The cocoa Countryman E6i Omnidirectional Earset Mic, Standard Gain with Detachable 2mm Cable and 2.5mm locking Connector for Comtek Wireless Transmitters is a vocal microphone with a soft, flexible boom that facilitates its adjustment for different users. It's built with a larger silicone rubber earpiece making it better suited for situations when multiple users share the same mic.

The E6i earset can be used on either ear for capturing audio and rejecting unwanted sound, feedback, or surrounding noise from stage monitors or nearby speakers in houses of worship, theater, and outdoor vocal and speech applications.

The low-profile, omnidirectional E6i earset virtually disappears against the skin, so performers will forget they're wearing a mic. This version offers the highest gain for general speaking such as presentations or sermons. In addition, the earset comes with three protective caps with different high-frequency response characteristics that control the amount of crispness or sibilance (response at 15 kHz). This omnidirectional E6i earset's cable terminates to a 2.5mm locking connector for direct connection to Comtek M-216 and M-72 wireless bodypack transmitters.

For Stage, Theater, and Broadcast TV    Fits Comtek Transmitters    Headroom for General Speaking    Detachable 2mm Diameter Cable    Soft, Flexible Boom    Larger, Silicone Rubber Earpiece    Includes Windscreen    3 x Protective Caps    Black and White Single Tie Cable Clips    Carrying Case

The Countryman earsets are very small, lightweight, and the least visible headworn microphones.

The E6i is soft and highly flexible with a larger silicone rubber ear piece. When multiple users share a mic, the E6i is a great choice. The soft boom is durable and the flexibility makes it easy to adjust for different users.

The E6i's stainless steel boom is tough and can be bent and re-bent to fit different performers. It is highly resistant to makeup, sweat, and moisture when used with the supplied protective caps. The earset should always have a protective cap in place to keep sweat, makeup, and other foreign material out of the microphone.

The E6i earset's flexible boom is easily shaped right on the performer's face. Changeable protective caps let you shape the frequency response for different situations or to match other microphones. This omnidirectional version includes three protective caps—+4 dB (bright), +8 dB (very bright) and +0 dB (flat)—that controls the amount of crispness or sibilance (response at 15 kHz.)

Easy adjustment keeps the mic in a comfortable position for rejecting unwanted sounds. The omnidirectional E6i earset provides more isolation and is suitable for situations where there are loud monitors, extreme feedback, or environmental noise.

The included removable, quick-swap cable detaches from the actual earset, making it completely replaceable in the event of a short or break. The replaceable cable design makes upgrading wireless microphone systems easy as they are available in a wide selection of connections to accommodate most wireless transmitters.

Related Questions and Answers

Q: 1. will this work with the ew100 g3 body pack?

A: Never paired with ew100 g3 kit, but over all it does work good. Kept as a spare accessory if ever ew100 kit goes bad. Even recorded voice over on computer(pinky 3.5mm microphone in jack).good economic product.

Q: 2. Can i use this with the receiver of Comica Audio BoomX-D D1?

A: No, the Comica Audio Locking 3.5mm TRS Male to Lightning Adapter Cable for Wireless Receiver to iPhone has a 3.5mm locking connector and the output from the receiver from the Comica Audio BoomX-D D1 Ultracompact Digital Wireless Microphone System for Mirrorless/DSLR Cameras has a non-locking 3.5mm TRS connection so the locking connector may not latch properly to the receiver. As a better option, you can use the Saramonic SR-C2000 3.5mm TRS Male to Lightning Adapter Cable for Audio to iPhone (B&H # SASRC2000) or use the 3.5mm TRS to 3.5mm TRS coiled cable that is included with the BoomX-D D1 system and attach the Movo Photo IMA-2 Female 3.5mm TRS to Lightning Microphone Adapter Cable - 5.5" (B&H # MOIMA2).

Q: 3. what is the difference between extended low end and standard EQ?

A: The Comtek PR-75P AutoSmart-Tuning Wireless Monitor Receiver with Extended Low End boosts the low-end frequency response of the device and is more ideal for film and TV applications where more precise monitoring is required. The "standard EQ" version of the Comtek PR-75a AutoSmart-Tuning Wireless Monitor Receiver enhances speech intelligibility and is designed for tour guide and assisted listening applications.

Q: 4. How long is the Locking 3.5mm TRS to XLR-Male cable?

A: The cable is 16" long, minus the connectors. End to end, connector to connector it is approximately 21.25".

Q: 5. Does anyone know if this would fit an Olympus WS-822 digital voice recorder? Thanks!

A: This mic is compatible with the Olympus recorder.

Q: 6. Which pins are the tip, ring, and sleeve wired to, respectively?

A: Unfortunately Saramonic has not made a wiring diagram for the SR-UM10-C35XLR available.

Q: 7. Does this receiver work with the older Comtek BST-25 transmitters?

A: No it is not compatible. The PR-216 is the compatible receiver for the BST-25 The PR-216 and the BST-25 are available in two frequency bands, 76-88 MHz and 216-217 MHz. In order for the PR-216 to work with the BST-25, they both need to be on the same frequency. Here are the item numbers: #COPR216 (216-217 MHz) # COPR216TV56 (76-88 MHz)

Q: 8. is it compatible with saramonic blink 500 pro?

A: Yes you can use the Saramonic SR-UM10-C35XLR with the Saramonic Blink 500 Pro receiver.

Q: 9. Is this adapter cable compatible with any XLR microphone?

A: No . It is compatible withe listed Saramonic products.

Q: 10. Will this work with TV? Will it work with the plugged-in microphone at church? (It works fine with the microphone in the Chapel.)

A: The Comtek PR-75a AutoSmart-Tuning receiver is designed to integrate with non-compand transmitters tuned to 72-76 MHz. Both a TV and an audio system in a church would need to have a transmitter like the M-175 or BST-75 in order for the PR-75a receiver to work.