The light beige B3 Omni Lavalier Mic, Standard Sens, with 1/4" Connector for TBP06 Wireless Transmitters from Countryman is a water-resistant, miniature lavalier microphone for capturing high-quality audio. It can be used in a variety of applications such as a tie-clip lavalier in interviews, a hair-hidden mic for drama, a water-resistant mic for water sports and hurricane reporting, or simply a small mic to hide in a prop flower vase.

The B3 capsule is resistant to moisture (IP67), which allows for placement in the hair or on bare skin, and its omnidirectional polar pattern minimizes handling noise, wind noise, and plosives (popping). Furthermore, a variety of skin-matching colors are available. This B3's cable terminates to a 1/4" connector for direct connection to TBP06 Line 6 wireless bodypack transmitters Additionally, a carrying case, two cable clips, a windscreen, and three protective caps are also included.

For Interviews, Drama, and Water Sports    1/4" (L3), See Description    20 Hz to 20 kHz Frequency Response    Headroom for General Use    Includes 3 Capsule Protection Grids    Windscreen    Cable Clips    Carrying Case

Looks great when you want to see it, virtually disappears when you don't. The B3 is easily hidden in hair or on costumes, with five colors to match clothing, hair, and skin tones. Use a felt tip marker to color the white caps for near-perfect concealability. Never suffer the hassle and degraded sound quality of under-clothing miking again.

The B3 is resistant to makeup, sweat, and moisture when used with the supplied protective caps and works well in hair or on the body. The protective caps are easily removed for cleaning or replacement, and the aramid-reinforced cable gives it world-class survivability.

The B3 provides high-quality audio with low distortion at SPL up to 140 dB for wireless applications. The aramid cable and thin diaphragm combine to offer low handling noise. The flat-frequency response accurately captures voice or instruments, and the small size makes the B3 easy to position for ambient noise and feedback rejection.

Changeable protective caps let you shape the frequency response for different situations or to match other microphones. Versions are available for different speaking or singing styles, with high-overload capability for recording instruments.

Standard, for most uses.

Related Questions and Answers

Q: 1. How is the echo on these microphones? I'm having an issue of shooting in a large space, and the boom mic I use picks up a lot of echo so I am trying to reduce that to get clearer audio.

A: By placing these mics on a person directly, they will pick up much more of the voice and less room noise than a shotgun in a large space.

Q: 2. Curious if people are actually using the included lav mics? My initials tests were quite disappointing compared with a better mic, but maybe others have better experience? It seems they need a lot of gain to get any audible signal at all.

A: You can upgrade the mics to higher quality mics if you choose. Look for locking 1/8" mics that are wired for Sennheiser. That said to upgrade to a mic that is a significant upgrade you are looking at mics that are over $200-350 each, two of those is the same price or more than this entire system.

Q: 3. Dose the Sanken Cos-11D lav work with the Saraminic UWMIC9 TX9 transmitter ?

A: Yes, you can use a Sanken COS-11D lavalier with the Saramonic UWMIC9 TX9 transmitter, but only if it has a 3.5mm locking connector and a compatible internal wiring configuration. B&H item # SAC11WNSOTRB is a COS-11D with a 3.5mm locking connector that is wired for use with Sony UWP transmitters, and it will also work with a Saramonic UWMIC9 TX9 because the internal wiring configuration and the connector are the same for both Saramonic and Sony.

Q: 4. Looking to film my kid playing sports mic'd up. I am a photographer and I noticed my son talking a lot and I thought it would be fun/funny to get the audio as he never admits to actually talking. I would like to use my Samsung S7 (Phone) as my camera has I have a gimbal for it, but I do have a few other cameras like the Canon 5D4, 6d, 7DII, and 60D.....what is best recommended to get the results I think I'm looking for?

A: This would work for you if you have a place on the gimbal to mount the receiver. You will also need a cable to interface with your phone. The Saramonic SR-PMC1 for TRRS headphone port will work great with that phone.

Q: 5. can you lock out the mute function on the transmitters?

A: Yes, you can lock the transmitter so the device can not be turned off or muted.

Q: 6. ABOUT SARAMONIC UWMIC9:I'm wondering if the combo made of one transmitter and one receiver can accommodate adding a second transmitter, purchased separately?Looking for a smart purchase but can't afford the (x1) RX and (x2) TX package at the moment.

A: Yes. You can buy a kit of 1 tx and 1 rx now and later on purchase a single tx.

Q: 7. Can I connect transmitters with Sennheiser ME 2-II or they have a different thread?

A: No, the Sennheiser ME 2-II will not work with a Saramonic transmitter. Although Saramonic does use the same type of connector as Sennheiser (3.5mm locking), the internal wiring is different and is not compatible. However, the 3.5mm locking connectors used for Sony transmitters are wired with the same internal configuration as Saramonic, so you can use a Sony (or Sony-compatible) mic with a Saramonic transmitter.different. However, the 3.5mm locking connectors used for Sony transmitters are wired the same as Saramonic, so a Sony or Sony-compatible mic will work with a Saramonic transmitter.

Q: 8. Just curious...will a Saramonic wireless transmitter (freq 530MHz for example) work with a Sennheiser receiver set to same freq.?

A: No, you typically can not mix different brands of wireless transmitters and receivers, so you would not be able to combine a Saramonic transmitter with a Sennheiser receiver, even if both are set to the same frequency.

Q: 9. Are there replacement lav mics available?

A: Yes

Q: 10. Do these work with XLR inputs on the Sony HXR-NX100?

A: Yes