The tan Countryman E6i Directional Earset Mic, Low Gain with Detachable 2mm Cable and 1/4" Connector for Line 6 Wireless Transmitters is a vocal microphone with a soft, flexible boom that facilitates its adjustment for different users. It's built with a larger silicone rubber earpiece making it better suited for situations when multiple users share the same mic.

The E6i earset can be used on either ear for capturing audio and rejecting unwanted sound, feedback, or surrounding noise from stage monitors or nearby speakers in houses of worship, theater, and outdoor vocal and speech applications.

The low-profile, directional E6i earset virtually disappears against the skin, so performers will forget they're wearing a mic. This version offers the lowest gain for the most powerful vocals that require the highest overload. Additionally, the earset comes with two pattern-changeable protective caps for maximum isolation and gain before feedback. This directional E6i earset's cable terminates to a 1/4" connector for direct connection to Line 6 TBP06 wireless bodypack transmitters.

For Stage, Theater, and Broadcast TV    Fits Line 6 Transmitters    Headroom for Strong Vocals    Detachable 2mm Diameter Cable    Soft, Flexible Boom    Larger, Silicone Rubber Earpiece    Includes Windscreen    2 x Protective Caps    Black and White Single Tie Cable Clips    Carrying Case

The Countryman earsets are very small, lightweight, and the least visible headworn microphones.

The E6i is soft and highly flexible with a larger silicone rubber ear piece. When multiple users share a mic, the E6i is a great choice. The soft boom is durable and the flexibility makes it easy to adjust for different users.

The E6i's stainless steel boom is tough and can be bent and re-bent to fit different performers. It is highly resistant to makeup, sweat, and moisture when used with the supplied protective caps. The earset should always have a protective cap in place to keep sweat, makeup, and other foreign material out of the microphone.

The E6i earset's flexible boom is easily shaped right on the performer's face. Changeable protective caps let you shape the frequency response for different situations or to match other microphones. The directional earset protective caps adjust the pattern from cardioid to hypercardioid.

Easy adjustment keeps the mic in a comfortable position for rejecting unwanted sounds. The directional E6i earset provides more isolation and is suitable for situations where there are loud monitors, extreme feedback, or environmental noise.

The included removable, quick-swap cable detaches from the actual earset, making it completely replaceable in the event of a short or break. The replaceable cable design makes upgrading wireless microphone systems easy as they are available in a wide selection of connections to accommodate most wireless transmitters.

Related Questions and Answers

Q: 1. wattage per channel?

A: The RM82 does not have any amplification. It outputs a line level signal.

Q: 2. This attenuator cable is -25 dB. Other cables are -35dB. What cable is more suitable for Tascam DR40, DR40X ?

A: If using this to connect a DR40 into a camera, the -25db cable would be fine to ensure a strong enough level into the preamp of the camera while not overloading it.

Q: 3. Is this cable ideal for connecting a mirrorless camera such as a GH4 -- with its dedicated mic input -- to a recorder such as the Tascam DR-60dmkII -- with its dedicated camera outputs -- or will any standard 3.5mm stereo mini cable do? I want to achieve the cleanest possible signal between camera and recorder. Any advice or recommendation is appreciated.

A: The Tascam DR-60dmkII features a dedicated camera mic level output. Any standard 3.5mm cable will suffice to get clean audio from the recorder to the camera.

Q: 4. How does it work when phantom power is needed and there are multiple cameras conected ready to provide phantom power?

A: The Whirlwind PB06 Passive Press Box with 1 Line in to 6 Mic out has a line input. It does not take phantom power, or send phantom power and neither do camera. You would connect your condenser mic to a mixer that has phantom power and go from the line out of that mixer into the Whirlwind PB06 Passive Press Box with 1 Line in to 6 Mic out and from the XLR outputs on the Whirlwind PB06 Passive Press Box with 1 Line in to 6 Mic out, you would go into each of your respective cameras, or audio recorders that have XLR line input.

Q: 5. is it compatible with Tascam DR-40?

A: Yes, this Sescom cable is compatible for use with the Tascam DR-40 recorder.

Q: 6. why do I get a hissing sound while using this cord with my h4n zoom and 5d mark ii? I'm guessing its best to set the interior audio setting to manual.

A: Hi Tisa,Yes, it is best to have the on-board audio set to manual with this cable. You may need to do a few test recordings to get the settings properly dialed in.

Q: 7. Does this work with the zoom H1?

A: This is the cable for the Zoom H1. B&H # SEL2MZMH4MON

Q: 8. Hi, Can I connect my zoom H4n to my Panasonic Gh4 with my k6/me66 senhiessen mic for recording into GH4? with this cable.

A: Yes, this cable will be compatible for the setup you describe Sunil.

Q: 9. Does this work with and it is essential if I want to connect my TASCAM DR-05 to my Canon 7D?

A: In order to connect the output of Your Tascam recorder to the mic input of a DSLR, you will need an attenuator cable such as this Sescom cable. It will allow the camera to receive a safe audio level, and retain headphone monitoring.

Q: 10. Does this work with a Panasonic GH3?

A: The LN2MIC-ZMGH-MON from Sescom is compatible with the GH3 and most other DSLR cameras that feature a 3.5mm mic input jack.