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Schoeps Minicmit Mono Windshield Set Short Shotgun Microphone With Included Windshield (blue)

Schoeps Minicmit Mono Windshield Set Short Shotgun Microphone With Included Windshield (blue)
  • Product Code: ga76589
  • Availability: In Stock

$8,085.00 $12,774.30

Procure yourself a highly professional microphone for recording in the elements with the Schoeps MiniCMIT Mono Windshield Set. This bundle gives you the MiniCMIT short shotgun mic as well as an elastically suspended windshield that mitigates the sound of wind when recording outdoors.

The blue Schoeps MiniCMIT is a top-tier performer for camera- or boompole-mounted use in film, TV, and location recording applications. Compliant with P12 and P48 phantom powering, the MiniCMIT can be used with professional and consumer devices.


A fixed 24 dB/octave low-cut filter at 70 Hz ensures that excessive boom noise and rumble will be kept under control. Special construction and filtering effectively inhibits interference from various sources such as radio, TV, and cellular frequencies.


The MiniCMIT's supercardioid/lobar polar pattern yields directional characteristics that smoothly increase at higher frequencies while providing low off-axis coloration for natural sound at all angles. With low self-noise, moderate sensitivity, and high SPL handling, the MiniCMIT delivers a sonic performance deserving of premium mic preamps.

When you take the mic to a highly windy location, that's where the COSI-L-21 Windshield comes in. This windshield is tailor-made for the MiniCMIT Microphone. It also isolates the mic from structural-borne vibrations ensuring a clean sound. A premium carrying case is included.

For Pro Film, TV & Location Recording    Includes Suspension Mount & Windscreen    Rotationally Symmetrical Polar Pattern    Fixed 70 Hz Low-Cut Filter    Flat 60 Hz to 20 kHz Frequency Response    High Immunity to RF Interference    Supercardioid/Lobar Polar Pattern    Low 14 dBA Self-Noise    Moderate Sensitivity of -35 dB    Low Off-Axis Coloration

Key Specs
Element TypeCondenser
Polar PatternLobar / Supercardioid
ControlsLow Cut/HPF
Frequency Response60 Hz to 20 kHz
Maximum SPL130 dB (.5% THD)
Analog Output1x XLR 3-Pin
Power SourcesPhantom Power
Microphone
Sound FieldMono
Element TypeCondenser
Polar PatternLobar / Supercardioid
OrientationEnd Address
CircuitrySolid-State
PadNo
High-Pass Filter70 Hz, 24 dB/Octave
Filter & EQLow-Cut Filter: 70 Hz, 24 dB/Octave
ControlsLow Cut/HPF
Performance
Frequency Response60 Hz to 20 kHz
Maximum SPL130 dB (.5% THD)
Off-Axis Rejection5 dB at 60°
20 dB at 120°
>10 dB at 180°
Sensitivity-35 dB
Equivalent Noise Level14 dB (A-Weighted)
24 dB (CCIR)
Connectivity
Analog Output1x XLR 3-Pin
Power
Power SourcesPhantom Power
Operating Voltage12 to 48 V (Phantom Power)
Physical
ColorBlue
Mounting Thread Size5/8"-27 Female (3/8"-16 Female with Included Adapter)
Dimensionsø: 0.83 x L: 5.94" / ø: 21 x L: 151 mm
Weight2.75 oz / 78 g

The MiniCMIT features the same frequency response curve as the CMIT 5, allowing either microphone to be used without altering the sound. Thanks to a polar pattern that stays the same in the vertical and horizontal planes, the MiniCMIT produces consistent sound quality at any point of rotation.


With a directionality that increases smoothly at high frequencies and a 60 Hz to 20 kHz frequency response, the MiniCMIT is optimized for neutral, transparent capture of dialogue, foley, sound effects, and instruments. Considering its low self-noise of 14 dBA and moderate sensitivity of -35 dB, it performs best with a clean, high-gain mic preamp.

The MiniCMIT utilizes special construction and filtering to provide a high standard of measurable immunity from radio-frequency interference (RFI) caused by sources such as switching power supplies, lighting controls, AM/FM radio, digital radio and TV, cellular phones, and broadband communications.

The MiniCMIT features a balanced 3-pin XLR output, low current draw, and support for P12 and P48 phantom power, making it compatible with a variety of professional and consumer devices such as handheld audio recorders, portable field recorders, mixer adapters, and cinema cameras.

Mount the MiniCMIT directly on a stand or boompole using the supplied mic clip, affix it to a camera with an optional shoe shockmount such as the Rycote InVision Video, or place it in the separately available Rycote INV-6 InVision shockmount to prevent the transfer of vibrations to the microphone when attached to a boompole.

The MiniCMIT includes a foam windscreen to reduce unwanted wind noise from breezes, fans, heaters, and air conditioners. For maximum reduction of wind noise in indoor or outdoor environments, consider the Rycote Cyclone Windshield Kit (Small) blimp-style windshield and suspension system (available separately).

Related Questions and Answers

Q: 1. Hey sound guys and cam ops, what if i put this on my camera top? for run and gun documentary filming? Will there be difference?

A: The Schoeps MiniCMIT is a high-quality short shotgun microphone that can be camera-mounted and used for run-and-gun documentary filming with excellent results.

Q: 2. It says windjammer included! which windjammer is it? if it's Olympus WJ-1, it's not compatible to this kit at all, obviously!

A: Included would be the Olympus WJ-1 Windjammer, this comes this way from the manufacturer.

Q: 3. Will this fit a Schoeps CMC641?

A: No, this kit is for use with the Schoeps MiniCMIT microphone. The Rycote Windshield Kit 2 - Complete Windshield and Suspension System (B&H # RYWSK2) is the kit that fits the CMC641.

Q: 4. How long is the included XLR cable?

A: The XLR cable for the Rycote Windshield 9 Kit CMC-1 Modular Windshield for Schoeps CMC 1 Microphone is approximately 12" long.

Q: 5. Does does fit senal mc24 shotgun mic?

A: Yes, the Auray Professional Windshield for Shotgun Microphones (7") is compatible with the Senal MC24-EL Long Shotgun Microphone.

Q: 6. Any difference between this and the Rycote classic softie - other than price?

A: Not that I can see. I own both, and it appears to me that they are the same manufacturer with different labels.

Q: 7. It's compatible with ECM-XM1?

A: The Auray WSS-2012 Professional Windshield for Shotgun Microphones - 4.7" will fit on the Sony ECM-XM1 Shotgun Microphone, but since the WSS-2012 is 4.7" deep and the mic is only 6.5" long, the windshield may be a bit too long for the mic. As a better option, you can use the Rycote Standard Hole Classic Softie Wind-Screen - 3.9" Long, 0.7 to 0.8" Diameter Hole, Gray (B&H # RYS10M) or the RODE WS11 Windshield for VideoMic NTG Mic (B&H # ROWS11). The VideoMic NTG is about the same size as the ECM-XM1 so the windshield should provide a good fit.

Q: 8. Does it fit the Zoom M3 MicTrak Stereo Shotgun Microphone and Recorder?

A: The Auray Professional Windshield for Shotgun Microphones (5.5") will fit the Zoom M4 MicTrak, although there will be a half inch of extra space from the tip of the microphone to the tip of the windscreen.

Q: 9. Does it work with ntg4 + ?

A: Yes. See below dimensions ( the depth spec does work, as 7.1 " is more than enough to cover the mic element / side vents. Auray WSS-2018 Specs Compatible Mic Diameter 0.75 to 0.9" / 19 to 23 mm Inner Depth 7.1" / 18 cm Rode NTG 4+: Physical Color Black Mounting 3/8"-16 Female, 5/8"-27 Female, Mic Clip (with Included Hardware) Construction Material Metal Dimensions ø: 0.87 x L: 10.94" / ø: 22 x L: 278 mm Weight 6.21 oz / 176 g (Microphone)

Q: 10. Will this fit a Sennheiser MKE 400?

A: It might fit over the shotgun barrel but it is probably much too long and will have a empty gap past the tip of the shotgun. This windscreen fits well on a ME 66.

05/09/2024

Used it on the street & in the studio. Tracked into a Mac indoors and a Zoom outdoors. Also tracked into an iPad via Presonus iTwo and Capture. Clean and quiet. Background is greatly reduced. Lightweight and easy on the shoulders with Rode boom pole.

5
03/09/2024

I wouldn't consider myself a professional nor have I experience with any other shotguns. HOWEVER, I don't need to be a pro to tell that the noise level is very low and that this mic produces very good sound. I bought it for personal projects that I won't be making money on and it's been worth every dollar (well, shekel)! It's small and light which makes putting on a camera simple and easy. I just finished filming an indie short with it and got great results. I was able to get very usable sound from about 10' away. If you're not a pro, like myself, and you're hesitant about this one I'd say go for it! I can't recommend it enough!

5
27/08/2024

Needed an short shotgun mic for interviews and it did the trick. Can't beat the price.

5
23/08/2024

I use the Rode NTG for mostly shorts, commercials, and other videos that end up online. It's perfect for that and probably more. It's not oversensitive like a sennheiser for this kind of work and is very reasonably priced I'm very happy with it.

5
07/08/2024

It came highly recommended. I am getting a high hissing when using it, but I am also a novice, so I may be missing something obvious. Otherwise, superb sound.

5
05/08/2024

Love the Rode NTG-1 Condenser Microphone. I use it with my Canon Mark 2

5
17/07/2024

I bought this Microphone to mount on my DVX-100B. So far the sound quality and light weight of the Microphone are a perfect addition to my video package. Very happy with my purchase and B&H.

5
17/05/2024

Upon a friend's recommendation (the friend is a location sound man), I bought this NTG-1 kit as entry level location sound equipment. I use it with a Canon 7D fitted out for video and a Zoom H4n digital audio recorder. The equipment in this kit is great. The boom works well, is good quality, and it's basically nice to have the internal cable instead of having to deal with wrapping the cable around the pole. The shockmount works well, and the 90 degree XLR plugs are nice. You get two windscreens: one foam version that comes with the mic, and one dead cat that comes in the kit. Very versatile. And the handle that comes with the kit fits into the Zacuto mini baseplate I use, and makes my fully dressed camera look like an old ARRI 2BL 35mm movie camera, which is kind of cool and a handy bonus. The only mistake I made in purchasing this kit was that I got the NTG-1 instead of an NTG-2. The only difference is that the NTG-2 holds a battery for use when you don't have phantom power. I need that for shooting documentary style video with my DSLR. But, you live and learn.

5
07/05/2024

Sound is crystal clear, works perfect with my zoom h4n.

5
05/05/2024

This shotgun mic is a great value, combining affordability with high-quality signal. The compact form factor is a bonus. The microphone compares favorably to my old Sennheiser ME-80, and pretty much every other microphone I've used. The one concern I've had is that its narrow diameter causes it to swim in my on-camera mic holder. I wrapped the NTG-1 in a neoprene strip to snug up the mount and that seems to have solved the problem. Another solution would be to purchase the Rode SM5 shock mount. Maybe I'll pony up for a proper mount in the future, but the neoprene is working for now. Note that this microphone is phantom powered, so verify that your camera (or other equipment) can supply the necessary juice.

5

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