The cocoa Countryman E6 Omnidirectional Earset Mic, Medium Gain with Detachable 2mm Cable and 1/4" Connector for Line 6 Wireless Transmitters is a vocal microphone with an adjustable boom that weighs less than one tenth of an ounce and is designed to be used by only one person. Once adjusted, it will continually hold this shape.

The E6 earset can be used on either ear for capturing audio and rejecting unwanted sound, feedback, or surrounding noise from stage monitors or nearby speakers in houses of worship, theater, and outdoor vocal and speech applications.

The low-profile, omnidirectional E6 earset virtually disappears against the skin, so performers will forget they're wearing a mic. This version offers medium gain for very loud speaking, such as in theater performances and most vocals. In addition, the earset comes with three protective caps with different high-frequency response characteristics that control the amount of crispness or sibilance (response at 15 kHz). This omnidirectional E6 earset's cable terminates to a 1/4" connector for direct connection to Line 6 TBP06 wireless bodypack transmitters.

For Stage, Theater, and Broadcast TV    Fits Line 6 Transmitters    Headroom for Speaking and Vocals    Detachable 2mm Diameter Cable    Stiff, Steel Boom    Includes Windscreen    3 x Protective Caps    Black and White Single Tie Cable Clips    Carrying Case

The Countryman earsets are very small, lightweight, and the least visible headworn microphones.

The classic E6 is a good choice when one person will wear the microphone. Because the boom is stiffer, it can be adjusted to fit, then stored away and quickly reworn.

The E6's stainless steel boom is tough and can be bent and re-bent to fit different performers. It is highly resistant to makeup, sweat, and moisture when used with the supplied protective caps. The earset should always have a protective cap in place to keep sweat, makeup, and other foreign material out of the microphone.

The E6 earset's flexible boom is easily shaped right on the performer's face. Changeable protective caps let you shape the frequency response for different situations or to match other microphones. This omnidirectional version includes three protective caps—+4 dB (bright), +8 dB (very bright) and +0 dB (flat)—that controls the amount of crispness or sibilance (response at 15 kHz.)

Easy adjustment keeps the mic in a comfortable position for rejecting unwanted sounds. The omnidirectional E6 earset provides more isolation and is suitable for situations where there are loud monitors, extreme feedback, or environmental noise.

The included removable, quick-swap cable detaches from the actual earset, making it completely replaceable in the event of a short or break. The replaceable cable design makes upgrading wireless microphone systems easy as they are available in a wide selection of connections to accommodate most wireless transmitters.

Related Questions and Answers

Q: 1. As far as I can tell, there is no master volume for the headphone output. There are only individual controls for mic, instrument/line, and monitor/mix inputs. Is that correct?

A: That is correct - the ART MyMonitorII Personal Monitoring Solution Mic/Line Mixer does not have a single, dedicated master volume control for its headphone output. Instead, the MyMonitorII offers four dedicated level adjustments (Mic, Inst/Line, Stereo Monitor Left, Stereo Monitor Right) which allow the user to create a custom blend of the inputs used on the mixer and which all contribute to the headphone output level, which can achieve a maximum output of +12dBu.

Q: 2. How are these compared to the SHURE SE846, the difference is too big?

A: I found the difference big, although not sure price difference is completely justified. But, 846's have more bass, can play much louder and still get full, clear sound. Having bought both ,(they fit my ears better than other brands) I would not go back to the 535's; the 846's are much more involving. Hope that helps.

Q: 3. what is the width of the flexible cable (not the plug which is 3.5mm)?

A: I am not sure I completely understand your question. If you could rephrase that it would be extremely helpful. Specs for the EAC64CL - (Clear 3.5mm cable that is included) The cable it's self is 64 inch long. The part of the cable that loops around your ear is 3 inches long. The diameter is 1/8 of an inch wide.

Q: 4. I want to capture the sound on a phone, the audio signal is coming from an HDMI source going through an HDMI audio extractor, will this cable do the correct job of mixing left and right channels?

A: The Sescom Stereo RCA to 3.5mm TRRS Plug Line to Mic Level Summing Cable will take the stereo output signal and combine the left and right channels to mono so the audio on both channels will be exactly the same.

Q: 5. Will this work to connect the stereo line out from an amp to a single channel 3.5 mm input of a subwoofer? (A simple y-splitter cable makes the amp sound horrible.)

A: No. This Sescom cable is a line-to-mic attenuating cable intended for connecting line level signals to the mic input on a mobile device like smartphone or tablet. The 3.5mm end is TRRS, not TRS. You can use a Y-cable such as the Hosa Technology REAN 3.5mm TRS to Dual RCA Pro Stereo Breakout Cable (B&H # HOYCRTRSRCA6) to connect the output of an amp to a subwoofer.

Q: 6. Which size would fit s FUJIFILM XF 18-55mm f/2.8-4 lens?

A: The Dot Line Wide-Mouth Neoprene Lens Pouch X-Small size would be the best for the FUJIFILM XF 18-55mm f/2.8-4 R LM OIS Lens.

Q: 7. Does this work with the zoom H1?

A: This is the cable for the Zoom H1. B&H # SEL2MZMH4MON

Q: 8. it says 36ft in length but I received a 3ft cable when i purchased this. Do they really come in 36ft length?

A: The length of this Sescom cable is listed as 36 inches, which is 3 feet. The information for the cable length is clearly stated in the product title, description, and specs. Sescom also offers the same cable in 12" and 18" length, but 36" is the longest length available. If you need a long cable, the best option would be to use female RCA adapters such as the Pearstone RCA to RCA Female Coupler - Pair (B&H # PEPARFRF) which will allow you to attach another dual RCA cable in the length you choose. We do offer long RCA to RCA cables such as the Kopul 2 RCA Male to 2 RCA Male Stereo Audio Cable - 30 ft (B&H # KOSRC4030) or 50 ft (B&H # KOSRC4050). When used together with the adapters and a longer extension cable, the Sescom cable will still provide line to mic level summing for a mobile device.

Q: 9. Can I use this cable to connect my H4N Zoom directly into my Panasonic GH4 and have the audio sync with video? Also will the headphone connection monitor the audio of the zoom or the camera? Thanks!

A: That's pretty much what it is designed to do. It takes the headphone level output from the headphone jack of your H4N and splits it into two ends, one mic-level output (male 3.5mm) that you can plug into your camera and one headphone-level output (female 3.5mm) that you can plug in headphones to monitor. BTW, my next suggestion is not what you asked about or how the product was designed, but I prefer to have a separate sound operator who records the sound on my Zoom H4N and transmits the mic level signal over a wireless pack to my camera. In this scenario, my sound operator uses this cable to monitor on headphones from the Zoom H4N while also plugged into a lav mic transmitter.

Q: 10. Does this work with a Panasonic GH3?

A: The LN2MIC-ZMGH-MON from Sescom is compatible with the GH3 and most other DSLR cameras that feature a 3.5mm mic input jack.