Countryman B6 Omni Lavalier Mic, Low Sens, With Hardwired Ta3f Connector For Audix Wireless Transmitters (tan)
- Product Code: ga75790
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The tan B6 Omnidirectional Lavalier Microphone, Low Sensitivity, with Hardwired TA3F Connector for Audix Wireless Transmitters from Countryman is a very small lav microphone measuring one tenth of an inch in diameter. It can be used to capture audio for theater, broadcast, house of worship, and general lavalier applications.
This version is ideal for use as a head mic in theater. Built with a low handling noise and rugged construction, the B6 lavalier microphone can be easily hidden in a performer's hair or on costumes, ties, or behind a shirt button. It can also be attached to eyeglasses, for a secure, discreet, and convenient alternative to hair miking. The ultrathin diaphragm deliver a natural sound while its tiny size makes the B6 easy to position for ambient noise and feedback rejection. The B6's aramid-reinforced cable terminates to a TA3F connector for direct connection to Audix B60 wireless bodypack transmitters.
Additionally, the included swappable protective caps let you shape the frequency response for different situations or to match other microphones. The B6 is resistant to makeup, sweat, and moisture when used with a protective cap, which can be quickly removed for cleaning or replacement.
For Theater, Live Stage & Studio Use Hardwired Connector Fits Audix Transmitters TA3F (AB), See Description 20 Hz to 20 kHz Frequency Response Includes 3 Capsule Protection Grids Headroom for Theater Head Miking Includes Windscreen & Cable Clips Includes Carrying Case
Key Specs | |
---|---|
Compatible Transmitters | Audix: B60 |
Polar Pattern | Omnidirectional |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 130 dB (A-Weighted) |
Sensitivity | 5 for Low/Head Placement for Theater (B6, B3, B2D) |
Analog Output | 1x TA3F/Mini-XLR 3-Pin Female |
Environmental Resistance | Water-Resistant (Unrated) |
Microphone | |
Compatible Transmitters | Audix: B60 |
Polar Pattern | Omnidirectional |
Included Tone/Pattern Caps | +4 dB Bright, +0 dB Flat, +8 dB Very Bright |
Performance | |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 130 dB (A-Weighted) |
Sensitivity | 7.0 mV/Pa |
Sensitivity | 5 for Low/Head Placement for Theater (B6, B3, B2D) |
Equivalent Noise Level | 29 dB (A-Weighted) |
Connectivity | |
Analog Output | 1x TA3F/Mini-XLR 3-Pin Female |
Cable Length | 5' / 1.52 m |
Power | |
Power Sources | Plug-In Power |
Operating Voltage | 1 to 2 V |
Physical | |
Color | Tan |
Environmental Resistance | Water-Resistant (Unrated) |
Weight | 0.07 oz / 2 g |
Looks great when you want to see it, virtually disappears when you don't. The B6 is easily hidden in hair or on costumes, with five colors to match clothing, hair, and skin tones. Use a felt tip marker to color the white caps for near-perfect concealability. Never suffer the hassle and degraded sound quality of under-clothing miking again.
The B6 is resistant to makeup, sweat, and moisture when used with the supplied protective caps and works well in hair or on the body. The protective caps are easily removed for cleaning or replacement, and the aramid-reinforced cable gives it world-class survivability.
The B6 provides high-quality audio with low distortion at SPL up to 140 dB on 48V phantom power. The aramid cable and thin diaphragm combine to offer low handling noise. The flat-frequency response accurately captures voice or instruments, and the small size makes the B6 easy to position for ambient noise and feedback rejection.
Changeable protective caps let you shape the frequency response for different situations or to match other microphones. Versions are available for different speaking or singing styles, with high overload capability for recording instruments.
Low, head miking for theater.
Related Questions and Answers
Q: 1. Just curious...will a Saramonic wireless transmitter (freq 530MHz for example) work with a Sennheiser receiver set to same freq.?
A: No, you typically can not mix different brands of wireless transmitters and receivers, so you would not be able to combine a Saramonic transmitter with a Sennheiser receiver, even if both are set to the same frequency.
Q: 2. How is the echo on these microphones? I'm having an issue of shooting in a large space, and the boom mic I use picks up a lot of echo so I am trying to reduce that to get clearer audio.
A: By placing these mics on a person directly, they will pick up much more of the voice and less room noise than a shotgun in a large space.
Q: 3. How does one judge the quality of audio relayed from transmitter to receiver? Wondering in context of wanting to connect a field recorder (using stereo mini jack) to TX unit
A: Usually the first thing we look at is frequency response, which is how low (bass) and high (treble) it can produce. Typically 20 Hz to 20 kHz is considered full frequency response. The frequency response on this system is 80 Hz to 18 kHz, which is really not bad considering that the human voice is not going to get down any where near 20 Hz, and when you experience background noise it manifests in the lower frequencies, and you would engage a HPF (High Pass Filter) to eliminate the lower frequencies. We'll also take into consideration the SPL (Sound Pressure Level) that the microphone can handle before distorting. The mic that comes with this system can handle 120 dB SPL, which is very good. Another consideration is latency, which is how long it takes for the signal to travel from transmitter to receiver, and this system has less than 4 millisecond latency, which is imperceptible.
Q: 4. So if I plug this receiver into a zoom f8 will it come up as a stereo track with the left and right mixed or independent? And if i activated the stereo link function on my zoom f8 would one mic then be on channel 1 and one on channel 2 (for example) on my zoom f8?
A: There are two options on the receiver. Either set the output signal to stereo or mono. If you have two mics coming it it will put them out as separated LR. If youre only using one transmitter than you might want it set to mono mix, but dont mess that up!
Q: 5. Can you charge the transmitter or receiver while using it?
A: You can run this unit on USB power while in use. This will charger the battery during operation.
Q: 6. what is the warranty, and do they have good reliable warranty service?
A: This would come with a 1 year manufacturers warranty.
Q: 7. Can the Saramonic UwMic9 work with the Sony Fx6?
A: Yes, you definitely can use the Saramonic UwMic9 Wireless Lavalier Microphone System with the Sony FX6 camera.
Q: 8. Will this work with the Fuji X-H1 camera?
A: It will, however, the camera has a 2.5mm sub-mini mic input, which is not usual, so you will need to use a different output cable than is supplied with the kit: https://www.bhphotovideo.com/c/product/851851-REG/Beachtek_SC25_SC25_3_5mm_to_2_5mm.html
Q: 9. Do these work with XLR inputs on the Sony HXR-NX100?
A: Yes
Q: 10. How do you attach the mic transmitter to your body? Is there a belt clip?
A: Yes, the receivers come with a belt clip. If the subject is not wearing a belt, or if there are costumes involved, there is also a variety of belts available: https://www.bhphotovideo.com/c/search?ci=9758&fct=fct_case-type_1494%7ctransmitter-belts&N=4291074638
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