For filmmakers, field recordists, and sound designers who need pristine audio capture of up to eight microphones, Dante I/O, convenient automixing, and safe, redundant recording, the Sound Devices 888 multitrack field recorder is an ideal tool that puts the essence of the flagship Scorpio into a more compact and affordable form.

32-bit A/D converters allow you to avoid distortion and undue noise at virtually any input level. Utilize the internal 256GB SSD and up to two SD cards to record up to 16 tracks of external sources plus four buses at up to 192 kHz, and route custom mixes to the camera and crew while driving headphones and a headset.

Thanks to its handles and integrated 1/4"-20 threads, the 888 can be placed in a sound bag, attached to a camera/tripod, or even slung from a shoulder/neck strap. In addition to the large channel knobs, channel trims, PFL switches, and transport joystick, a sunlight-readable color touchscreen ensures user-friendly access to all settings.

From the eight high-gain, ultralow-noise mic/line preamps and 16-channel Dugan Automixing to the extremely powerful routing and sonic processing, everything about the 888 is optimized for peak audio performance and maximum workflow efficiency.

Accurate timecode synchronization and numerous powering options make the 888 adept at handling the varied demands of modern productions. For enhanced operating convenience, you can control the 888 wirelessly from the SD-Remote Android app, a Sound Devices CL-12 controller, or a compatible USB-connected MIDI controller.

Location Recording and Filmmaking    Per-Channel EQ, HPF, Limiting & More    8 x High-Gain, Low-Noise Mic Preamps    16 Channels of Dante I/O over Ethernet    Records 16 Inputs & 4 Buses    Up to 16 Channels of Dugan Automixing    Supports External Remote Control    DC & Dual L-Series Battery Powering    Internal 256GB SSD & Dual SD Card Slots    I/O for Timecode or Word Clock

Record 16 input channels and four buses at the same time in sample rates up to 192 kHz, and even arm or disarm tracks during recording. The 888 utilizes monophonic and polyphonic BWF (Broadcast WAV) files that support embedded timecode and extensive metadata such as track names, file names, and notes. For quick entry of metadata text, you can hook up a USB keyboard.

In addition to the main stereo bus, the 888 boasts eight independent buses for flexible creation of custom mixes. All buses feature configurable source and destination routing as well as linkable limiters. Assign any physical input to any channel, send any channel to any bus, and even virtually "patch" sources (physical inputs or internal buses) to physical outputs.

Built with precision 32-bit A/D converters, the 888 ensures audio recordings surpass those of off-the-shelf, IC-based mic preamps. Plus, the vast dynamic range of the 32-bit converters allows you to record at extremely high or low levels without causing distortion or undue noise.

The 888 features an internal 256GB SSD and dual SD card slots. Customizable track-to-media routing means that you can record redundantly to all media or select specific sources for each media. For example, you can use the 888 to create multitrack files for production, AAC files for transcription, and a backup on the internal 256GB SSD.

Enable Dugan Automixing or MixAssist to automatically attenuate unused microphones in multi-microphone applications. Up to 16 channels can be automixed at a time, and two separate groups can be mixed simultaneously.

Passed on from the flagship Scorpio, the 888's Class-A preamps deliver premium amplification with a massive 76 dB of maximum gain and an ultralow noise level of -131 dBV (-129 dBu). Eight locking inputs (four XLR and four TA3) with per-channel 12V/48V phantom power support mic level and +4 dBu line level to accommodate external microphones or balanced outputs from high-end wireless receivers. The first XLR input can alternatively accept AES3 or AES42 digital signal.

Independently switchable polarity, multistage limiting, 3-band EQ (pre- or post-fade), and low-cut filtering allow you to tailor each channel for the best tone. Plus, eight channel fader knobs and eight channel trims with LED rings ensure fast mixing on the fly.

A single transformer-balanced RJ45 Ethernet port supports up to 16 channels of Dante/AES67 I/O for sending and receiving audio over Ethernet.

Dedicated TA3 and 3.5mm connectors are provided for multiple aux input functions. Use them as additional channel inputs or to monitor audio returns from a camera or DSLR.

The XLR main outputs can function as analog or digital outputs. Assign them to send stereo analog signal at line, -10 dB, or mic level, or set them to route up to four channels of AES3 digital signals. Four X1/X2/X3/X4 TA3 jacks are presented for additional line, -10 dB, or mic-level balanced outputs, and a single X5/X6 3.5mm mini jack is nearby for an assignable unbalanced output.

The 888 features 1/4" and 3.5mm stereo headphone outputs and a TA5 headset port, all driven by 400mW per side for high output and compatibility with headphones of any impedance. Selectable and editable headphone presets empower you with fast configuration of the monitoring source, mono/stereo/MS mode, and more. With the addition of the dedicated TA3 com return jack, the 888 is capable of coms and slate for professional bidirectional communication with other crew members.

The FPGA-based engine boasts a 6-way ARM multiprocessor system that executes 64-bit audio processing precision, letting you have total control of each track's sonic characteristics in real time.

The 888 supports powering from dual L-Series batteries and external DC power (10 to 18 VDC) via a locking TA4 connector. Intelligent power-down of unused mic preamps and select internal circuits minimizes unnecessary power drain. The 888 has on/off switchable built-in chargers for convenient charging of your L-Series batteries.

The 888's LEMO jack supports 2-pin and 5-pin options for functionality as an input or output for timecode or word clock. Sync to the internal clock, word clock, LTC in, or AES and choose from multiple timecode modes such as free run, auto record, jam sync, and many more. The precision timecode generator's start time and UBits may be specified by the user. The 888 will hold timecode for up to four hours after shutdown.

Sized like the popular 788T mixer, the rugged, compact, and lightweight 888 is compatible with common setups. With audio and power connections on the side panels, it fits handily in sound bags. Female 1/4"-20 threads on the bottom panel support tripod- or camera-mounted arrangements.

Control the 888 remotely from a USB-connected Android device via the SD-Remote app, which generates sound reports and displays high-resolution meters, current timecode, transport buttons, solo/mute buttons, and more.

For tactile mixing and transport control, connect a Sound Devices CL-12 or a compatible USB MIDI controller such as the Icon Platform M+/X+/B+, the Behringer X-Touch, or the Mackie MCU Pro.

• The A20-Mini transmitter introduces GainForward, a new feature that eliminates the need to adjust microphone preamplifier gain at the wireless transmitter. Audio levels from the transmitter are controlled either directly at the mixer’s trim control or at the wireless receiver.
• When the A10-RX receiving an A20-Mini signal is slotted into an SL-2 or SL-6, the A10-RX Input menu settings are bypassed and all gain, low cut, and limiter activity are performed and controlled by the 833, 888, or Scorpio. Trim gain range is 0 to 60 dB for the 8-Series channel receiving signal from the A20-Mini.
• A10-RX Receiver Setup screens show limiter, high-pass filter, and clipping status of the associated 8-Series channel when receiving signal from the A20-Mini.
• Jam A20-Mini timecode from 8-Series using a standard USB Type-A to USB Type-C cable from Menu > Timecode/Sync > Jam A20-Mini.
• New SuperSlot menu option “Use Transmitter Names” automatically applies the A10-TX and A20-Mini transmitter names to the associated 8-Series Track Name.

Related Questions and Answers

Q: 1. Is a V30 SD card good enough for this when recording multiple ISO tracks?

A: The V30 rating on an SD card refers to the video speed class, so it is not a relevant rating for use in an audio device. As long as the memory card is rated for class 10 speed or higher, or U1 speed, it is going to be compatible for use with the Sound Devices MixPre-10 II 10-Channel / 12-Track Multitrack 32-Bit Field Recorder.

Q: 2. Do I need a buy an external Time Code or the integrated one is good enough?

A: This unit has a built in time code generator, although it will sync if you prefer to use an additional generator.

Q: 3. Is it best practice to turn off phantom power before turning off the device in beginner mode? Thank you for your time.

A: You do not have to turn off the phantom power before turning on the MixPre-10 II. It is advisable that you do not have the phantom power turned on when only using dynamic mics, or battery powered mics, as it will consume more battery power from the recorder unnecessarily.

Q: 4. Hi! I have TalentCell Rechargeable Lithium Ion 12V Power Bank batteries and Hirose cable connector. Is it possible to power the equipment that way? Will the Phantom Power of all tracks work? And all system functions? Thanks!

A: Hello Eisejuaz. The MixPre-10 II requires 10 to 18 volts of power at the hirose power port, so your 12-volt power bank should work perfectly. The MixPre-10 II should operate normally on 12 volts.

Q: 5. Good day! What variant of warranty’s I get if buy 888 for 7900$??

A: There's a Limited 1-Year Warranty, Extendable to 2 Years upon Registration. However if you would like a protection plan that covers drops and spills B&H offers separately square trade plans for both 2 or 3 years of full coverage see prices in the website when adding the item to the cart.

Q: 6. Trying to use MX-LMount L-Series Battery Sled with two L-Series batteries connected, but when I power it on, all tracks on the MixPre-10 II start blinking/flashing red (on the ring LED around each track fader). I've tried using the battery sled with a pair of genuine Sony NP-F970 batteries, and also with a pair of genuine Sony NP-F570 batteries, and all of them are having the same problem. I have already switched the battery type to L-Mount in the MixPre-10 II's power menu. Batteries are fully charged. No other batteries/power sources are connected. Any idea what could be causing this?

A: I would suggest calling Sound Devices technical support.

Q: 7. My 744t charges it L-series battery whenever its plugged into power from the hirose input. My question: Does the MixPre 10T charge the L-series batteries while being powered by the hirose cable?

A: No, the MixPre-10T does not have the ability to charge L-series batteries when the recorder is powered using the Hirose cable.

Q: 8. am I crazy or does this device shut off all mic inputs other than 1-4 in ambisonic mode? this would mean while using the ambeo i cannot plug in any other microphones?

A: That is correct, only channels 1-4 can be operated for ambisonic recording .

Q: 9. If I use two extra mics, and plug them into the mini inputs, is there a way to control the input level on those extra mics? I see only 8 input controls on the face of the unit.

A: The Mix-Pre-10 II has a single 3.5mm menu-selectable input that can be used for microphones with plug-in power, as an unbalanced line level stereo aux input, or for timecode. This aux input can be assigned as an input source for any of the channels which will allow you to use the level control for that channel to control the mic. The other 3.5mm connection next to that is a headphone output.

Q: 10. What bitdepth/sample rate can it record to SD if it's being used as an audio interface, say for livestreaming?

A: The MixPre-10 II can record at 32-bit float when connected to the computer as an interface. However, the sample rate depends on the capability of the computer and/or the software hosting the interface.