mm Thick Gelatin Filters

Parameters
Filter Type	Solid ND
Exposure Reduction	2-Stop / 3-Stop / 4-Stop
Size	Dedicated
Coating	No
Filter Thickness	0" / 0.1 mm
Filter Material	Flexible Plastic
Packaging Info
Package Weight	0.01 lb
Box Dimensions (LxWxH)	4.6 x 2.75 x 0.3"

Irix 11mm f/4.0

Irix 15mm f/2.4

Related Questions and Answers

Q: 1. Does it have speakers? How far does it go down in height i.e. how many inces between the monitor lower edge and the table top?

A: Yes, the ASUS VP299CL 29" HDR Monitor (BH #ASVP299CL), does have have built-in speakers. The bottom of the monitor is roughly 1.5'' inches away from the surface.

Q: 2. Thanks! Another qq. When the blue light filter is set to max, will it fully eliminate the blue light and show a yellow hue?

A: The ASUS VP299CL 29" HDR Monitor's blue light filter will significantly reduce blue light, creating an orange tint, but it will not eliminate it completely.

Q: 3. Are the filters IRND?

A: SmallRig VND Filter Set for Star-Trail and Revo-Arcane Matte Boxes is not an IRND filter. It's a set of two CPL filters that create a singular variable neutral density filter with 1 to 8 stops of light control.

Q: 4. What's the model number of the lens hood?

A: The lens hood comes wiht the Voigtlander Super Nokton 29mm f/0.8 Aspherical Lens for Micro Four Thirds.

Q: 5. What is the difference between extreme and production sets?

A: The lens themselves two different type of focal lengths. IRIX Cine Extreme Set (11/21/30/45/150mm IRIX Cine Production Set (15/21/30/45/150mm

Q: 6. Does this work with Tilta seamless rings? They look the same size as the SmallRig ones...

A: The SmallRig A/B Hard Stop Set are designed for use with SmallRig's focus gear rings and have not been tested on other manufacturer's parts.

Q: 7. Will these filters work with Smallrig's Mini Matte boxes (the older models)? If not what VNDs would work with those matte boxes?

A: No, the SmallRig VND Filter Set for Star-Trail and Revo-Arcane Matte Boxes is designed specifically for the Star-Trail and Revo-Arcane Matte Boxes. There does not appear to be a VND for the SmallRig Mini Matte Box but you may be able to use a circular VND with the matte box.

Q: 8. Is it possible to use different filters that are not from this setup?

A: Only the included filters are compatible with the SmallRig VND Filter Set for Star-Trail and Revo-Arcane Matte Boxes.

Q: 9. will this work in an arri lmb25 4x5.65 tray?

A: A majority of third party filter trays have a unique design to fit their respective matte boxes. This SmallRig VND Filter Set is meant to be used with the Star-Trail and Revo-Arcane Matte Boxes and will not work with ARRI Lightweight Matte Boxes.

Q: 10. Does this lens have a chip or electronic contacts to allow capturing the aperture setting in the EXIF data?

A: There are no electronic contacts whatsoever on the Voigtlander Super Nokton 29mm f/0.8 Aspherical Lens for Micro Four Thirds (B&H# VO2908SN). No aperture nor other setting will be recorded in EXIF data. However, given the unique aesthetic of the image produced by this lens, it would seem unlikely that you would have any trouble at least identifying which lens was used when looking at the final image. That's because this is a notably sharp lens among all the sub-f/1.0 options. Of course, shooting at f/2 or f/4 will increase both sharpness and contrast a lot.

Dillon	09/08/2024
This is really a one of a kind lens. I have a lot of vintage manual focus lenses and some modern fast lenses like the Olympus Pro f1.2 lenses. Unlike a lot of the vintage lenses, this lens is really well optimized wide open. This is like the Olympus Pro f1.2 lenses that are made to be very sharp wide open. Many of my faster vintage lenses have a completely different character wide open. This lens keeps a consistent character and feel as you stop it down just like the Olympus Pro f1.2 lenses do. A lot of modern manual focus lenses don't have a hard focus stop at infinity and a lot of the cheaper ones don't have accurate distance scales on the lens barrel, but this lens does. It's just like my vintage lenses that you can focus with careful measurement and stop at infinity. While a lens like this is good for shallow depth of field, these are especially good for hand held nightscapes since they work so well wide open, and if you have them focused at infinity you can get all the stars. On my Olympus bodies, I set one of my function buttons to magnify. I also set the option LV close up mode 1. This way when you half press the shutter button, it closes the zoom view and brings you back into your regular view so you can check your composition before you release the shutter. With magnify, I feel like it's so much easier to get sharp focus even with lenses where it's hard to see what's in focus such as the f8 bodycap lenses. It's a really versatile lens, but if you want to try some handheld starscapes, I recommend trying it. For my regular photography I do tend to stop it down for more depth of field, but I do like how the character of the lens shines through even when stopped down. I also shoot large, medium, and full frame miniature format, but I love the way this lens looks and I think it's worth getting a micro 4/3 body just to be able to use this and try it out. 5

Paul	05/07/2024
First day with the lens and I can see clearly why the price is so high. Chroma is well under control even wide open. On the OMD EM1X manually focusing without zooming in or peaking is very achievable even given it's lower res viewfinder. Bottom line is I'm keeping my copy. 5

Sam	15/04/2024
As soon as I knew about this lens I had determined to get one. Since this is not a cheap lens, decision-making took quite a while. At f/0.8 this Voigtlander Super Nokton is in the Zeiss Planar f/0.7 territory. However, unlike the Zeiss lens used by Stanley Kubrick to shoot the candlelight scenes in Barry Lyndon, this Super Nokton is a production lens. Of course, one could argue: Modern-day digital cameras allow higher ISOs with negligible noise, so why pay so much for an f/0.8 lens when a much cheaper f/0.95 lens would do? But f/0.8 is significantly half a stop brighter than f/0.95. This gives filmmakers much flexible technical and artistic considerations. 5